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LocationLive
Recording Org Pro Audio Group

Joined: Jan 14, 2007
Posts: 2
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Posted:
Sun Jan 14, 2007 11:09 pm |
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Hey,
I was wondering if anyone might have some suggestions about a possible recording session I have coming up.There is a local step team (stompin' and clapin') and I thought it would be interesting to record this and then mix it down with some extreme lows and crisp highs.Question is in an area I need practice in,but what would be a good mic set up for something like this.;Thank you for any help,
D |
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zemlin
Recording Org Pro Audio Group

Joined: Sep 04, 2004
Posts: 1226
Location: Indianapolis, IN
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Posted:
Mon Jan 15, 2007 5:59 am |
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I'd look into a stereo pair of SDC mics - XY or ORTF most likely - the rest would depend on the floor. If it's concrete there's not likely much that can be done besides recording the air. If it is a wood floor, a stage, etc - perhaps a contact mic or two on the floor could give you some interesting thump to work with.
Spaced omni mics would capture LF better than cardioids - might be a good option of the recording space sounds good. |
_________________ Karl Zemlin - www.sonicartistry.net
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LocationLive
Recording Org Pro Audio Group

Joined: Jan 14, 2007
Posts: 2
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Posted:
Mon Jan 15, 2007 9:28 am |
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Thank you for the info..It is a wood gym floor so the idea about a contact mic is very good idea.This I will try.Thank You again |
_________________ doyle@locationlive.com |
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FifthCircle
Moderator

Joined: Feb 12, 2001
Posts: 895
Location: Los Angeles, CA
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Posted:
Tue Jan 16, 2007 10:57 am |
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The best floors for recording have a bit of a hollow space in them. A gym floor is going to be pretty solid so while better than cement, it won't be great.
My suggestion is not a contact mic here, but rather a good boundary mic or two or three depending on the width of the dance area (like the Sanken CUB-01, not any of the crown offerings like the PCC160). In addition, I would also mic the air around- either a closer room pair, overhead mics, etc... For tap work, a lav mic on the leg of the performer with the capsule close to the shoe can work really well.
In any case on a gym floor, you aren't going to get extreme lows. They just don't exist. The only way you'll get it is from a solid spring floor with contact mics on the back.
--Ben |
_________________ Benjamin Maas
Acoustic Music Forum Moderator
_____________________________
Fifth Circle Audio
Los Angeles, CA
www.fifthcircle.com |
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Cucco
Moderator

Joined: Mar 8, 2004
Posts: 4291
Location: Fredericksburg, VA
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Posted:
Tue Jan 16, 2007 12:44 pm |
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So far, good advice - especially re: the gym floor.
It looks like (by your website) that you're pretty much in my back yard here. I'd be glad to come give you a hand with this if it's on a free night (few and far between nowadays.) If nothing else, it might be a good networking opportunity and a chance to catch up over a brew.
If you'd like (or if it's needed at all), I can bring by some mics to lend a hand.
Which school is it at?
J. |
_________________ www.myspace.com/sublymerecords
www.sublymerecords.com
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