I would guess the Fathead is going to be your best bet. I find condensers pick up added key click and other noise without adding anything musical that I really like.
On sax I usually start with the mic at the point of an equilateral triangle with the body of the sax as the base. If the room is good I usually move back from there and see what it sound like.
BTW, did you check out the tests we did on ribbons? The Fat Head sounds good on sax. I've kept mine even though I got the Beyer 160/130 pair.


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