RECORDINGhttp://rainrecording.com  
Our Sponsors
Pro Audio Products

http://www.sebatron.com

Recording.org
PRO SHOP
Categories
· Accessories
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Members Support
RO CLUB
You are not subscriber of RECORDING. You can subscribe from here now!
User Info, Site Stats
We received
79241993
page views since March 15, 2004
Recording Org
Navigation Map
recording.jpg HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
forums1.jpg DiscussionsShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
pronews.gif Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
· AdvertisingShow/Hide content
Access restricted to our members Advertising Contact UsShow/Hide content
tree-T.gif keyword ads
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
Access restricted to our members The Pro Shop
Members Only
icon_poll.gif ContentShow/Hide content
tree-T.gif Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
icon_members.gif InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
Latest Survey
Buying gear direct, would you support this?

YES, save me 10/20/40% and buy gear direct
No, add extra shipping costs, add dealer profit



Results
Polls

Votes: 182
Comments: 8
Mix News
·Lynx Studio Technology Hires Mike Nicoletti, Additional Staff
·MOTU Integrates Euphonix EuCon Control Protocol Into DP 6
·Sennheiser Responds to the FCC's 'White Spaces' Ruling
·London's Soundhouse Installs Audient ACS8024 Console
·Mexican Tycoon Grabbing Major Circuit City Stake

read more...©
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in
  Your url ad could be here!

 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
Johnjm22
Recording Org
Pro Audio Group



Joined: Jul 24, 2004
Posts: 228
Location: Barstow, CA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Jul 25, 2005 2:28 am Reply with quoteBack to top

Kurt Foster wrote:
If your client like the POD ... use it. It's their dime. On the other hand, I hate PODs and all other "Slime Sux" products.

A small collection of thoughts regarding Line 6 products;

I bought a Line 6 amp new... hardly ever used it ... it failed. I had it fixed and sold it to a friend ... it failed again ... same thing again the tech told us.

I had a friend, who bought a Line 6 .... it crashed all the time, loseing his programs. What a POS. In fact, perhaps they made a mistake when they call those things the "POD" ... maybe they meant POS.

The best sound I ever heard from any Line 6 product was the sound of it hitting the dumpster.



The power supply on my POD has gone out 3 times!

The Pod has it uses though, it's great for scratch tracks.
View user's profileSend private messageSend e-mailVisit poster's website
RAIN0707
Recording Org
Pro Audio Group



Joined: Jul 14, 2004
Posts: 264


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Jul 25, 2005 7:46 am Reply with quoteBack to top

Here is just my reviews on a lot of these amp sim's like the POD. I have used:

Line 6 Pod
Line 6 Pod 2.0
Line 6 Bass Pod
Line 6 Pod Pro
Line 6 Pod XT
Line 6 Amp Farm
Behringer V-amp
Boss GT-6
Boss Gt-6B
Digitech RP300
Johnson J-Station

Out of all these devices the ONLY one that could give me the sound of my miked up Peavey JSX tube amp and 4x12 cab was the Johnson J-Station. Which is really funny cause I picked it up for like 80 bucks off ebay on a whim. I recommend it to anyone. It does a great job of giving you the "feel" of playing through a real amp. It has dynamic-controlled tone. Just like my tube amp. If you pick harder while playing the tone changes accordingly. I am not saying this is all I would record with. You just cannot beat a miked up amp and cab but it definitely is a good tool. Great for re-amping, great for late-night sessions where noise is an issue. I think out of all these devices I have used over time the J-Station is the only one I could and would consider using for my entire guitar sound on a track if I had to. It's the only one that sounds and feels like the real thing to me. Just my thoughts.
View user's profileSend private message
Jbon
Recording Org
Pro Audio Group



Joined: Jun 14, 2003
Posts: 112
Location: DecatUR,Alabama


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Jul 25, 2005 12:27 pm Reply with quoteBack to top

TheArchitect wrote:
[



"Pod negates the need for direct box?" or not?

thank you


Does POD negate need for DI box? No.

I can't understand whetever else you are trying ask about. Could you rephrase or something?[/quote]


this is plenty... I appreciate that the main idea was understood... 'that nothing else was, is of negligible consequence.
thank you very much

_________________
Image
View user's profileSend private messageSend e-mailVisit poster's websiteYahoo Messenger
moonbaby
Recording Org
Pro Audio Group



Joined: Feb 23, 2005
Posts: 1988
Location: jacksonville,fl


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Jul 26, 2005 3:45 pm Reply with quoteBack to top

DJFade:
You asked what "re-amping" is. It's where you track a musical instrument (say, a guitar) and you play that track back into an amp.
Many folks out there like the control and options this affords. You can, concievably, take a clean, dry guitar track and then blast it through an amp. This usually requires that you use a DI to take that line level out of the console (or soundcard) and attenuate it so that it is more like a guitar pick-up signal. Then you mic that amp. The new Millenia Media TD-1 is the king for that.
I personally feel that a player should generate the tone that he/she wants to achieve WHILE PLAYING! I can't think of 1 guitar player I've recorded who would be willing to play "clean"and then let me nasty it up a bit. There's just too much interaction between the artist and their amp. Having said that, I LOVE to re-amp other stuff like organs, synths, and even the occasional snare or vox track. I even use an old Leslie speaker I drive with a Sunn amp to do that. Anything goes, baby!
View user's profileSend private message
perfectwave
Recording Org
Pro Audio Group



Joined: Mar 06, 2005
Posts: 84


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Jul 26, 2005 9:53 pm Reply with quoteBack to top

I have the pod xt pro, and i use it a lot. I do a live reamp of guitars....sounds killer. I plug the guitar into the the front of the pod in the regular input, then on the dry guitar out (on the back of the pod ) I run a signal back to the amp in the tracking room, and mic the cabinet, running both seprate signals into my daw. It takes a little time but you can really tune the sound (I usually try to find something on the pod that compliments the "real" guitar sound). Track them seprately and you can mix accordingly later. One thing that is a need to know is you WILL run into a ground loop buzz, when you do, flick the ground lift switch on the amp only (not the pod), or if your amp doesent have a ground lift switch, find a way to break the connection of the 3rd prong of the amp plug. So far everytime this technique yields excellent phat guitar results.
View user's profileSend private message
Cucco
Moderator



Joined: Mar 8, 2004
Posts: 4287
Location: Fredericksburg, VA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Jul 27, 2005 7:57 am Reply with quoteBack to top

I think the simplest and most effective solution was already posed here -

Track it both ways - dry and with the POD. Even if he/she only really likes the POD version (pour, mis-guided soul), you still have the dry copy that you can reamp later a thousand different ways.

J.

_________________
www.myspace.com/sublymerecords
www.sublymerecords.com
View user's profileSend private messageSend e-mailVisit poster's websiteMSN Messenger
Cucco
Moderator



Joined: Mar 8, 2004
Posts: 4287
Location: Fredericksburg, VA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Jul 27, 2005 8:15 am Reply with quoteBack to top

BTW -

One of the coolest set of devices for DI and Re-Amping is by Radial.

They offer a new pack which includes their J48 (Jensen Xfrmr, Active DI) with the X-Amp re-amper. This takes the signal from line level to instrument level and it's adjustable. BTW - the sound - in a word - friggin excellent!

J.

_________________
www.myspace.com/sublymerecords
www.sublymerecords.com
View user's profileSend private messageSend e-mailVisit poster's websiteMSN Messenger
rudedogg
Recording Org
Pro Audio Group



Joined: Feb 11, 2003
Posts: 251
Location: California


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Jul 27, 2005 2:40 pm Reply with quoteBack to top

Radial also makes a product called a ProDI. I picked one up for like 70 bucks when i was looking for a cheap passive DI. I later realized I could use this for reamping too since it was a passive DI.

Also to backtrack a bit, KF commented that he dislikes all "lime sux" products, and I just have to disagree with that.

I've never really been a fan of the Line6 amps or pods, but their pedals are priceless. I don't even think my band or half the bands I like would sound the way they do without the line6 delay modeler pedal (the green one). it is hands down the best delay pedal that exists. ask any good guitarist and i guarentee they will swear by it like they swear by their vox amp or their gibson guitar.

</rant>
View user's profileSend private messageVisit poster's websiteAIM Address
Rider
Recording Org
Pro Audio Group



Joined: Feb 18, 2005
Posts: 226


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Jul 28, 2005 10:53 am Reply with quoteBack to top

what about sans amp?

i have behringer's knockoff (yes yes i know, death to them and all that stuff) and im pretty impressed. might not be that dynamic of a signal, but with death metal type stuff, who cares.

tone wise it isnt terrible, and definitely brings out my p90s more than a POD would.

when i tested a POD, it sounded too, best i can say is solid statish.

_________________
This is a block of text that can be added to posts you make. There is a 255 character limit
View user's profileSend private messageSend e-mailAIM Address
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Sound Performance Lab
(Tube, Mastering, Analog Gear)

  
  
  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Business Section
(News, Articles
Classifieds etc.)
· Prime Loops Release Dirty Electro Synth Loops
· Free upgrade to Pro Tools 8 with any Digidesign LE product featuring 7.4.2
· Music Resources
· Eiosis releases AirEQ 5.1 Native and reduces the AirEQ's price
· Audio Impressions' announces Version 2.0 of DVZ Strings
· Are You a Pro Audio Manufacturer? You Need To Consider Drop Shipping.
· Start A Record Label - Lean How to Now
· RAUL MALO to be Guest Artist at Music Producers Institute

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

problem recording with presonus firestudio project, stops...
Last post by GentleG in Recording Forum on Nov 23, 2008 at 01:33:04

Sounded OK in the car
Last post by antoniosolo in Recording Forum on Nov 23, 2008 at 01:22:39

Between Sonar or Cubase what would you choose and why?
Last post by hueseph in Digital Audio Forum on Nov 23, 2008 at 00:53:23

Budget Studio Monitors?
Last post by EricUndead in Budget Gear on Nov 22, 2008 at 23:26:26

External Soundcard issues.
Last post by kevriain in Home, Project Studio's, Newbies on Nov 22, 2008 at 22:29:23

How much difference does a great preamp REALLY make?
Last post by Greener in Home, Project Studio's, Newbies on Nov 22, 2008 at 21:07:54

Mobile studio setup. Some opinions please
Last post by Matty_MTEC in Pro Audio Gear on Nov 22, 2008 at 20:53:10

Yikes!
Last post by Codemonkey in Pro Sound Chat on Nov 22, 2008 at 20:01:21

too many volume levels
Last post by Space in Vocals on Nov 22, 2008 at 19:47:46

Bit-Depth Issues
Last post by Massive Mastering in Mastering Sound Forum on Nov 22, 2008 at 19:46:44


[ RECORDING ]
BookMark

 _MAKEBOOKMARK

New Topics!

Mobile studio setup. Some opinions please
Yikes!
API 8200 and Summit TPA 200b in SF, CA willing to ship
too many volume levels
Recording trouble, need help.
Interface Compatibility and Hardware Recognition
External Soundcard issues.
Vocalbooth.com anyone?
Live recording
Near Field Monitors For Dance Music
drum mic desicion
Sounded OK in the car
still working on live mixes
How much difference does a great preamp REALLY make?
Shure 16L for Brass (results)
Techno/Dance Effect- HOW? help!
Recording advice for upcoming live performance
Messed with latency through Firebox; now, no midi sound
Portable mp3 player microphone
anyone here ever get any awards/plaques?

RECORDING Forums

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online. Also, if you love Recording Org and would like to make any donation in support of this site, please contact the Feedback link on the side bar. RO admin would be more than happy to add any contribution gift to the RO kitty. Give by becoming an RO Club Member and get a little better RO options.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, Music Education, Arranging, Composing,collaboration des musiciens, professionelle Musiker und Ingenieure, colaboración de músicos profesionales y los ingenieros lo que pensamos acerca de una banda
PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 0.33 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.