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| Author |
Message |
ric-flections
Recording Org Pro Audio Group

Joined: Apr 16, 2008
Posts: 9
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Posted:
Wed Apr 16, 2008 9:47 am |
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Hi guys,
this is my first topic and would like to know a good mic for the hi-hat. As you have probable heard in today's music, the hi-hat seems to be a little more enphasized in the mix (depending on the genre) and i just want to know of a good mic that will soud good close up and what placement would be good for it?
i also need to know of a good overhead mic that will pick up the hi-hat. I have a drummer who uses the hi-hat a lot and it sounds very good. It almost seems to be his trademark so i have lately been in the market for a mic that will help me accent this in the mix with little EQ needed.
looking forward to your sugestions! |
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Link555
Recording Org Pro Audio Group

Joined: Mar 31, 2007
Posts: 780
Location: North Vancouver
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Posted:
Wed Apr 16, 2008 10:49 am |
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Figure 8 Mics are nice for the rejection. I use a few diffrent mics for this. I like the APEX 460 on the hat. |
_________________ Did you Hear that?
www.steller-studios.com |
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ric-flections
Recording Org Pro Audio Group

Joined: Apr 16, 2008
Posts: 9
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Books To Read
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Posted:
Wed Apr 16, 2008 9:31 pm |
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Thanks man! that mic fits the budget perfectly, but im gonna do some more research before i buy.
speaking of budget.... im willing to spend $300 but it also has to be versital. |
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Codemonkey
Recording Org Pro Audio Group

Joined: Dec 11, 2007
Posts: 930
Location: Scotland, UK
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Books To Read
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Posted:
Thu Apr 17, 2008 4:58 am |
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You want versatile, you get a SM57.
The thing about versatile is that:
If it does multiple things, it'll do them okay but nothing spectacularly.
If it specialises, it'll do it great but won't be useful. |
_________________ Curious button pushing Church sound guy.
In Soviet Russia, Phase Cancels You!
As Celine Dion's heart will go on, MadMax will go on about Rod's sticky and bent will go on about gain structure. |
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