RECORDINGhttp://rainrecording.com  
Our Sponsors
Pro Audio Products

http://www.discmakers.com

Recording.org
PRO SHOP
Categories
· Accessories
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Pro Shop
Random Audio Product

GainStation 1
$1,275.00
Members Support
RO CLUB
You are not subscriber of RECORDING. You can subscribe from here now!
User Info, Site Stats
We received
79773783
page views since March 15, 2004
Recording Org
Navigation Map
recording.jpg HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
forums1.jpg DiscussionsShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
pronews.gif Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
· AdvertisingShow/Hide content
Access restricted to our members Advertising Contact UsShow/Hide content
tree-T.gif keyword ads
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
· The Pro Shop
Gear 4 Sale
icon_poll.gif ContentShow/Hide content
tree-T.gif Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
icon_members.gif InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
Latest Survey
Buying gear direct, would you support this?

YES, save me 10/20/40% and buy gear direct
No, add extra shipping costs, add dealer profit



Results
Polls

Votes: 226
Comments: 8
Mix News
·Harman International Teams Up with Quincy Jones
·Sonnox Adjusts Oxford Plug-In Prices
·eMusic Reports 250 Million MP3 Downloads
·Soundcheck Nashville
·Road-Worthy Gear: New Sound Reinforcement Products, December 2008

read more...©
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in
  Your url ad could be here!

 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
Kemble
Recording Org
Pro Audio Group



Joined: Mar 4, 2002
Posts: 396
Location: The North Coast: Cleveland


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Feb 27, 2003 9:30 pm Reply with quoteBack to top

Paul-
turn on your private messaging in your Profile.

Whattaya? Too good to be contacted off the board?
Very Happy

JZ
View user's profileSend private messageSend e-mail
mcom7
Recording Org
Pro Audio Group



Joined: Jan 9, 2003
Posts: 11
Location: alabama


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Feb 28, 2003 8:44 am Reply with quoteBack to top

Sorry, Jeff. I'm kinda new to these sites. Heck we only got television here a couple of years ago. By the way, Jeff and Ethan, I went ahead and purchased a sheet of the Certainteed brand of rigid fiberglass(4' x 10') and cut it into 2-4' x4' sections and a 2'x 4' section. Thought I'd just prop them up in the room temporarily to how much less a problem I might have. Although I could tell a bit of a difference in the mid-high frequencies- the low frequencies being excited from my drums did not change much, so the comment previously expessed concerning the bass absorbers now appears to be accurate. My son and I both play drums (no drummers jokes please) and since redoing the basement, the drums resonance is about to drive the wife nuts with sound being pumped into the whole house by my situating the kit next to a large AC return. (may have to move the kit elsewhere in the room). I can tell by this limited preliminary application of room treatment that Ethans total absorber approach will need to be undertaken. Since I'm pretty much dedicated to Ethans design for the mid/high absorbers, I suppose I may as well carry forward with the Bass units as well. I'm thinking possibly of purchasing a folding screen made up of fabric panels (seen at Oriental Imports) and attaching some rigid fibergass panels to one side to tame the drum resonance further. Any input here or suggestions are greatly appreciated.

Paul
View user's profileSend private message
Kemble
Recording Org
Pro Audio Group



Joined: Mar 4, 2002
Posts: 396
Location: The North Coast: Cleveland


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Feb 28, 2003 10:37 am Reply with quoteBack to top

A thought on the panels to "to tame the drum resonance further". - I don't know what Oriental Express (or wherever it was) is charging, but the 'Depot has a nice supply of 3/4" plywood. Pop some of the rigid fiberglass on that. \__/ type set up with hinges at the joints.
Another thing- I worked for weeks on the 'drum noise' problem at our church. The bottom line was that in order to shut em down to a point they were not killing everyone on the stage area was to put them in a CAPSULE. Which didn't go over well and was not done. Face it (as you know), drums are LOUD. Period. And sound can,will,and does go THROUGH or AROUND objects. Especially in the lower regions of the wound spectrum. I put a wall around the whole kit and because the top was open, it was just a waste of time for the most part. Yes, the directional stuff was decreased, but....did I mention this? --> LOUD and NOISY! Very Happy

One thing that might work is just flushing the drums and limiting your percussion to the guiro! Very Happy

Jeff
View user's profileSend private messageSend e-mail
mcom7
Recording Org
Pro Audio Group



Joined: Jan 9, 2003
Posts: 11
Location: alabama


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Feb 28, 2003 11:47 am Reply with quoteBack to top

Yes Yes drums are loud. But live they usually don't carry much off the stage. Course this does have a tendency to cause everyone else on stage to come up in volume. I guess thats the reason you can't run most guitar players through the house mix cause their already so loud on stage-he he. The perenial stage volume issue. But since this is a recording issue I don't have to worry with the occasional Bam!Crash!Boom! I would use my electronic drums buuuuuuuutttttttt ........they suck (have used just about all of em and samplers-just not the real deal, but I really wanted to like them- really not too bad to practice on, and other people sound ok playing them-they leave me feeling-not enough tones and textures. I've used plexiglass sheils before(what we drummers won't do to satisfy the boys in the band) changes the sound of the kit, but if all else fails...... We drummers just have to learn to play softer-and it aint easy. With the way you engineer types get that smackin snare drum sound, we want to get that sound-live, and the only way to get it is....Hit Hard. (Course THATS THE WAY WE LIKE TO PLAY Anyway) Seriously, hate to hear about the made up sound sheild Jeff, I thought I'd pick up the room divider from Oriental Imports and if this kinda worked with a mockup I could take the idea to my local metal shop and have a frame made up.(much cheaper) I'll let you know what I find.
Thanks again for your input.

Paul
View user's profileSend private message
Pete
Recording Org
Pro Audio Group



Joined: Feb 15, 2001
Posts: 31
Location: Adrian Michigan


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Feb 28, 2003 9:07 pm Reply with quoteBack to top

Hey Jeff I am getting ready to build and have had a hard time locating this stuff. I live just north of Toledo, could I have you grab some for me (obviously I would pre pay) and come down and pick it up?Or Do you know where in the Toledo area it is available. I have only hit dead ends.thanks
Quote:
Originally posted by Jeff Z:
ah baloney,
There is a supplier up here who has it. Last price list :Owens Corning 700 Series Rigid Insulation (Clarke Insulation)

Type p.c.f kg./m2 Price sq/ft Price 2x4 sheet
701 1.5 24 1.5" $0.20 $1.60
702 2.3 37
703 3 48 1" $0.38 $3.04
2" $0.77 $6.16
704 4.2 67
705 6 96 2" $1.40 $11.20


I'd be willing to box it and ship it to you. FedEx is reasonable. Check into it and let me know. I've got to call them tomorrow to update, but this is probably right on, or darn near the current price. (It might not be 703, but the equivilent (how in the world is that word spelled!!?? E QUIV I or E LENT?). Max FEDEX shipping size would allow for home delivery of 9 one inch thick sheets. Maybe 5 2" sheets.

Let me know via PM.

Or email me
jeff@acidacoustics.com

Jeff

(this would mean that when I'm in Alabama I get to sleep in your couch..... Very Happy )
View user's profileSend private messageSend e-mail
mcom7
Recording Org
Pro Audio Group



Joined: Jan 9, 2003
Posts: 11
Location: alabama


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Mar 01, 2003 5:03 am Reply with quoteBack to top

I have another question for Ethan concerning the size of the bass absorbers. We can only put the panels starting up the wall about three feet. As this will make the panels in a 2' x 4' size, how will this effect the bass absorbtion from the smaller sized panels? Also, since I will probably use the furring strip method of running a long 2" x 2" block up top near the ceiling and the same about 3' from the floor, I could put the different absorbers side by side in your alternating method and with a little ingenuity possible cover the entire project with burlap or some other material. I notice on the upper bass abosorber plans the thinner piece of 1/8" plywood is set back from the lower bass absorber, due to the rigid fiberglass panel being set directly on the wall. Is there any reason I can't make the upper base absorber match the lower bass absorber plans, just with the thinner plywood face? How does this effect the performance if any? Thanks again.

Paul
View user's profileSend private message
Ethan Winer
Respected Past Moderator


Joined: Mar 19, 2001
Posts: 3193
Location: New Milford, CT USA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Mar 01, 2003 7:08 am Reply with quoteBack to top

Paul,

> As this will make the panels in a 2' x 4' size, how will this effect the bass absorbtion from the smaller sized panels? <

That's not a good idea. Cutting the box volume in half doubles the range of frequencies absorbed. Much better is to build them the full 8-foot length - or at least 6 or 7 feet - and mount them sideways on the walls instead of vertically.

> the thinner piece of 1/8" plywood is set back from the lower bass absorber ... Is there any reason I can't make the upper base absorber match <

Again that's not good because changing the box's internal volume changes its frequency range. If you really want them to look the same you could make the high-bass models just as deep, then fill in the difference with several sheets of plywood against the back wall inside the box. But that's an awful lot of work just to make the fronts line up! And I think the varying steps looks kind of cool! Smile

--Ethan

_________________
www.realtraps.com
The acoustic treatment experts
View user's profileSend private messageVisit poster's website
mcom7
Recording Org
Pro Audio Group



Joined: Jan 9, 2003
Posts: 11
Location: alabama


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Mar 01, 2003 10:29 am Reply with quoteBack to top

I didn't think of mounting the panels horizontally on the wall. I'll have to rethink my stategy for mounting. This would allow me to put 2 ea. of the bass, upper bass, and mid/high absorbers on this wall, with maybe an additional mid/high absorber placed in the middle. I agree the step look of the different absorber panels looks architecturaly interesting. Are there any other bass absorber options other than mounting these on the wall? This room is approx. 15' x 23' and will be primarily the recording area. A separate smaller control room will have to be addressed as well.

Paul
View user's profileSend private message
Ethan Winer
Respected Past Moderator


Joined: Mar 19, 2001
Posts: 3193
Location: New Milford, CT USA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Mar 03, 2003 6:23 am Reply with quoteBack to top

Paul,

> Are there any other bass absorber options other than mounting these on the wall? <

That's really the most appropriate place to put them.

--Ethan

_________________
www.realtraps.com
The acoustic treatment experts
View user's profileSend private messageVisit poster's website
mcom7
Recording Org
Pro Audio Group



Joined: Jan 9, 2003
Posts: 11
Location: alabama


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Mar 03, 2003 3:44 pm Reply with quoteBack to top

I thought I would move my drums to another area of the room primarily to get the drums from echoing through the entire house because of they're being backed up to an A/C return. I not only was able to lessen the impact upon the rest of the house but the bass buildup problem is a bit less as well, may have something to do with this new location facing the doorway to the mix room. I then decided to take one of my toms out to the garage which ajoins this area and there is no bass problem at all(at least not with this particular tom frequency). This garage is built the same as the house but has a large motor driven door. The garage is also about 75% full of household goods primarily from the renovated rooms, and the height is about 1 foot higher than the height of the homes interior rooms. Is the diffusion caused by the various items in the room taming this bass problem?

Paul
View user's profileSend private message
Ethan Winer
Respected Past Moderator


Joined: Mar 19, 2001
Posts: 3193
Location: New Milford, CT USA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 04, 2003 5:41 am Reply with quoteBack to top

Paul,

> Is the diffusion caused by the various items in the room taming this bass problem? <

Maybe.

--Ethan

_________________
www.realtraps.com
The acoustic treatment experts
View user's profileSend private messageVisit poster's website
mcom7
Recording Org
Pro Audio Group



Joined: Jan 9, 2003
Posts: 11
Location: alabama


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 04, 2003 8:27 am Reply with quoteBack to top

Thanks for all the help on this problem Ethan, I think I've asked all the questions that have been relavant to this situation. Thanks to Jeff for your generous offer concerning the "703" material.

Paul
View user's profileSend private message
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Sound Performance Lab
(Tube, Mastering, Analog Gear)

  
  
  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Pro Shop Cart
Your cart is empty.

[ Browse ]
Business Section
(News, Articles
Classifieds etc.)
· VocalBooth.com™ Gears Up for NAMM after a Year of Tremendous Growth
· New Rain LiveBook Audio Laptop With Up To 8GB RAM, Intel Montevina
· Artist Management Seminar - Washington DC
· Prime Loops Release Dirty Electro Synth Loops
· Free upgrade to Pro Tools 8 with any Digidesign LE product featuring 7.4.2
· Music Resources
· Eiosis releases AirEQ 5.1 Native and reduces the AirEQ's price
· Audio Impressions' announces Version 2.0 of DVZ Strings

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

why is impedance so important?
Last post by primomusic in Recording Forum on Dec 01, 2008 at 23:21:31

output from UA 2192??
Last post by primomusic in Recording Forum on Dec 01, 2008 at 23:19:24

Great River impedance??
Last post by primomusic in Pro Audio Gear on Dec 01, 2008 at 23:17:59

Universal Audio 2192
Last post by primomusic in Pro Audio Gear on Dec 01, 2008 at 23:12:52

Tracking with or without EQ
Last post by Davedog in Recording Forum on Dec 01, 2008 at 23:05:43

Between Sonar or Cubase what would you choose and why?
Last post by hueseph in Digital Audio Forum on Dec 01, 2008 at 22:39:45

Studio layout-RED Flags???
Last post by avare in Studio Construction Forum on Dec 01, 2008 at 22:34:49

Neumann TLM103 or Rode K2?
Last post by jammster in Pro Audio Gear on Dec 01, 2008 at 22:19:00

Feedback, Sick of it
Last post by Codemonkey in Mixing Live Sound on Dec 01, 2008 at 22:13:04

Feedback on TV Intro
Last post by Greener in Song & Mix Critique on Dec 01, 2008 at 22:08:13


[ RECORDING ]
BookMark

 _MAKEBOOKMARK

New Topics!

why is impedance so important?
output from UA 2192??
Great River impedance??
Universal Audio 2192
recording electric guitar by Direct Input
I am so confused about recording vocals
Help with my setup??
Recorder under twelve hundred dollars
Feedback on TV Intro
Logic Pro 8: Error Code 28773
multiple hard disk configuration
Rut
A-designs p-1 and AT4050
FS: Soundcraft Venue Mixing Console 40 x 8 x 2
First time tracking a band Tips
Surround Sound Panning
Frecuency space in the mix
Firestudio compatability
Cuebase LE input question
monitoring audio from Acid Pro 6

RECORDING Forums

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online. Also, if you love Recording Org and would like to make any donation in support of this site, please contact the Feedback link on the side bar. RO admin would be more than happy to add any contribution gift to the RO kitty. Give by becoming an RO Club Member and get a little better RO options.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, Music Education, Arranging, Composing,collaboration des musiciens, professionelle Musiker und Ingenieure, colaboración de músicos profesionales y los ingenieros lo que pensamos acerca de una banda
PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 0.34 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.