RECORDINGVocal Booth  
Our Sponsors
Pro Audio Products

http://www.auralex.com/

Recording.org
PRO SHOP
Categories
· Accessories
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Members Support
RO CLUB
You are not subscriber of RECORDING. You can subscribe from here now!
User Info, Site Stats
We received
79167923
page views since March 15, 2004
Recording Org
Navigation Map
recording.jpg HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
forums1.jpg DiscussionsShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
pronews.gif Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
· AdvertisingShow/Hide content
Access restricted to our members Advertising Contact UsShow/Hide content
tree-T.gif keyword ads
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
Access restricted to our members The Pro Shop
Members Only
icon_poll.gif ContentShow/Hide content
tree-T.gif Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
icon_members.gif InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
Latest Survey
Buying gear direct, would you support this?

YES, save me 10/20/40% and buy gear direct
No, add extra shipping costs, add dealer profit



Results
Polls

Votes: 181
Comments: 8
Mix News
·London's Soundhouse Installs Audient ACS8024 Console
·Mexican Tycoon Grabbing Major Circuit City Stake
·School of Sound to Present Symposium in London, April 15-18, 2009
·Russias NTV Installs Euphonix System 5-B
·AudioScience Introduces ASI5402 CobraNet PCI Soundcard

read more...©
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in
  Your url ad could be here!

 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
goran
Recording Org
Pro Audio Group



Joined: Mar 22, 2006
Posts: 14


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Mar 22, 2006 4:54 am Reply with quoteBack to top

I am an amateur trying to record some own solo compositions on my acoustic guitar.

I want to ask about this setup:

A M/S couple 100 cm from guitar and a "spot mic" 50 cm from guitar
(in the middle between guitar ans M/S couple).

I record in a corner (facing the corner and M/S 80 cm from corner).

What about phase problems ?

/Goran Sweden
View user's profileSend private message
jahtao
Recording Org
Pro Audio Group



Joined: Jun 22, 2004
Posts: 162


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Mar 22, 2006 8:05 am Reply with quoteBack to top

M n S was devised to be phase coherent and therefore fully mono compatable - no worries between these two but they might be out of phase with you spot mic...

Phase is always an issue when using more than one mic, but not always a problem, and rarely a problem that cannot be fixed. The 3:1 rule is often quoted - distance betwee the mics shoud be three times their distance from the sound source.

If you imagine sound waves going up and down moving away from the guitar to your mics arrays, they hit them at different times and at different wave phases right? So if you want them to be in phase you would probably delay front most mic. As sound travels at approx 34cm in 1ms you might want to delay by about 1.5ms but you do this by looking at the waves and lining them up, it therefore helps to have a loud sound at the start to do this with.... but you must use your ears too... there is no such thing as absolute phase coherency because all things are never equal so listen to what sounds best... you might even like it more out of phase than less.

Now, corners are often thought of as being bad, all room nodes terminate in corners, lots of comb filtering, phase issues closest to walls. You might like its accoustic properties tho' or maybe its far away from a noise source, or its the only place there's room for you hmmm... but have a check to see its not giving you problems. Probebly better to have the mic out of the corner than in it!!

jah bless
View user's profileSend private message
JoeH
Moderator



Joined: Jun 22, 2004
Posts: 1825
Location: Philadelphia, PA/ Greenville, DE


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Mar 22, 2006 10:20 am Reply with quoteBack to top

Your corner approach strikes me as a little odd, but perhaps you've found a sound you like. (It might be that you like hearing yourself this way. The interesting thing about playing acoustic guitar is that everyone BUT the guitarist can hear what it really sounds like....)

I prefer to put the acoustic guitar in the middle of a room, as far as possible from side/reflective walls, with ideally a fairly high ceiling. Sitting down is OK if you're doing guitar-only work, but if it's a folk singer/songwriter situation, I prefer they stand. (A little better separation with the voc & guit mics that way). It also helps to experiment with the flooring - carpeting vs. hardwood vs. stone.

If you're mixing in a DAW, you should be able to compensate for the 50cm-100cm difference in time between the solo and MS mic. I don't think it's going to make TOO much difference overall, but worth a little adjustment if it sounds better to you. The solo mic should give you all the meat and detail, while the MS should let you spread it out a bit in stereo.

_________________
Joe Hannigan, Producer
WestonSound.com - Philadelphia, PA & Greenville, DE
Acoustic Music Forum co-moderator.
View user's profileSend private messageVisit poster's websiteAIM Address
RemyRAD
Moderator



Joined: Sep 26, 2005
Posts: 3588
Location: Washington DC Virginia suburbs


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Mar 23, 2006 2:32 am Reply with quoteBack to top

You don't need a spot microphone just the MS pair. The "M" is your spot microphone.

MS freak
Ms. Remy Ann David
View user's profileSend private messageSend e-mailAIM Address
goran
Recording Org
Pro Audio Group



Joined: Mar 22, 2006
Posts: 14


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Mar 23, 2006 7:22 am Reply with quoteBack to top

Thank You all !
------------------


jahtao and JoeH,

This corner thing will make the figure-8 mic get more direct sound. Not bouncing around that much before reaching the figure-8 mic.
I believe M/S is extra sensitive to the room integration. And this corner M/S may not really be "stereo-recording". But art is not just copying reality it may be more interpreting it. (The art of 2-speaker stereo.)

Otherwise this is my listening room with not much more than my speakers and plenty of recording space in the middle.

Maybe I should try some screens and record in the middle of the room ?
------------------


RemyRAD,

No I don't need a "spot mic" but I have tried many setups and just a M/S couple at about 50 cm from the guitar is quite good. A clear center image and some "space".

But this "spot mic" seems to get me a tighter and more front up center image and still more space. (In fact I'm quite convinced of that.)

Now I also have one more parameter in my mix to play with. I may even put some reverb on this center-track (at or just below the A/B threshold).
------------------


Some more questions:

1.)
The guitar is no point source. It is rather the opposite. So will there really be much of phase problems ?

2.)
How to monitor that out of phase. Speakers, headphones, ... ?
(I think it is easy to get a "good sound" i headphones. But not in speakers. I am very picky about speaker sound. It is very hard (maybe impossible) to get a convincing 2.1 stereo sound in speakers.

(5.1 will help a lot. But I am not recording or mixing for that.)


/Goran Sweden
View user's profileSend private message
FifthCircle
Moderator



Joined: Feb 12, 2001
Posts: 895
Location: Los Angeles, CA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu Mar 23, 2006 10:47 am Reply with quoteBack to top

Instead of bringing in a 3rd mic, I'd work with just bringing in your main m-s pair closer. In the end, your phase coherency and depth of sound will thank you. I use M-S for recording guitar all the time and I think it sounds great (it is actually usually my "go-to" method), but I usually mic from the 50-60 cm distance than 100 or more...

What are you recording to? To monitor, you'll need some sort of a matrix. You can either buy them as a seperate analog box, some preamps come with them (like the True P8 and the Amek 9098), or you can decode in a mixer or software...

--Ben

_________________
Benjamin Maas
Acoustic Music Forum Moderator
_____________________________
Fifth Circle Audio
Los Angeles, CA
www.fifthcircle.com
View user's profileSend private messageSend e-mailVisit poster's website
goran
Recording Org
Pro Audio Group



Joined: Mar 22, 2006
Posts: 14


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Mar 24, 2006 3:11 am Reply with quoteBack to top

FifthCircle,

I decode in software either manually or by a plug-in (the same result of course).

My heart is with "classical" music. I would never listen to an acoustic guitar record (or pop or jazz). So I don't really know how it should sound.
But I like the sound of an acoustc guitar. But I don't consider it a real instrument. It is folk music. Can be nice. But not more.

Among many other records I have a recording of bach violin solo sonatas and partias. This is more my ideal. But now after listening to my many own different "stereo" recordings I realize that this recording is not really good (but she (it is allways a she) plays wonderful). Maybe this is a spaced A-B (it must be quite phasy it tears my ears apart) and the mics don't seem to be matched either (all high tones left and all lows right). No center image. Strange ! I don't think I can listen to this record any more.

/Goran Sweden
View user's profileSend private message
ghellquist
Recording Org
Pro Audio Group



Joined: May 14, 2004
Posts: 616
Location: Stockholm, Sweden


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Mar 24, 2006 10:02 am Reply with quoteBack to top

Goran,
feel free to call a fellow acoustic person. My cell phone is 0739-641575 (daytime accountant job phone, most always with me at evenings as well). If you are situated anywhere close to Stockholm, I could bring a few different mics to let you test record with. (No cost of course)

Gunnar.
View user's profileSend private message
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Sound Performance Lab
(Tube, Mastering, Analog Gear)

  
  
  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Business Section
(News, Articles
Classifieds etc.)
· Prime Loops Release Dirty Electro Synth Loops
· Free upgrade to Pro Tools 8 with any Digidesign LE product featuring 7.4.2
· Music Resources
· Eiosis releases AirEQ 5.1 Native and reduces the AirEQ's price
· Audio Impressions' announces Version 2.0 of DVZ Strings
· Are You a Pro Audio Manufacturer? You Need To Consider Drop Shipping.
· Start A Record Label - Lean How to Now
· RAUL MALO to be Guest Artist at Music Producers Institute

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

How much difference does a great preamp REALLY make?
Last post by fmw in Pro Audio Gear on Nov 22, 2008 at 04:30:18

DPA HMA5000 and apogee MiniMP and MiniME
Last post by ptr in Acoustic Music Forum on Nov 22, 2008 at 03:48:04

Near Field Monitors For Dance Music
Last post by djg5000 in Pro Audio Gear on Nov 22, 2008 at 03:35:21

Recording advice for upcoming live performance
Last post by ptr in Acoustic Music Forum on Nov 22, 2008 at 03:32:59

Best Vocal Mic for ~$1000
Last post by stickers in Pro Audio Gear on Nov 22, 2008 at 00:13:08

Sounded OK in the car
Last post by Space in Recording Forum on Nov 21, 2008 at 21:59:06

still working on live mixes
Last post by Greener in Recording Forum on Nov 21, 2008 at 21:06:55

drum mic desicion
Last post by MDCodeRed in Recording Forum on Nov 21, 2008 at 19:56:55

best mic for metal/screaming vocals
Last post by Matty_MTEC in Recording Forum on Nov 21, 2008 at 18:48:45

FINALLY!! The saga begins
Last post by MadMax in Studio Construction Forum on Nov 21, 2008 at 18:23:11


[ RECORDING ]
BookMark

 _MAKEBOOKMARK

New Topics!

Near Field Monitors For Dance Music
drum mic desicion
Sounded OK in the car
still working on live mixes
How much difference does a great preamp REALLY make?
Shure 16L for Brass (results)
Techno/Dance Effect- HOW? help!
Recording advice for upcoming live performance
Messed with latency through Firebox; now, no midi sound
Portable mp3 player microphone
anyone here ever get any awards/plaques?
Recommendations of USB/Firewire D-A Devices
iTunes Info Needed
Audio Interfaces
Room mode problem, please help!
American Dream (a trilogy)
L1/L2 vs compression plugs?
"Can't You See" - Francis John
recording.org Now Sells Sebatron
RemyRAD and the Transformer Experiment - Phase 1

RECORDING Forums

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online. Also, if you love Recording Org and would like to make any donation in support of this site, please contact the Feedback link on the side bar. RO admin would be more than happy to add any contribution gift to the RO kitty. Give by becoming an RO Club Member and get a little better RO options.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, Music Education, Arranging, Composing,collaboration des musiciens, professionelle Musiker und Ingenieure, colaboración de músicos profesionales y los ingenieros lo que pensamos acerca de una banda
PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 0.40 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.