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Corleo0267
Recording Org Pro Audio Group

Joined: Sep 13, 2007
Posts: 2
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Posted:
Thu Sep 13, 2007 12:13 pm |
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I'm just starting out in a music recording course... and I'm just trying to figure out the best way to keep my mixes consistently at a high level? |
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TheBear
Recording Org Pro Audio Group

Joined: Jun 10, 2007
Posts: 199
Location: Fountain Hills, Az
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Posted:
Thu Sep 13, 2007 12:45 pm |
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have a good ear and mix until you think the song sounds the way you want it too. there isnt really any set way to do a mix. like if you gave two people with different tastes the same song to mix, i guarantee their mixes would be different. |
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VonRocK
Recording Org Pro Audio Group

Joined: Sep 03, 2006
Posts: 188
Location: Calgary, Alberta Canada
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Posted:
Thu Sep 13, 2007 12:51 pm |
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Only eat chicken salad sandwiches on Tuesdays. |
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Doomith
Recording Org Pro Audio Group

Joined: May 23, 2007
Posts: 86
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Posted:
Thu Sep 13, 2007 1:21 pm |
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There are a few bog standard ways of mixing.
1) Start from left to right on your tracks. Solo them, eq, do your compression etc.
2) Start by doing a rough mix and then tweak from there, with eq and compression and the likes
3) Start with the most important object in the mix (eg a pop song it would be the vocals) and work on making that sound amazing and then go through in order of priority.
Personally I like option 2 the best Also try mixing at different volumes. Eg turning it right down will allow you to hear things that stick out in the mix. Good luck |
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multoc
Recording Org Pro Audio Group

Joined: Apr 09, 2005
Posts: 435
Location: Tecumseh, MI
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Posted:
Thu Sep 13, 2007 3:07 pm |
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TheBear
Recording Org Pro Audio Group

Joined: Jun 10, 2007
Posts: 199
Location: Fountain Hills, Az
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Posted:
Thu Sep 13, 2007 4:25 pm |
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im guessing hes saying high quality.
but im with vonrock with the chicken salad. it deffly helps |
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AwedOne
Recording Org Pro Audio Group

Joined: Aug 12, 2007
Posts: 288
Location: Columbus, OH
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Posted:
Thu Sep 13, 2007 5:50 pm |
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For any genre of rock'nroll I'd start with the snare, because that will set your upper clipping limit. Get it to peak out at about -6db, then get the lead vocal to sit just above it (sonically, not necessarily dbwise). Then I would build the rest of the kit around that and fit the bass to the drums. But then I'm a drummer, so I'm always concered with the sound of the kit first.
Once there's an upper limit reference point and the rhythm is established, I'd figure out where to EQ and pan the rest of the instruments so that they are clearly heard without having to breach the limit set by the snare. Otherwise you just end up building a stack of blocks that clips the stereo buss and is difficult to master.
Just one way to do it. There's a good book on mixing that has a lot of interviews with industry pros and they all seem to do it differently.
Once you think you have it right, burn a CD and play it on anything and everything. You'll be back at the board in no time trying to figure out how to make it right again.
Oh, c**p! I'm a failure. I ate my chicken salad today! |
_________________ Bill Knipe
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Cubase 4 on PC, Tascam M-3500, FW-1082, Motu 2408MKII (X3),Pearl drum kit, Sampson drum mics, Line 6 Pod 2.0, Roland Blues Cube, KRK ST6, AT 3035,3032 |
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BarryM
Recording Org Pro Audio Group

Joined: Sep 14, 2007
Posts: 2
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Posted:
Fri Sep 14, 2007 9:13 am |
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Good advice guys . Thankyou. |
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