Search found 11 matches

I am not a big fan of spaced omni pairs - I do, however, like 3 or more omnis. To get an acceptable stereo spread with 2 omnis you have to go wide enough that you get the "hole in the middle" syndrome ...

Shure SM7b - hands down.

I don't agree that anyone should apply themselves to an arbitrary rule such as "write the chorus first". What if the verse comes to you before the chorus?

Write how you write, just be cognizent of ...

I think more than "tricks" or such it's an experience thing. If you say your verses are catchy and really hammer home a theme, well then maybe that's your chorus and you need to write something else f ...

I recorded Creation in a small venue once. Choir behind orchestra on risers. Soloists in front row of choir, but not stepping out for solos.

I was able to use ORTF pair behind conductor with in-lin ...

I felt just the opposite. The trumpet was fine to my ears (in fact I really enjoyed the tone), but I felt the pipe organ was a bit on the "mushy" side. I would have liked a bit more definition on the ...

Wow - I would never have guess M/S. I was betting on a Blumlein pair Smile

I just never get those results with an M/S setup. I think I need to experiment with that a bit more.

Nice work.

very nice indeed! Waiting with baited breath for you to tell us about the setup.

One more vote for Sibelius. I still have (and use) Finale, but less and less since getting Sibelius. It's a great piece of software.

Just wanted to get some opinions, particularly from those who do classical recordings, as to what your favorite main pair configuration (XY, ORTF, M/S, AB, Decca Tree, Blumlein, at al) is & why.
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Schoeps CMC621 - just astouding transparency, especially in a wide ORTF configuration.

Audio-Technica 4050 - I just get alot of mileage out of these, so much so I have 3 now and can always find a u ...