| Our Sponsors Pro Audio Products |
| |
|
|
| | Pro Shop Random Audio Product |
| |
|
|
|
| | You are not subscriber of RECORDING. You can subscribe from here now! |
|
|
|
|
| We received 75302544 page views since March 15, 2004 |
|
|
|
|
| Recording Org Navigation Map |
|
| |
| |
Home |
| |
| |
Discussions |
| |
| |
Business Section |
| |
| |
Content |
| |
| |
Info |
| |
|
|
|
|
|
| PASS IT ON! Please link back to RO |
| |
|
|
|
|
Your url ad could be here!
| Author |
Message |
ThirdBird
Recording Org Pro Audio Group

Joined: Dec 04, 2007
Posts: 36
------------
Books To Read
Your Forum Posts
|
Posted:
Tue May 20, 2008 5:17 am |
  |
Recording a Reggae/groove song.
Acoustic Guitar is going pure rhythm, mostly upbeats and such, playing the basic chords.
Electric guitar has a mini solo here and there, otherwise just adding color to the overall picture.
How would you separate them in the mix?
I was thinking different pans, as well as different eq.
I have pan settings that I am happy with, but not sure how to differentiate the eq....
any help? |
|
|
  |
 |
hueseph
Recording Org Pro Audio Group

Joined: Oct 31, 2005
Posts: 1382
Location: Vancouver, BC, Canada
------------
Books To Read
Your Forum Posts
|
Posted:
Tue May 20, 2008 11:41 am |
  |
Best way to find out is to try. Asking questions is fine but until you put your ideas to practice you will never know for sure. Theory is all good and fine but what good is head knowledge if you don't put it to use?
Experiment. Make mistakes. Learn.
You can't dredge for experience. |
_________________ Ian Faith: "Certainly, in the topsy-turvy world of heavy rock, having a good solid piece of wood in your hand is often useful." |
|
   |
 |
BrianaW
Recording Org Pro Audio Group

Joined: Jan 10, 2008
Posts: 115
Location: New York
------------
Books To Read
Your Forum Posts
|
Posted:
Wed May 21, 2008 3:18 am |
  |
Yup. I'd probably start by scooping a tiny bit of mid out of the acoustic to let the leads through and pan them slightly left and right. Unless the electric is also following the chords. In a perfect world, the person who played the acoustic track would do an identical overdub and you could pan those hard left and right... (accompanied by a room mic maybe?) and you could leave the leads in the center or slightly off to the side. Maybe if you have some other full takes of the acoustic track you could do this?
As hueseph advised, experimentation is the way to go. Twist knobs until things start to sound good... that's what I do.  |
|
|
  |
 |
|
|
This topic sponsored by: Sound Performance Lab (Tube, Mastering, Analog Gear)
| |
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum
|
| | | | | | | Business Section (News, Articles Classifieds etc.) |
| |
|
|
|
|