I think I can safely say that the vocal sound you desire is not obtainable with a SM 57. Even though you may have heard that it's an excellent microphone and many people have used them on hit records. That certainly is NOT the sound of an SM 57.
The vocal sound that you're describing however is much more indicative of a lovely condenser microphone, quite likely a capsule under 1 inch, such as a Neumann TLM170, Sennheiser MKH 40series, Rode NT2, etc..
It's not going to a tube preamplifier but a transistor preamplifier, such as an API/Neve. Along with that there appears to be also quite a bit of compression on both artists vocals along with that "edgy" enhanced BBE/Aphex type processor with a judicious amount of "De-Essing" thrown in for good and safe measure, after the enhancer. Don't forget the high pass filter if you are recording with a cardioid pattern. But unnecessary in the Omni mode.
Other than that I don't hear what I would consider to be excessive use of any equalization. You are also listening to the proper distance of artist to microphone. Which generally is at least 6 inches from the microphone and not eating the microphone as so many people do on television with an SM 58.
Cooking up fine vocals with 11 secret Herbs and Spice Girls for that down-home country flavor sound.
Ms. Remy Ann David


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