A beautiful example can be found in the Orchestra section of the Royer Demonstration CD. An engineer used one well-positioned SF-12 to create a stunning recording of the Ukrainian Radio Television Orchestra. (Initially, the conductor was not happy with the engineer's desire to record with one microphone, but after hearing the results, the engineer has been invited back to record the orchestra a number of times, with the same one microphone, his SF-12.)
The SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you'd like to capture the meat of the kit but with more air on the cymbals to help them cut more aggressively, simply open the top end up with EQ. Ribbons take EQ extremely well because they generate virtually no self distortion. When you boost a frequency, even by many dB, you'll bring up only the musical response you're looking for without unpleasant distortion artifacts joining the party.
Recording in Mono
Phase compatibility between the two sides of the SF-12 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the "sweet spot" of a mono microphone. Either side of the SF-12 can also be used individually as a mono microphone.
- True stereophonic (Blumlein and M-S) recording from one microphone.
- High SPL capabilities.
- No internal active electronics to overload or produce distortion up to maximum SPL rating.
- Extremely low residual noise.
- Ribbon element not affected by heat or humidity.
- Absence of high frequency phase distortion.
- Equal sensitivity from front or back of elements.
- Consistent frequency response regardless of distance.
- High efficiency, matching toroidal transformers.
- Very low magnetic leakage.
- Drum Overheads
- Percussion Instruments
- Brass and Woodwinds
- Horn Sections
- Acoustic Piano
- Solo Strings
- String Sections
- Acoustic & Electric Guitars
- Background Vocals
- Stereo to Mono
- Acoustic Operating Principle: Electrodynamic pressure gradient
- Polar Pattern: Symmetrical figure-8
- Generating Element: 1.8-micron aluminum ribbon
- Frequency Response: 30-15,000 Hz +/- 3dB
- Sensitivity: > -52 dBv Re. 1v/pa
- Output Impedance: 300 Ohms @ 1K (nominal)
- Rated Load Impedance: >1500 Ohms @ 300 nominal impedance
- Maximum SPL: >130dB
- Output Connector: Male XLR 5 pin (stereo*)
- Dimensions: 206 mm L X 25 mm W (8" L X 1" W)
Weight: 369 Grams (13 Oz)
- Finish: Matte Black Chrome, Dull Satin Nickel (optional)
For more information see: http://www.royerlabs.com/SF-12.html