Thread: HELP with compression

hi musicmn, welcome to RO

this is a rather complex issue, but i will try to get some basics going, first, there are many ways how to route a compressor, depending on what you want to achieve,

say you just want to fatten up your drums, then it's a good idea to route the compressor through a bus and asign all drum mics to the bus where the comp. sits. or at least kick, snare, toms... you can obviously asign any other sound going through your board into the compression buss you like, if you keep in mind that it will have the same compression settings / caracter as the drums. (mono compr. or stereo where you can use both channels individuel as mono)

or if you have more than one compr. you can set up two or three... buses with different compr. and asign to say one buss the drums and to the other bus(es) bass and say guitar...

or if you have multiple (many) compressors you can route them direct to all the according channels directly (insert points)... you want to compress... (mono compr. or stereo where you can use both channels individuel as mono)

or you can route the comp. on the end into the stereo out summ to your recording device (here you should choose a really good very transparent sounding comp. imho) to apply some overall compression to the signal and "glue" everything together. (stereo comp. or 2x mono with mirror settings)

or with multiple comps route one into the "drum buss" and one into the stero summ, that way you can fatten your drums and "glue" the whole mix together at the same time...

that's just a very few simple examples of the posibilities how to route a comp into the signal chain.

about settings a good rule of thumb is to start "low and slow" your ears will tell... best is to experiment as each material and situation is different...

ok, i know that this is VERY simplistic, but if you can specify a little more what sounds you whant to compress or what you want to achieve... (e.g. what kind of compressor do you have, does it have a sidechain, etc. etc.) then i can give a more specific answer...

hope it helps a little.

hi ricky,
to start off, as i already mentioned there isn't any that's how all / or most studios doing it, as the way you route compression really depends on the application, material you record, and personel taste / preferences...

however, in your case that's what i would do to start off...

route all your compressors into your busses on the mackie, set them to "zero" start with say routing your kick drum track through the first one and listen to it... start to 'DIAL" the settings from "low and slow" slowly up and listen how the kick behaves, if you set the attack and release times long e.g., you will create slowly a 'pumping' sound, if you like it, use this comp for all drum sounds, take the next sound say your bass or synth or whatever route it to buss 2, next compressor and do the same with that one... and so on, after you say route the kick, snare, toms to buss1 (your "drum compressor") adjust the compression settings to your like... remember that all sounds will react like a bunch of chemicals together so you have to listen to the 'WHOLE PICTURE" and adjust accordingly, the more sounds you will add...

if you discover that for example you only like the sound of the Kick, but not of the snare and tom then pull the compr. out of the buss route, and you can plug the comp direct into the insert points of the kick drum track on your mackie, that way you will free up a buss for another use, e.g. or if you like two sounds compressed say snare and kick, but you feel that one needs a slightly different setting, then insert one compr. channel say from the 3630 into the snare drum track and the other into the kick track and tweak them individuel... (you see the possibilities are nearly endless, and all of them will give you a different result!)

start with that step by step, if you are not satisfied then pull one compr. out and route him to the stereo out sum before your recording device... (sorry i don't know your devices sonically - only the 3630 and i think it's not so great for a all over compression, but that's just my 2cents!, so you have to try which one works best at this position) and try to apply some ALL OVER compression to the whole mix...

always start "low and slow" with the compression settings... and listen... your ears are the ONLY MEASURE...

i hope it will bring you step by step to the sound you are looking for!

experiment around... that is the best advice i can give you, i am not into giving you numbers of settings or the like as i believe it doesn't make any real sence, your ears are the judge... and every material / situation and sonic taste is different, spend a few hours / days trying different settings and routings and so on...
to create your personal sound YOU like...

cheers




hugggh... did i actually made sense??