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Thread: Recording with Macbook Pro, AKG C2000B, & MicPort Pro

  1. #11
    Golden Member Cucco's Avatar
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    Quote Originally Posted by FourthQuarter
    Thanks for the response. Once again, I was given advice, not by a salesman, that since I will be recording in an apartment bedroom that is not acoustically treated, and since I will be using it for hip-hop vocals only, the C2000B will actually work to my advantage, as although it may not give highs that a female r&b singer is looking for, the bad acoustics of my room won't effect my recordings as much (even though this is normally seen as a bad aspect of a microphone).

    Basically, I've consistently heard that the C2000B is an extremely underrated hip-hop vocals mic that has pleased many artists.
    SERIOUSLY!

    Who the hell is giving you this advice? They're a f*cking moron!

    The C2000 is not an extremely underrated hip-hop vocal mic and it has not pleased many artists. It is an OVERRATED instrument mic that has disappointed most anyone who has ever touched it!

    The acoustics in this case have NO IMPACT whatsoever on your choice of mic. Anyone who gives you this advice is once again a MORON.

    Also, the C2000 has a rather bright top end which don't suit vocals (male or female) well at all.

    Look - if you want to take this other guy's advice- do. You'll enjoy your MicPort and your C2000 and you'll never be able to figure out why your recordings sound like crap. You'll blame it on poor software, lack of acoustic treatment or whatever, but it's the same old rule - Crap in - Crap out.

    Bad equipment (and again, the C2000 isn't that bad, it's just the WRONG tool for the job) will make your recordings bad.

  2. #12
    Golden Member Cucco's Avatar
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    Quote Originally Posted by FourthQuarter
    And once again, sorry if I sound like I'm defending myself. I am actually very interested in what I'm being informed of, and I'm just trying to provoke more discussion in the direction that I'm interested in hearing answers.
    No need to apologize.

    I'm getting the impression though that you're looking to get the answer you want to hear (which is "Go for it dude, that stuff is great and is made out of Pro-quality stuff".)

    You're not going to get that answer here. You're going to get the cold hard truth.

    We're not against inexpensive gear here. Seriously, we're not. But when you're barking up the wrong tree and keep doing it, we'll either rip into you or just stop talking.

  3. #13
    Pro Audio Community FourthQuarter's Avatar
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    ^ I understand that. So, after getting my money back for the MicPort Pro, what would be your recommendation in that same price range for the most quality for my money as far as an interface goes? Keep in mind, once again, I have no reason to pay for something for its multiple channels etc... what I want out of my interface is superb sound quality, period.

  4. #14
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    that price range is $100-200 by the way.

  5. #15
    Golden Member Cucco's Avatar
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    Superb sound quality comes at a premium. There are other costs associated with superb sound beyond just the interface. The most important of which would be acoustics and monitoring capabilities.

    The acoustics can be EASILY rectified since there are several off-the-shelf products currently which address the needs of a solo vocalist. I would advise you to look into those as this will have a greater impact than anything we've talked about so far.

    If you don't want to pay excess money for the prefabricated stuff, you can do the same thing with some moving blankets from www.markertek.com or a couple pieces of scrap Auralex foam (don't use couch foam, egg crate, or anything else - it won't work and will only make matters worse and unsafe...)

    So, down to the interface -

    Here are a few that could be strongly recommended -

    Basic and cheap with very little frills. The quality is acceptable but not phenomenal. It's still better than the MicPort:

    http://www.sweetwater.com/store/detail/Inspire1394/

    Also decent. I know you don't need additional channels, but you get them - think of it as a bonus. Such will be the case with much of what's listed here:

    http://www.sweetwater.com/store/detail/Firewire410/

    I can attest to this unit's quality as I have its big brother, the Konnect 24. It's nice. It's very nice.
    http://www.sweetwater.com/store/detail/Konnekt8/

    This one might be your knight in shining armor. 2 channels in and out - nothing more, nothing less. Excellent quality and it's designed to integrate perfectly into Logic, Garage Band, etc.:

    http://www.sweetwater.com/store/detail/Duet/

    This one's usable and still quite decent for solo voice:

    http://www.sweetwater.com/store/detail/UA25/

    Also, consider interfaces from:
    www.echoaudio.com
    They're great in quality, driver, support, and all else. I still use an Echo Mia that I purchased almost 10 years ago in one of my machines. They provided support for me no more than 2 months ago on a product they made 10 years ago- this means something to me.

    Oh..and again- please consider a different mic.

    A VERY affordable and wonderful mic for hip-hop vocals is the Blueberry. It's a tad pricier than the AKG C2000, but the sound is friggin amazing.

    If you're close to the DC area, I'll let you give it a try and see what you think.

    Cheers-
    J.

  6. #16
    Pro Audio Community FourthQuarter's Avatar
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    I was really trying to keep it around or under $200.

    So something in the FastTrack line wouldn't be recommended?

  7. #17
    Golden Member Cucco's Avatar
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    Sure - the Fast Track stuff is great, inexpensive gear that should get you fantastic results.

  8. #18
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    ^ no sarcasm?

    Because its cheaper than most of the recommendations you gave me.

  9. #19
    Golden Member Cucco's Avatar
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    Nope...no sarcasm. It's a simple elegant solution which is lightyears ahead of your previous notions.

    I only use sarcasm as a means to cover up my own inability to communicate as a learned individual.

  10. #20
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    The FastTrack should do fine. It's far from pro but then again, it doesn't claim to be pro either.

    Think about the fact that they had to cram all of the electronics into that 3" long, 1" wide Micport. How good could it possibly be? I couldn't help myself. I had to go to the site. I love this quote: " want another input? Plug in another MicPort!". 4 inputs later, you will have paid for a much nicer interface.

    On a side note: There are lot of engineers on this forum that actually do this for a living. I try not to say anything unless I know for sure what I'm saying. Otherwise, someone will surely let me know. For the most part I just like to read. There is a lot to be learned here.
    Shhhhhh! Be Vewwy, vewwy quiet! I'm hunting pirates. Huhuhuhuhuhuhuhuhuh.

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