| Our Sponsors Pro Audio Products |
| |
|
|
| | Recording.org PRO SHOP Categories |
| |
|
|
|
| Pro Shop Random Audio Product |
| |
|
|
|
| | You are not subscriber of RECORDING. You can subscribe from here now! |
|
|
|
|
| We received 82000605 page views since March 15, 2004 |
|
|
|
|
| Recording Org Navigation Map |
|
| |
| |
Home |
| |
| |
Discussions |
| |
| |
Business Section |
| |
| |
Content |
| |
| |
Info |
| |
|
|
|
|
|
|
Your url ad could be here!
| Author |
Message |
saemskin
Recording Org Pro Audio Group

Joined: Oct 09, 2005
Posts: 271
Location: Toledo
------------
Books To Read
Your Forum Posts
|
Posted:
Sun Jan 07, 2007 11:13 am |
  |
Hello everyone. In the coming months I'm going to have some money to buy some new toys. I'm thinking of perhaps possibly maybe ( ) getting some good reverb going.
Right now the reverb capability I have is
Hard:
-Kurzweil Mangler
-Ensoniq DP4
Soft:
-Altiverb (this has too many options to be very useful to me though)
-UAD Dreamverb, Plate 140, RE-201
-Powercore Classicverb and Realverb Pro
-Audio Damage Reverence
As you can see I dont have anything spectacular in the reverb department, and I was browsing ebay yesterday and I see those Lexicon PCM's can be had for well under 1k used, and they are much more than that new.
But then I've always wanted an Eventide Orville or the H8000, but I would have to save for another year probably to afford that.
Do any of you have experience with Eventide reverbs?
Good, bad, or just different?
What *is* your favorite high end reverb box and why?
Based on what I currrently have, what would *you* get and why?
My Powercore is only the PCI, so I cant use the newer VSS3, Nonlin, etc... and I'm out of PCI slots anyway. |
_________________ SAEMSKIN RECORDINGS
http://saemskin.com |
|
   |
 |
SeniorFedup
Recording Org Pro Audio Group

Joined: Sep 13, 2005
Posts: 162
Location: Kendall Miami Fl
------------
Books To Read
Your Forum Posts
|
Posted:
Mon Jan 15, 2007 11:50 pm |
  |
what more could you want. |
_________________ I'd say, get the brick. |
|
     |
 |
MadMax
Recording Org Pro Audio Group

Joined: Mar 18, 2001
Posts: 1413
Location: Sunny & warm NC
------------
Books To Read
Your Forum Posts
|
Posted:
Tue Jan 16, 2007 6:59 am |
  |
| saemskin wrote: | Do any of you have experience with Eventide reverbs?
Good, bad, or just different?
What *is* your favorite high end reverb box and why?
Based on what I currrently have, what would *you* get and why? |
I've got a few "decent" units... H3000, H949, PCM81, PCM90, MPX100, LXP1, LXP5, Rev7, SDE1000.
Different strokes for different folks... but I find that I'm always looking for the right paintbrush to work the pallet... I can't say I have a real "Go To" verb... well yes I can... the Eventide. It may not be perfect for EVERYTHING, but it will work on everything. I guess if I had to dump all the others... I'd keep the H3000.
Since the introduction of the 960L, I've been keeping an eye out for 300's and 480's. I want a couple more H3000's, a 42, another 949 and at least a D-Two and/or preferably a 2290. I'd GLADLY sacrifice studio space for an EMT, too!
IMHO, can't have too many units...
X |
_________________ The insanity can be seen in bigger pix and greater detail at: http://www.dmmobile.com
"A committee is a cul-de-sac down which ideas are lured and then quietly strangled." -- Sir Barnett Cocks (1907 - 1989) |
|
    |
 |
AudioGaff
Moderator

Joined: Feb 23, 2001
Posts: 2603
Location: Silicon Valley
------------
Books To Read
Your Forum Posts
|
Posted:
Tue Jan 16, 2007 12:16 pm |
  |
There is a night and day difference between the Eventide H3000 series and any of the newer Eventides including the sound of their reverbs. Eventide is WAY more than just a reverb box. |
_________________ - AudioGaff -
RO Pro Audio Moderator |
|
  |
 |
saemskin
Recording Org Pro Audio Group

Joined: Oct 09, 2005
Posts: 271
Location: Toledo
------------
Books To Read
Your Forum Posts
|
Posted:
Wed Jan 17, 2007 10:17 am |
  |
| SeniorFedup wrote: | | what more could you want. |
I suppose I dont "need" anything right now, but I want all kinds of things. To be honest, if I had 1 of everything, then I *might* be happy.
I'm just curious as to what everyone is using, a Lexicon pcm81/91 is the obvious choice for a step up.
Anyone here have the TC M3000/4000. similar pricing, reverbs ported from the system 6000. ??? |
_________________ SAEMSKIN RECORDINGS
http://saemskin.com |
|
   |
 |
saemskin
Recording Org Pro Audio Group

Joined: Oct 09, 2005
Posts: 271
Location: Toledo
------------
Books To Read
Your Forum Posts
|
Posted:
Wed Jan 17, 2007 10:37 am |
  |
| SeniorFedup wrote: | | what more could you want. |
I suppose I dont "need" anything right now, but I want all kinds of things. To be honest, if I had 1 of everything, then I *might* be happy.
I'm just curious as to what everyone is using, a Lexicon pcm81/91 is the obvious choice for a step up.
Anyone here have the TC M3000/4000. similar pricing, reverbs ported from the system 6000. ??? |
_________________ SAEMSKIN RECORDINGS
http://saemskin.com |
|
   |
 |
zerosin
Recording Org Pro Audio Group

Joined: Apr 06, 2005
Posts: 61
------------
Books To Read
Your Forum Posts
|
Posted:
Fri Jan 26, 2007 11:25 am |
  |
The DP/4 is killer. Just found myself a DP/4+!
Nice creamy reverb. |
|
|
   |
 |
sheet
Moderator

Joined: May 28, 2003
Posts: 909
Location: Kansas City, KS
------------
Books To Read
Your Forum Posts
|
Posted:
Fri Jan 26, 2007 8:51 pm |
  |
| MadMax wrote: | | saemskin wrote: | Do any of you have experience with Eventide reverbs?
Good, bad, or just different?
What *is* your favorite high end reverb box and why?
Based on what I currrently have, what would *you* get and why? |
I've got a few "decent" units... H3000, H949, PCM81, PCM90, MPX100, LXP1, LXP5, Rev7, SDE1000.
Different strokes for different folks... but I find that I'm always looking for the right paintbrush to work the pallet... I can't say I have a real "Go To" verb... well yes I can... the Eventide. It may not be perfect for EVERYTHING, but it will work on everything. I guess if I had to dump all the others... I'd keep the H3000.
Since the introduction of the 960L, I've been keeping an eye out for 300's and 480's. I want a couple more H3000's, a 42, another 949 and at least a D-Two and/or preferably a 2290. I'd GLADLY sacrifice studio space for an EMT, too!
IMHO, can't have too many units...
X |
Good lord that's been 6 years ago. What are ya waitin' fer?
300s are not that great. Personally, I wouldn't buy any Lexicon anything, because Harman has managed to fend off all of the original Lexicon designers/programmers, and all but a few knowledgable people that were not involved with that roll-out. The new single space Eventide thing is good. Used that. Have their plugs and love them. It is hard to beat a 3000 for live work, but I would not buy one for the verb. That wasn't it's strong point.
The original Lexion guys recently showed their new verb. Check it out here: http://www.bricasti.com/ |
|
|
    |
 |
dyoshi
Recording Org Pro Audio Group

Joined: Nov 21, 2006
Posts: 5
------------
Books To Read
Your Forum Posts
|
Posted:
Tue Mar 13, 2007 7:47 pm |
  |
I'm thinking about buying an Eventide. It's hard to decide without trying one out. But I have found that, at a certian level of quality. It's all pretty good. After that it's a matter of opinion. Like how I work with guys who love Rush. Me I don't. But that's an opinion. |
|
|
   |
 |
|
|
| | | | | | | Business Section (News, Articles Classifieds etc.) |
| |
|
|
|
|