RECORDINGhttp://www.sebatron.com  
Our Sponsors
Pro Audio Products

Pro Shop

Recording.org
PRO SHOP
Categories
· Accessories
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Members Support
RO CLUB
You are not subscriber of RECORDING. You can subscribe from here now!
User Info, Site Stats
We received
79241831
page views since March 15, 2004
Recording Org
Navigation Map
recording.jpg HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
forums1.jpg DiscussionsShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
pronews.gif Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
· AdvertisingShow/Hide content
Access restricted to our members Advertising Contact UsShow/Hide content
tree-T.gif keyword ads
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
Access restricted to our members The Pro Shop
Members Only
icon_poll.gif ContentShow/Hide content
tree-T.gif Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
icon_members.gif InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
Latest Survey
Buying gear direct, would you support this?

YES, save me 10/20/40% and buy gear direct
No, add extra shipping costs, add dealer profit



Results
Polls

Votes: 182
Comments: 8
Mix News
·Lynx Studio Technology Hires Mike Nicoletti, Additional Staff
·MOTU Integrates Euphonix EuCon Control Protocol Into DP 6
·Sennheiser Responds to the FCC's 'White Spaces' Ruling
·London's Soundhouse Installs Audient ACS8024 Console
·Mexican Tycoon Grabbing Major Circuit City Stake

read more...©
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in
  Your url ad could be here!

 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
mrbwnstn
Recording Org
Pro Audio Group



Joined: Mar 15, 2005
Posts: 125


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 12:19 pm Reply with quoteBack to top

I want to upgrade the cables linking my hardware in my studio. Mainly, I need MtoF XLR cables connecting my pre amps to my Firepod. I want to keep my sound clean and pure. What cables do you suggest? Any links?
View user's profileSend private message
mrbwnstn
Recording Org
Pro Audio Group



Joined: Mar 15, 2005
Posts: 125


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 12:21 pm Reply with quoteBack to top

mrbwnstn wrote:
I want to upgrade the cables linking my hardware in my studio. Mainly, I need MtoF XLR cables connecting my pre amps to my Firepod. I want to keep my sound clean and pure. What cables do you suggest? Any links?


ALSO!!! The cables only need to be about 1 ft long. If that makes any difference.
View user's profileSend private message
TeddyG
Recording Org
Pro Audio Group



Joined: Dec 08, 2004
Posts: 712
Location: Lititz, PA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 12:29 pm Reply with quoteBack to top

I've always had a hard time believing there is much difference between cables.

If it was me, I'd just make sure the connectors were of good quality(Some brand name, maybe? Switchcraft/Amphenol, whatever.) and that the cable itself and the workmanship "seemed" good(Pretty obvious.).

Hossa makes short cables, available at many music stores... ProCo, maybe? Good stuff - not expensive, but I find that no object...

TG
View user's profileSend private messageVisit poster's website
foldedpath
Recording Org
Pro Audio Group



Joined: Feb 09, 2005
Posts: 51


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 1:23 pm Reply with quoteBack to top

I think it makes sense to take a middle-of-the-road approach with cables. Don't get the cheapest stuff like Hosa off the rack at your local Guitar Center, and don't get sucked into the $100+ per foot audiophile "voodoo science" cables either. Wire is just wire, but the shielding matters, and connector hardware quality matters. I don't want to worry about cable being the weak link between two or three very expensive pieces of hardware, especially at the very front end of the signal chain ahead of the A/D converters.

Anyway, I have my current home studio wired with Monster cables. It's a little overpriced for what it is, but at least the connectors are decent quality and it's easy to find everywhere. If I was doing it over again, or had to wire a new studio from scratch, I'd probably roll my own with bulk Mogami cable and Neutrik connectors, so I could get custom (shortest possible) lengths on everything.
View user's profileSend private message
nak
Recording Org
Pro Audio Group



Joined: May 10, 2004
Posts: 20


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 2:04 pm Reply with quoteBack to top

if your going into a firepod, the cable is not going to make a difference holmes... sorry
View user's profileSend private message
vividsonics
Recording Org
Pro Audio Group



Joined: Mar 15, 2005
Posts: 99
Location: Phoenix, AZ USA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 4:28 pm Reply with quoteBack to top

Rolling your own is a really great way to go. Even if you can't afford Mogami, Gepco works pretty well for most people and is fairly inexpensive. Switchcraft or Neutrik connectors seem to be standard fare.
View user's profileSend private messageVisit poster's website
HansAm
Recording Org
Pro Audio Group



Joined: Jun 04, 2005
Posts: 261


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 6:07 pm Reply with quoteBack to top

Buy some neutrik pluggs and some klotz cable.
Then make the cables you need. low price, high quality.
View user's profileSend private message
dpd
Recording Org
Pro Audio Group



Joined: Sep 29, 2004
Posts: 258
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jun 09, 2005 8:48 pm Reply with quoteBack to top

IMO, if you run balanced internconnects (XLR indicates that you are) and they are very short, the impact of different cables will be less than they would be unbalanced and/or longer.

I'd go for something well-shielded and use great connectors and roll your own.
View user's profileSend private messageVisit poster's website
tmcconnell
Recording Org
Pro Audio Group



Joined: Apr 06, 2005
Posts: 94


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Jun 10, 2005 10:21 pm Reply with quoteBack to top

I recently compared my hosas with a monster with a ribbon mic and the difference was huge - not so much in frequency response but noise performance.
View user's profileSend private message
its that guy again
Recording Org
Pro Audio Group



Joined: Sep 18, 2004
Posts: 703


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Jun 11, 2005 4:42 am Reply with quoteBack to top

IMO there are basically 3 types of cables...
1st the cheap cables= cheap sound
2nd the basic run of the mill cable= decent sound
3rd the best cable= best sound possible
So maybe you could look at it that way, and maybe that can help you decide how much money you want to spend on cables.
Do you care if it's cheap sound? If the answer is NO
Then go with the cheap stuff. (I say steer clear of cheap cables)
Or if you just want a decent sound, then go with the 2nd choice.
But if you want the cables to last a long time and you want to get the best sound possible. I suggest getting the Monster cables or even better the Magomi cables.
My 2 cents
View user's profileSend private message
mrbwnstn
Recording Org
Pro Audio Group



Joined: Mar 15, 2005
Posts: 125


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Jun 11, 2005 9:43 pm Reply with quoteBack to top

Thanks for everyone's input. I'm going for as high quality sound as I can get. I'll look into your suggestions.
View user's profileSend private message
HansAm
Recording Org
Pro Audio Group



Joined: Jun 04, 2005
Posts: 261


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Jun 12, 2005 6:17 am Reply with quoteBack to top

"monster cables"..
Monster is just bullshit Razz
Over priced regular stuff with a cool name.

IMHO.
View user's profileSend private message
its that guy again
Recording Org
Pro Audio Group



Joined: Sep 18, 2004
Posts: 703


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Jun 12, 2005 6:45 am Reply with quoteBack to top

HansAm wrote:
Monster is bullshit. Over priced cables with a cool name.

I have to agree Monster is overpriced. They got me for many and many hundreds of $$$$$.
But their cables are NOT bullshit. They are good quality cables.
The Mogami cables have a more in depth scientific view on the research and devolopment of their product. There are less eddie currents on the Mogami cables, and they use oxygen reduced copper, and they don't need to advertise, "with a cool name" like HansAm said.
Because they are the industry standard worldwide. Mogami is used in virtually 95% of your big time studios, names like Universal Arts, Electra Records, Sony Records, you name it.
Mogami is owned by Marshall ...ever heard of those guys? Very Happy
If you make your own cables MrBrownStone. You can use Mogami 2549 and Gold tipped Neutrik connectors (the best connectors out there) and still save a furtune. I did. And I got all my stuff from RedCo dot com
View user's profileSend private message
Motske
Recording Org
Pro Audio Group


Joined: Nov 15, 2004
Posts: 9
Location: Melbourne


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Jun 12, 2005 7:55 am Reply with quoteBack to top

Hey all, I've had great success with Neutrik connectors / Canare Cable. Sounds nice and priced reasonably. I would suggest to check the soldering connections before buying (if you're buying a premade that is)... and don't assume it's right (solid soldering) without checking.
Making your own cables is another way, and is more fun than fleshing out for premades Smile
View user's profileSend private message
tedcrop
Recording Org
Pro Audio Group



Joined: Nov 04, 2004
Posts: 127


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Jun 12, 2005 6:37 pm Reply with quoteBack to top

Hey all I have to say. Outline what you want and give Redco a call. They will make up some custom Mogami Cables at a wonderful price. I just recabled my entire studio at half price from pre-fab Sweetwater prices and got the lengths that I wanted.
View user's profileSend private message
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Sound Performance Lab
(Tube, Mastering, Analog Gear)

  
  
  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Business Section
(News, Articles
Classifieds etc.)
· Prime Loops Release Dirty Electro Synth Loops
· Free upgrade to Pro Tools 8 with any Digidesign LE product featuring 7.4.2
· Music Resources
· Eiosis releases AirEQ 5.1 Native and reduces the AirEQ's price
· Audio Impressions' announces Version 2.0 of DVZ Strings
· Are You a Pro Audio Manufacturer? You Need To Consider Drop Shipping.
· Start A Record Label - Lean How to Now
· RAUL MALO to be Guest Artist at Music Producers Institute

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

problem recording with presonus firestudio project, stops...
Last post by GentleG in Recording Forum on Nov 23, 2008 at 01:33:04

Sounded OK in the car
Last post by antoniosolo in Recording Forum on Nov 23, 2008 at 01:22:39

Between Sonar or Cubase what would you choose and why?
Last post by hueseph in Digital Audio Forum on Nov 23, 2008 at 00:53:23

Budget Studio Monitors?
Last post by EricUndead in Budget Gear on Nov 22, 2008 at 23:26:26

External Soundcard issues.
Last post by kevriain in Home, Project Studio's, Newbies on Nov 22, 2008 at 22:29:23

How much difference does a great preamp REALLY make?
Last post by Greener in Home, Project Studio's, Newbies on Nov 22, 2008 at 21:07:54

Mobile studio setup. Some opinions please
Last post by Matty_MTEC in Pro Audio Gear on Nov 22, 2008 at 20:53:10

Yikes!
Last post by Codemonkey in Pro Sound Chat on Nov 22, 2008 at 20:01:21

too many volume levels
Last post by Space in Vocals on Nov 22, 2008 at 19:47:46

Bit-Depth Issues
Last post by Massive Mastering in Mastering Sound Forum on Nov 22, 2008 at 19:46:44


[ RECORDING ]
BookMark

 _MAKEBOOKMARK

New Topics!

Mobile studio setup. Some opinions please
Yikes!
API 8200 and Summit TPA 200b in SF, CA willing to ship
too many volume levels
Recording trouble, need help.
Interface Compatibility and Hardware Recognition
External Soundcard issues.
Vocalbooth.com anyone?
Live recording
Near Field Monitors For Dance Music
drum mic desicion
Sounded OK in the car
still working on live mixes
How much difference does a great preamp REALLY make?
Shure 16L for Brass (results)
Techno/Dance Effect- HOW? help!
Recording advice for upcoming live performance
Messed with latency through Firebox; now, no midi sound
Portable mp3 player microphone
anyone here ever get any awards/plaques?

RECORDING Forums

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online. Also, if you love Recording Org and would like to make any donation in support of this site, please contact the Feedback link on the side bar. RO admin would be more than happy to add any contribution gift to the RO kitty. Give by becoming an RO Club Member and get a little better RO options.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, Music Education, Arranging, Composing,collaboration des musiciens, professionelle Musiker und Ingenieure, colaboración de músicos profesionales y los ingenieros lo que pensamos acerca de una banda
PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 0.32 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.