Search found 14 matches

Thanks guys for all of the great input…

The reason I ask, is that I’m doing some voice work and using a pretty good large diaphragm mic (CAD E-350). Since it might not be the perfect mic, I though ...

Thanks AudioGaff --

For broadcast radio/television voiceovers, what is the most widely used microphone(s)…

Also what is the de facto recording chain (pre/mic/comp/eq >> tape/hard drive, etc) – specifically, what ...

Thanks Ben for your excellent response. The music I’m working on is film score in style and utilizes Miroslav and Advanced Orchestra samples. So yes, you hit it right on the head, the second e ...

Rick--Thanks, good article--there was some interesting stuff in there...Jim

Thanks dk—You’ve pretty much hit on everything I’ve been doing along the way, so it’s good to know that I’m on track with others… I guess I was really won ...

Does anyone have any tips on mastering orchestral recordings? It seems to me that one would want to preserve as much of the dynamics as possible. Is any EQ, maximizing or compression ever applied? ...

Where's the beef?!

Thanks again Brad... very helpful info.Jim

Thanks Brad,Is this pretty much the prevailing view amongst professional mastering engineers? I have the same song mastered twice, one using IDR and the other using UV22. Both come ...

For the Pros out there:IDR or UV22--which do you prefer (dare I say is better?) and why??Thanks,Jim

If you can get the 20/20bas—grab ‘em. Lots of power/flexibility there. I use the PS8’s and love them… If you don’t need the room EQ and extra watts—chec ...

Thanks Brad and others the replies—Sonicpan- great thread—just what I was looking for…Blake—In so much that I’m here seeking the same advice you are, I ...

Great forum idea! Let me begin by saying that after reading through the other posts, I’m thrilled that there are those of you out there who are willing to share your knowledge and kick this for ...