RECORDING

Audio Impressions
 
Our Sponsors
Pro Audio Products

Passeq

The PRO SHOP
Categories
· Accessories
· Acoustic Treatment
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Pro Shop
Random Audio Product

ASP510
$3,000.00
Members Support
RO CLUB
You are not subscriber of RECORDING. You can subscribe from here now!
User Info, Site Stats
We received
75332874
page views since March 15, 2004
Recording Org
Navigation Map
recording.jpg HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
forums1.jpg DiscussionsShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
pronews.gif Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
Access restricted to our members Advertising InfoShow/Hide content
tree-T.gif keyword adsShow/Hide content
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
· The Pro Shop
High End Gear
· Pro Shop!
icon_poll.gif ContentShow/Hide content
tree-T.gif Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
icon_members.gif InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
PASS IT ON!
Please link back to RO
Latest Survey
Do you earn money from music?

Yes
No



Results
Polls

Votes: 1232
Comments: 1
Mix News
·PreSonus Sponsors Recording Academy Event
·Neumann, Sennheiser to Introduce New Microphones at AES
·2008 Art of Record Production Conference is Announced
·AES 2008 New Product Submissions
·Propellerhead Supports Bob Moog Foundation with Donation

read more...©
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in
  Your url ad could be here!

 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
Crankitup
Recording Org
Pro Audio Group



Joined: Apr 14, 2007
Posts: 141
Location: Oakland, California


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Apr 15, 2007 6:51 pm Reply with quoteBack to top

Hey, I'm new here and I'm looking for a good small diaphragm cardioid microphone that would be good for acoustic guitar and ideally drums or a guitar cabinet. My budget is $500 or less. Any suggestions?

Thanks
View user's profileSend private messageVisit poster's website
Big_D
Moderator



Joined: Aug 21, 2004
Posts: 628
Location: Philadelphia PA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Apr 15, 2007 7:53 pm Reply with quoteBack to top

I like SM81's for accoustic guitars and drum OH's. A little more than your budget but worth the price.

_________________
RO DAW's & Computing Moderator
View user's profileSend private message
Crankitup
Recording Org
Pro Audio Group



Joined: Apr 14, 2007
Posts: 141
Location: Oakland, California


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Apr 15, 2007 7:59 pm Reply with quoteBack to top

hmm GC has it for $350. How does it compare to a Rode NT5?

_________________
http://www.myspace.com/droidsyourelookingfor
View user's profileSend private messageVisit poster's website
Big_D
Moderator



Joined: Aug 21, 2004
Posts: 628
Location: Philadelphia PA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Apr 15, 2007 9:19 pm Reply with quoteBack to top

Its all subjective so YMMV but the SM81 has been a studio standard for as long as many of us have been alive. It's very accurate on-axis, low noise and tough as nails. The NT5 is IMO the best sounding of the budget SDC's on accoustic guitar but I like the C4 better for a budget drum OH. Of course the SM81 is great on both and works well on alot of other sources as well.

BTW, that's $350 each and well worth it.

_________________
RO DAW's & Computing Moderator
View user's profileSend private message
Crankitup
Recording Org
Pro Audio Group



Joined: Apr 14, 2007
Posts: 141
Location: Oakland, California


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Apr 15, 2007 9:47 pm Reply with quoteBack to top

I'll check it out. I already have 2 groove tubes GT57's that I'm enjoying for drum overheads and vocals, but I can't get a good acoustic guitar sound that I like. I remember an engineer using an SM81 on my drummer's hi-hat, so I think I could find some more versatile uses for it, too. Thanks
View user's profileSend private messageVisit poster's website
moonbaby
Recording Org
Pro Audio Group



Joined: Feb 23, 2005
Posts: 1935
Location: jacksonville,fl


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Apr 16, 2007 8:14 am Reply with quoteBack to top

Variety is the spice of life, my friend. Leave the GTs to the geetar amp cabs and some vocals. I have an SM81, A-T AT4041, and Rode NT5 SDCs.
I like the 81 on acoustic instruments and on hi-hats, OHs. Ditto with the 4041. The NT5 pair works great as OH's and on acoustic instruments, not so great on hi-hats (for some reason, they're just more placement-sensitive there). But the Rodes are a real workhorse SDC, and I think are a great bargain for a stereo pair. They are remeniscent of the original AKG C452EB (I used to have a pair before they were stolen Crying or Very sad ).
View user's profileSend private message
Halifaxsoundguy
Recording Org
Pro Audio Group



Joined: Jan 18, 2007
Posts: 321
Location: Halifax, NS Canada


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Apr 17, 2007 10:19 am Reply with quoteBack to top

I have a nice AT-3035 that works and sounds great. Its about $300. At also has some entry level condensers, I believe their around $200 they are black in colour.

Mark

_________________
MBOX 2 PRO FACTORY, PRO-TOOLS LE 7.3
Apple MacBook (Tiger), 2.16 GHz Intel Core 2 Duo
4MB shared L2 cache, 2 GB MEMORY, 120GB HD
Western Digital 250 GB EXT. HD.

KRK Rokit 8's & Reason 4.



View user's profileSend private message
bwmac
Recording Org
Pro Audio Group



Joined: Dec 13, 2006
Posts: 219
Location: Alberta, Canada


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Apr 18, 2007 6:41 am Reply with quoteBack to top

I keep coming back to the apex line

I own a Apex 415 and 460 and both are great entry level mics.

heres a review on the 460
http://www.studioreviews.com/m16-460.htm

Google a 460 mod, which i just recently performed on my 460 by replacing the tube.
It was a simple task, $11 can. for the tube, the noise floor dropped nicely and the presence increased.
If I want a airy crisper sound I use the 415.

both well Worth there money IMHO
View user's profileSend private messageSend e-mailVisit poster's website
moonbaby
Recording Org
Pro Audio Group



Joined: Feb 23, 2005
Posts: 1935
Location: jacksonville,fl


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Apr 18, 2007 8:29 am Reply with quoteBack to top

Well, a decent quality SDC is invaluable for string instruments and for OH's. The SM81 is a professional staple for that application. You'd have to go with an Earthworks or DPA to get a perceptible improvement in audio quality, and even then, you're dealing with a mic that's at least twice (or in the case of the DPA, 4 times) the price. While a good LDC can yield decent results on acoustic guitar, they tend to sound "tubby" in the low end range on a lot of instruments because that's the range they were developed to emphasize. And when you add the brightness boost a lot of the Chinese LDCs are designed to emphasize, you have a real mess.
I used to use LDCs for OH's, but have found that a pair of (or even a single) SDC will yield a more "focused" and transparent sound, without the phase anomalies an LDC would introduce, especially with muli-mic'd drum kits, especially in respect to the tom mics.
View user's profileSend private message
Link555
Recording Org
Pro Audio Group



Joined: Mar 31, 2007
Posts: 780
Location: North Vancouver


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Apr 18, 2007 8:42 am Reply with quoteBack to top

I have few choices for acoustic 'geetar's', One of my favorite combos is a Apex 460 (modded new capsule, tube and transformer) and a Rode NT1(not the new NT1A the older version).

But I agree wih the SM81, everytime I have had a chance to use them on guitar they worked well.

_________________
Did you Hear that?
www.steller-studios.com
View user's profileSend private messageVisit poster's website
jonyoung
Recording Org
Pro Audio Group



Joined: Dec 31, 2003
Posts: 768
Location: Nashville, TN


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Apr 18, 2007 11:14 am Reply with quoteBack to top

I know it's not a small diaphram mic, but AT4050 is my alltime favorite on acoustic.
View user's profileSend private messageVisit poster's website
bwmac
Recording Org
Pro Audio Group



Joined: Dec 13, 2006
Posts: 219
Location: Alberta, Canada


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Apr 18, 2007 3:23 pm Reply with quoteBack to top

I can't disagree with Big_D or Moonbaby about the SM81.
heres a good review on it.
View user's profileSend private messageSend e-mailVisit poster's website
bwmac
Recording Org
Pro Audio Group



Joined: Dec 13, 2006
Posts: 219
Location: Alberta, Canada


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Apr 18, 2007 3:24 pm Reply with quoteBack to top

I can't disagree with Big_D or Moonbaby about the SM81.
heres a good review on it.
http://www.tweakheadz.com/review_of_the_SM81.htm
and yes that LDC 460 is very fat on the bottom end with a high
noise floor but the mod fixes that.

The review compares the SM81 to the SM57 so I guess its never a waist.
Personally, as a guitar player, I hate a mic that has to be to close, now I don't know but the review said 5 inches and that's intruding in my space as a performer. so I use a 415 when I want a crisp acoustic sound.

Anyway, choosing a mic is a personal thing and only you will know what is best for your situation so I will leave you all with a recording that I used the Apex 415 on. It was used for the vox and the guitar, and the noise floor is a bit high from the 460 that was unmoded at the time and placed two feet back for natural verb; but I'm still an armature with no professional training, and I know I have a long way to go, thats why I'm here.

the song is maybe somehow
maybe somehow
View user's profileSend private messageSend e-mailVisit poster's website
Link555
Recording Org
Pro Audio Group



Joined: Mar 31, 2007
Posts: 780
Location: North Vancouver


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Wed Apr 18, 2007 5:01 pm Reply with quoteBack to top

Actually I find the stock APEX 460 a little weak in the low end area. But I found changing the capsule and transformer helped that. Changing the tube lower the gain and harshness of the mic. The quality control the apex mics is almost non-existent, but if you’re willing to tweak a bit you can spend 1K and end up with a 5k mic IMO.

_________________
Did you Hear that?
www.steller-studios.com
View user's profileSend private messageVisit poster's website
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Sound Performance Lab
(Tube, Mastering, Analog Gear)

  
  
  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Pro Shop Cart
Your cart is empty.

[ Browse ]
Business Section
(News, Articles
Classifieds etc.)
· Win a 64-bit Mobile Studio from Rain Recording, Cakewalk and PreSonus
· Recording Connection
· BTE Audio releases BEQ5 British Console Equaliser Algorithm
· Warm Sound Engineering, Looking for the tape sound? We have the solution!
· Producer/Engineer Denny Bridges Joins East Coast Recording Company
· Vocalbooth.com™ Provides Working Studio for VOICE 2008
· BTE Audio releases BEQ4 British Console Equaliser Algorithm
· The audioMIDI.com Film & TV Composition Clinic

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

Vocal Bleed
Last post by hackenslash in Home, Project Studio's, Newbies on Sep 08, 2008 at 02:49:17

What's next?
Last post by soapfloats in Recording Forum on Sep 07, 2008 at 23:59:07

Should I buy a mixer?
Last post by kdk69 in Recording Forum on Sep 07, 2008 at 22:46:40

New KEL microphone: HM-7U
Last post by blaumph2cool in Budget Gear on Sep 07, 2008 at 22:31:04

recording.org product giveaway
Last post by Greener in Pro Sound Chat on Sep 07, 2008 at 22:14:14

Another Live Mix
Last post by Greener in Song & Mix Critique on Sep 07, 2008 at 22:09:25

Sound quality "issues"...
Last post by Greener in Recording Forum on Sep 07, 2008 at 22:01:39

Is this an acceptable sound?
Last post by Greener in Song & Mix Critique on Sep 07, 2008 at 21:50:42

Busted
Last post by Space in Song & Mix Critique on Sep 07, 2008 at 21:13:54

How do you Choose a Mixer/Console?
Last post by ray1018 in Mixing Live Sound on Sep 07, 2008 at 20:33:05


[ RECORDING ]
New Topics!

Sound quality "issues"...
How do you Choose a Mixer/Console?
Crown XTi4000 for Bose 802 III series
What volume should I mix at?
Quick sample and some thoughts
Meyer HD-1 Speakers?
Confused on which overhead mics to purchase
Studio Sale
CAD E-350 vs. Cad Trion 8000
mid field monitoring
preamp suggestion
Howto: Tune A Guitar
help with new pro studio
Is this an acceptable sound?
Need Help With Setup
Another Live Mix
The difference between mastering one song or a whole album
Beat Detective-ish question...
Mbox Mini 2 or PreSonus Audio Box

RECORDING Forums

BookMark

 _MAKEBOOKMARK

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online. Also, if you love Recording Org and would like to make any donation in support of this site, please contact the Feedback link on the side bar. RO admin would be more than happy to add any contribution gift to the RO kitty. Give by becoming an RO Club Member and get a little better RO options.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, Music Education, Arranging, Composing,
PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 0.49 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.