I dug this unit out today - and the video is a walkthrough of the different preset programmes. Some are useful, some just plain strange! I can see the solo singer in a bar maybe? You have to work hard to create your own pile of songs through!

I thought I’d share this because I’m pretty pleased with what I have done. Pre-covid we recorded a show in a theatre and ended up with a hard drive full of the video clips from cameras and the sound files recorded from the M32 to a MacBook.

Hello, hopefully someone here knows the answer to my question.

I'm currently digitizing sVHS tapes using JVC VHS player, together with 'Elgato Video Capture' software.

I'm having the same consistent problems with all the tapes that say "ADAT" on them. All of them do not have any picture or sound. Tape is spinning, but 'No Signal' keep blinking on the screen.

Anyone use a standing desk for music production?

If so, what's your setup? (ie. sitting / standing, manual adjustable desk or with a motor, which brand you might recommend, etc.)

My current setup is very ghetto (and clunky / uncomfortable) so thinking about how to design something that's most optimized for a smooth workflow, yet comfortable for many hours of production).

Is there a specific chair that's most loved by music producers?

Or one you use and would recommend?

My current chair is literally almost a 90 degree "L" shaped hard chair with almost no padding and needless to say, it's very uncomfortable. Looking to up my chair and desk game.

Hi, I'm Kevin and I'm a software developer and music fan living in Toronto.

I could use your help in launching my new musician's website, SoundCheck.

I've been testing some shotgun mics and investigating how the length impacts on their polar patterns at different frequencies. Some rotation of multiple mics, measurements and graphs!

I’m interested in potentially getting a ribbon microphone for mostly just hobby recording in my home. I’ve been having a terrible time finding examples and information on recording classical vocals on a ribbon microphone, however, the one example I did find sounded quite beautiful. The singer was recording using an AEA R84, however, it’s a bit out of my price range.

I want to know what is the best way to split my live room signals (mics, lines etc...) so I can feed my analog board and my digital interface simultaneously?