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cybership
Recording Org Pro Audio Group

Joined: Jun 28, 2001
Posts: 7
Location: Midwest
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Posted:
Sun Jul 15, 2001 3:10 pm |
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Harvey, <BR> While searching the news groups I found a post of yours that mentioned <BR>you were using a Phoenix GTQ2. As you probably know it's not easy to get your hands ( or at least my hands ) on the Phoenix preamp without getting in <BR>line for a long wait. I had narrowed my next mic pre to the Great River <BR>MP-2NV but the EQ section on the GTQ2 makes it very tempting. How does it stand up with the EQ bypassed as a preamp only? <P> Any one else who has experience with these two pieces please feel free to <BR>chime in.<P>Thanks,<BR>Robert |
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hargerst
Respected Past Moderator

Joined: Dec 13, 2000
Posts: 396
Location: Sanger, Texas, USA
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Posted:
Sun Jul 15, 2001 5:35 pm |
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<BLOCKQUOTE><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><HR>Originally posted by cybership:<BR><STRONG>Harvey, <BR> While searching the news groups I found a post of yours that mentioned <BR>you were using a Phoenix GTQ2. I had narrowed my next mic pre to the Great River <BR>MP-2NV but the EQ section on the GTQ2 makes it very tempting. How does it stand up with the EQ bypassed as a preamp only? <BR>Robert</STRONG><HR></BLOCKQUOTE>Sorry, but that wasn't me - I've never used the Phoenix GTQ2. But Geoff makes great stuff and I'm sure it's an incredible unit. As for me, I'm VERY happy with the MP-2NV. |
_________________ Harvey Gerst,
Engineer
ITRstudio.com |
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Jon Best
Recording Org Pro Audio Group

Joined: Feb 14, 2001
Posts: 564
Location: Virginia Beach, VA
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Posted:
Mon Jul 16, 2001 7:46 pm |
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I think it was Hank Alrich you're thinking about- he's got serial number 3, I think. He loves it, and apparently it's got a buttload of gain, if you need it.<P> <BLOCKQUOTE><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><HR>Originally posted by hargerst:<BR><STRONG>Sorry, but that wasn't me - I've never used the Phoenix GTQ2. But Geoff makes great stuff and I'm sure it's an incredible unit. As for me, I'm VERY happy with the MP-2NV.</STRONG><HR></BLOCKQUOTE> |
_________________ Jon Best
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cybership
Recording Org Pro Audio Group

Joined: Jun 28, 2001
Posts: 7
Location: Midwest
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Posted:
Sat Jul 21, 2001 1:39 pm |
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Sorry Harvey. I think Jon is correct. I must have confused you with Hank. <BR>Or would that be Hank with you? I don't know I'm confused. Glad to hear <BR>your happy with the MP-2NV though. I know it's not an exact Neve clone <BR>but do you feel it has all of the Neve tone? I'm not looking for the straight <BR>wire sound of the MP-2 but something that definitely has Neve character. <P>Robert |
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Kevin F. Rose
Recording Org Pro Audio Group

Joined: Feb 13, 2001
Posts: 48
Location: HELL
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Posted:
Wed Jul 25, 2001 1:29 pm |
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<BLOCKQUOTE><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><HR>Originally posted by Jon Best:<BR><STRONG>I think it was Hank Alrich you're thinking about- he's got serial number 3, I think. He loves it, and apparently it's got a buttload of gain, if you need it.<P> </STRONG><HR></BLOCKQUOTE><P>Yes it was hillbilly Hank...<BR> Hello my name is Kevin serial # 001 and I am addicted to the GTQ2. I have worked with 34115(4) Neves and 1073s and the few things that the GTQ2 lacks it makes up for in tone.<BR> It kicks the shit out of the broadcast modules and sits up there with the 1073/1089 in the preamp realm. <BR> The EQ is limited but extremely useful. I wish 50hz was on there but more often than not the EQ isn't used.<BR> Thick, creamy and highly 3 dimensional is a good description of this fine unit. Piano, drums, vox, guitar and piezo pickups love this thing. I have only rejected on one source because it was to clear with how it dealt with tambourine transients.<BR>Great thing and worth the trouble to get it. |
_________________ THE FIBES
You can like it or not like it... |
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Ang1970
Respected Past Moderator

Joined: Sep 4, 2000
Posts: 1230
Location: MA
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Posted:
Thu Jul 26, 2001 10:51 am |
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<BLOCKQUOTE><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><HR>Originally posted by Kevin F. Rose:<BR><STRONG>I have only rejected on one source because it was to clear with how it dealt with tambourine transients.</STRONG><HR></BLOCKQUOTE><P>Thank you Kevin, for one more excellent example of "there's NO SUCH THING as the perfect pre/mic/etc!" Had you been stuck with just that pre, you would have been forced to prop a pillow up on a mic stand, or some other such nonsense.<P>Just for curiosity's sake, what pre (and mic) did you end up using? |
_________________ ------------------------------
Angelo Quaglia
In-house Engineer & Producer
Northfire Recording Studio
15 Grove St.
Amherst, MA 01002
(413) 256-0404
http://www.northfirerecording.com |
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