| Author |
Message |
rockstar
Recording Org Pro Audio Group

Joined: Jan 26, 2004
Posts: 8
Location: jersey
------------
Books To Read
Your Forum Posts
|
Posted:
Tue Mar 09, 2004 8:06 am |
  |
wanting to know if theres any tricks to getting really thick saturated hi hat sounds like what you hear on metal songs in particular metallica(nothing else matters) ive tried micing the hats (top- bottom) in addition to the overheads but nothing close so far. what other tricks should i try doubling tracks? pitch shifting and adding? am i the only one that notices the hats have a very thick distinct sound? i just dont think its coming from the room or the mics or positioning. extreme compression maybe? |
_________________ can you get me a job at all american burger? |
|
  |
 |
Doc@BeefyTreats.com
Respected Past Moderator

Joined: Feb 15, 2002
Posts: 947
Location: Vancouver, BC
------------
Books To Read
Your Forum Posts
|
Posted:
Tue Mar 09, 2004 8:15 am |
  |
Try some distortion- reamp the hats or use an amp plug-in, or rerecord it through a crappy PA. David |
_________________ "You do something and the world reflects that back at you. And once you start mimicking and aping then you become a caricature." Beck Hansen
RedLight Sound
275 Woodland St
Vancouver, BC |
|
   |
 |
Doc@BeefyTreats.com
Respected Past Moderator

Joined: Feb 15, 2002
Posts: 947
Location: Vancouver, BC
------------
Books To Read
Your Forum Posts
|
Posted:
Tue Mar 09, 2004 8:16 am |
  |
The drummer's playing style obviously makes a difference as well. |
_________________ "You do something and the world reflects that back at you. And once you start mimicking and aping then you become a caricature." Beck Hansen
RedLight Sound
275 Woodland St
Vancouver, BC |
|
   |
 |
e-cue
Recording Org Pro Audio Group

Joined: Sep 9, 2000
Posts: 513
Location: North Hollywood
------------
Books To Read
Your Forum Posts
|
Posted:
Thu Mar 11, 2004 4:16 am |
  |
I've been addicted to the LA2A on hats for the last couple years. For a long time I never would have even thought about it, but the dark color you get from the LA2A is just GREAT on Hat's for thickness IME.
I usually mic my hats with a shure SM81. The AD MP-2 will give you a great thickness especially with the LA2A. |
|
|
    |
 |
rockstar
Recording Org Pro Audio Group

Joined: Jan 26, 2004
Posts: 8
Location: jersey
------------
Books To Read
Your Forum Posts
|
Posted:
Thu Mar 11, 2004 7:26 pm |
  |
its almost like lars is using mallets or something but i know its not.its not his playing or style definetly some kind of deliberate processing. |
_________________ can you get me a job at all american burger? |
|
  |
 |
idiophone
Recording Org Pro Audio Group

Joined: Nov 22, 2003
Posts: 91
Location: Atlanta
------------
Books To Read
Your Forum Posts
|
Posted:
Thu Mar 11, 2004 11:29 pm |
  |
Use old hi-hat cymbals. Old Zildjians from the 1960s or 1970s work best. Make sure they're dirty and green - I'm serious. They give a nice weighty tone.
Also: make sure they're big. I just got a pair of 15" Zildjian Rock Hi-Hats from the early seventies, and though you can't hit them hard (you have to massage them), they're VERY thick and dark. I paid only $100, too.
Of course, you to be very careful with separation - see the cymbals vs. drums thread. |
|
|
    |
 |
|
|