Hi
I've used a couple of mastering engineers over the years but have been using one more recently over the last year, he is someone I know too.

Today Ive just sat down to put a compilation of mastered songs together (level matching them myself).

Hi all,
I am currently writing my dissertation and would like too interview an engineer with noticeable credits.
Something very simple as responding too questions over email will do and won't take much of your time at all.

My email is James.cherry12129@gmail.com

Please get in touch ASAP

Been reading a bunch of online info about this + wonder if anyone here uses it or similar software to focus on translation (how a given mix sounds on different speakers or in different playback contexts)..

I'm interested in finding out info about specific types of frequency range filtering that's used to simulate different listening contexts..

hi guys, can u help me? here the link to listening my choir recording session. gear: mic km-184 (ortf technique), pre warm audio wa 12, interface digi 002.

[MEDIA=soundcloud]tonymarachella/ai-preat-benia[/MEDIA]

More info / register for a trial here: https://www.signumaudio.com/bute-loudness-analyser

Overview:

Are there proof that spotify normalize audio at -14LUFS?
I did some empirical A/B comparison between mp3s donwloaded on my pc and audio streamed on spotify.

I choosed this quite loud songs on pourpose:

Hi
I'm a singer songwriter producer...I've had lots of material mastered mainly with the same engineer, but I've had a couple of tracks back over the last year that seem very crushed.

I just presumed this was the industry standard but am starting to question the engineer and his ability.

Anyone listened to Arcade Fire's Everything Now?
I've been surprised to hear how quiet and dynamic this album is.
I read it was mastered by Greg Calbi.

Last The National's album is even quiter, is old fashion mastering a new trend among alt-rockers?

I recently picked up a PreSonus 1818VSL and got back into the recording game. I haven't done anything with my stuff in over 10 years. I used to use SONAR and had fairly decent results. My recordings are pretty close to what things sound like live but whenever I mix something down, it always sounds thin and quiet when compared to an "actual" recording from a decent studio.

Hi guys and girls !
I just found out the Fabfilter issued a new version of their excellent Limiter
They included level compensation to avoid being tricked with the volume change
And Yes finally : LUFS metering !
I'm gonna love it, I'm sure,,, (where's my credit card ?)