RECORDINGhttp://www.sweetwater.com/click/recorg/dgiveaway/  
Our Sponsors
Pro Audio Products

Vocal Booth

Recording.org
PRO SHOP
Categories
· Accessories
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Members Support
RO CLUB
You are not subscriber of RECORDING. You can subscribe from here now!
User Info, Site Stats
We received
79200668
page views since March 15, 2004
Recording Org
Navigation Map
recording.jpg HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
forums1.jpg DiscussionsShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
pronews.gif Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
· AdvertisingShow/Hide content
Access restricted to our members Advertising Contact UsShow/Hide content
tree-T.gif keyword ads
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
Access restricted to our members The Pro Shop
Members Only
icon_poll.gif ContentShow/Hide content
tree-T.gif Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
icon_members.gif InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
Latest Survey
Buying gear direct, would you support this?

YES, save me 10/20/40% and buy gear direct
No, add extra shipping costs, add dealer profit



Results
Polls

Votes: 182
Comments: 8
Mix News
·Lynx Studio Technology Hires Mike Nicoletti, Additional Staff
·MOTU Integrates Euphonix EuCon Control Protocol Into DP 6
·Sennheiser Responds to the FCC's 'White Spaces' Ruling
·London's Soundhouse Installs Audient ACS8024 Console
·Mexican Tycoon Grabbing Major Circuit City Stake

read more...©
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in
  Your url ad could be here!

 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
DavidSpearritt
Moderator



Joined: Jan 09, 2005
Posts: 749
Location: Brisbane, Australia


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri Dec 21, 2007 5:13 pm Reply with quoteBack to top

Well, I finally bit the bullet and purchased one of these. Sold my Lynx Aurora 8, not because of sound quality, it was superb, but because I had to take 4 x 5m long 8 channel snakes with me to site to connect it to stuff, and the Lynx Mixer software is a hinderance to use. I really like the AES connections though, this is pro.

But the TC box has some advantages. Its got the most wonderfully usable software app I have seen in a long time, the layout is how I suggested to Lynx they make theirs, ie just like an analog mixer strip. Its also got 4 more pres that I need, and the reverb, compression and EQ FX sound excellent , also trivially easy to route into the mix with that software mixer.

The distinct disadvantages of the TC box is the firewire connection, this is not professional, and the complete lack of separate AES outs from the D/A.

So far the preamps sound fantastic with a pair of 4006TL's, the only listening I have done. TC are still finalising driver stability and I have ordered a laptop for the first time in my life. A Lenovo T61 is coming and also a TI chipset PC-Card to do the firewire so that I can get a decent larger connector.

I hope I don't regret selling that wonderful Lynx, but my back will thank me for not having to lug snakes and Genex around, and my sanity will be preserved running that wonderful TC software and FX.

More reports to come after a serious outing. Firewire connectors are still producing anxiety.

_________________
http://www.lodestarrecordings.com.au
View user's profileSend private messageVisit poster's website
lell010
Recording Org
Pro Audio Group



Joined: Jan 15, 2005
Posts: 29
Location: Auckland, NZ


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Dec 22, 2007 2:07 pm Reply with quoteBack to top

David - I will be very interested in your future reports about TC48.

I am also interested in your comments on the 4006TL as I am considering having my 4006’s “upgraded”

Dont fret too much about firewire connectors - in the 5+ years I have been using them I have had only one problem, and that was a cable not a connection!
View user's profileSend private messageAIM Address
Cucco
Moderator



Joined: Mar 8, 2004
Posts: 4284
Location: Fredericksburg, VA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Dec 22, 2007 2:42 pm Reply with quoteBack to top

I'm curious - what PC card did you get with the TI chipset? I've been looking for one (although, there's now a new PCMCIA bus - ExpressBus which makes matters even more complicated!)

I'm in the process of going through this same upgrade right now only with the RME FireFace 800 and a laptop. God, it's a life saver losing 50 or more pounds of gear!

On a different note, I had a wierd issue with Firewire cables. I had to put an aftermarket PC card in my PCI slot on my portable computer and the card cage makes it so that no firewire connector can reach far enough into the jack on the PCI card to connect. (A problem with EVERY computer and this particular card since my card cage is no bigger or thicker than any other on the market.)

I've had to retro all of my existing firewire cables by melting the plastic on the computer end of the cable so that more of the metal firewire plug is exposed so it can reach further into the plug.

Friggin engineers!

_________________
www.myspace.com/sublymerecords
www.sublymerecords.com
View user's profileSend private messageSend e-mailVisit poster's websiteMSN Messenger
DavidSpearritt
Moderator



Joined: Jan 09, 2005
Posts: 749
Location: Brisbane, Australia


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sat Dec 22, 2007 5:39 pm Reply with quoteBack to top

Larry, good to know re firewire connectors. We also have a pair of 4003 and I am not sure its worth upgrading your 4006's. People seem to say there are low end improvements, not an area where I would say there were deficiencies. The 4006's can drive longer cables than the TL's so this has practical implications in our work.

Jeremy, the card I have ordered is this one:
http://www.verbatim.com.au/products.cfm?productID=KW1002

Its an older card but has the reliable TI chipset on it. The PCIe cards seem to mostly still be PCI at their core with PCIe to PCI bridges on board. I don't know how anyone can choose this stuff today, there are simply too many options with poorly documented specs and differences.

Just choosing a laptop was hard enough. And Microsoft are scratching their heads wondering why people are having trouble choosing between the 17 versions of Vista.

A message to marketing people, if you ever listen to anyone .... GET A GRIP ... AND A CLUE!

_________________
http://www.lodestarrecordings.com.au
View user's profileSend private messageVisit poster's website
Duckman
Recording Org
Pro Audio Group



Joined: Aug 02, 2006
Posts: 68


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Dec 23, 2007 4:39 am Reply with quoteBack to top

Dave,

When you get the chance, could you give more detail on the quality of the pres, AD/DA etc.

Also, what sort of price do these things command?

Cheers,

Dave
View user's profileSend private message
DavidSpearritt
Moderator



Joined: Jan 09, 2005
Posts: 749
Location: Brisbane, Australia


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Sun Dec 23, 2007 4:42 pm Reply with quoteBack to top

Dave

The quality of pres I am certainly interested in, but the A/D D/A I think, now, is of no concern. The pres I partly assumed would be good. I did not trial or listen to this box first. We have 2 Gold Channels which have excellent preamps and we have the M2000 and the M3000 which we use frequently still. Since the GC pres are so good and these are documented as being more advanced, then I was satisfied at that. But I will post some samples from a recording as soon as I can.

A/D/A is less of an issue because all circuit design in this area is now late generation. TC are great designers, they publish many papers in the AES journal and publish proper specs including very low jitter figures. Certainly our other three boxes make excellent A/D converters which is the way we use them sometimes, ie in bypass mode.

However, I still do my critical CD recordings of chamber music in stereo with the Nagra and soon to be, my new minimalist analog mixer designed by Warren Huck.

This multichannel rig will be a backup for critical projects, but the primary recorder for non-critical gigs where we need many channels and post rebalance is likely. My business partner purchased a Mackie Onyx for such work, but it doesn't sound great to my ears, and the intent of using the A/D in that with Traktion has been less than satisfactory, actually we don't use it, its so teeth grindingly annoying.

So far I have very good impressions from the SK48. As I said, the wonderful software is its strong point, as well as the pedigree of design in it for preamps and the staggering amount of DSP. The usable DSP on board this thing is incredible, it must be the most powerful box on the planet at the moment as far as that's concerned. The reverb is quite outstanding, has to be heard to be believed. I should add that I don't use much DSP in recording classical music, but small amounts of reverb on spots and compression on vocals can make all the difference, very small amounts. This box allows fine adjustment of such and highly accurate mixing to stereo of the whole thing.

Its good value for money. I think RRP is around $3150 AUD, but street price is much less than that.

_________________
http://www.lodestarrecordings.com.au
View user's profileSend private messageVisit poster's website
DavidSpearritt
Moderator



Joined: Jan 09, 2005
Posts: 749
Location: Brisbane, Australia


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Dec 25, 2007 12:05 am Reply with quoteBack to top

Larry, for God's sake don't listen to me re whether to upgrade 4006 to 4006TL. Read this instead!

http://recforums.prosoundweb.com/index.php/mv/msg/6888/0/0/0/

_________________
http://www.lodestarrecordings.com.au
View user's profileSend private messageVisit poster's website
JoeH
Moderator



Joined: Jun 22, 2004
Posts: 1827
Location: Philadelphia, PA/ Greenville, DE


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Dec 25, 2007 11:38 am Reply with quoteBack to top

Larry, I have no experience with the 4003s, but as a long time (20+ yrs) user of the B&K 4006's, I can tell you the 4006 TLs are a very nice step up from the original. The differences are subtle, but folks who use these things all the time will know it as soon as they hear them. (The recessed -20 db switch in the XLR connector is a nice touch, as well.)

I reviewed this new version for MIX ( http://mixonline.com/mag/audio_dpa_tl_microphone/index.html ) and liked the microphones so much I decided to keep them. I'm still pondering whether or not I will upgrade my original B&Ks (probably will) to the TL version; it's mostly a down-time issue. They certainly need a trip to the shop at DPA for tweaking and adjustment after all this time, so I'm figuring perhaps I will do it all at once and be done with it, probably when things slow down at the end of the season in May or June 08.

For critical, audiophile & serious work I run the DPAs through my Grace m802's, where the differences between the original 4006's and 4006 TLs is apparent. For me, it was worth spending the extra $$ for two additional 4006 TLs, thus boosting my toolbox to FOUR of them, vs. just upgrading the original pair I have.

I can't tell you what to do, but if I would say as long as the source material truly warrants it, and you can hear a 1 or 2 percent difference for the better, then go for it. With shipping, it'll probably run about about $1500 or so for upgrading two of them, (just under the cost of ONE new 4006 TL) - and that's something only you can decide.

_________________
Joe Hannigan, Producer
WestonSound.com - Philadelphia, PA & Greenville, DE
Acoustic Music Forum co-moderator.
View user's profileSend private messageVisit poster's websiteAIM Address
lell010
Recording Org
Pro Audio Group



Joined: Jan 15, 2005
Posts: 29
Location: Auckland, NZ


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Dec 25, 2007 1:07 pm Reply with quoteBack to top

Thanks to all who responded on the 4006TL - sorry for Hi Jacking your thread David - now back to the TC48...


Last edited by lell010 on Tue Dec 25, 2007 1:13 pm; edited 1 time in total
View user's profileSend private messageAIM Address
JoeH
Moderator



Joined: Jun 22, 2004
Posts: 1827
Location: Philadelphia, PA/ Greenville, DE


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Dec 25, 2007 1:41 pm Reply with quoteBack to top

yes, I'm sorry I went off on a tangent as well.....new question for David; are you using this at all in the studio, or out on live remotes?

I'm curious about the 5.1 and stereo implementation - I still haven't found the perfect all-in-box for mixdown in my studio.

This sure looks interesting....

_________________
Joe Hannigan, Producer
WestonSound.com - Philadelphia, PA & Greenville, DE
Acoustic Music Forum co-moderator.
View user's profileSend private messageVisit poster's websiteAIM Address
DavidSpearritt
Moderator



Joined: Jan 09, 2005
Posts: 749
Location: Brisbane, Australia


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Dec 25, 2007 4:28 pm Reply with quoteBack to top

Joe, its going to be used out in live recordings mostly. Its the heart of a small multitrack rig with a laptop. The speaker management and numerous separately configurable outputs would be wonderful in the studio, and also in a remote CD session. Its even got a very neat talkback arrangement.
http://www.tcelectronic.com/media/SK_Digital_Mixer_Screenshot.jpg

_________________
http://www.lodestarrecordings.com.au
View user's profileSend private messageVisit poster's website
DavidSpearritt
Moderator



Joined: Jan 09, 2005
Posts: 749
Location: Brisbane, Australia


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Dec 31, 2007 8:55 am Reply with quoteBack to top

Jeremy, I couldn't get that Firewire card supplied, so have done some more research. I found what appears to be an excellent 1394a PC-Card with a TI chipset. The thing I like about this card is that its connectors are lying down so its low profile in height when plugged into the latop. It appears to be made in Switzerland.

EXSYS EX-6600E
http://www.exsys.ch/index.php?main_page=product_info&cPath=25_30&products_id=40

and I have bought 2 of them, (1 spare) from eBay Austria.

_________________
http://www.lodestarrecordings.com.au
View user's profileSend private messageVisit poster's website
Cucco
Moderator



Joined: Mar 8, 2004
Posts: 4284
Location: Fredericksburg, VA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Mon Dec 31, 2007 9:15 am Reply with quoteBack to top

Thanks!

I also just picked up one as well. I had to look at the ExpressCard variety, but found this:


http://www.newegg.com/Product/Product.aspx?Item=N82E16839150004

I would have gotten this:
http://www.newegg.com/Product/Product.aspx?Item=N82E16839150007

But I couldn't determine if it also used the TI chipset (which the first one does.)

I've had the machine (a Dell Vostro notebook) up to 12 tracks of 192kHz in both directions for over two hours now without even a hiccup.

This was only a test though. I'll be recording this coming weekend and will throw it out on its first real test then.

I'll only be doing 44.1 though this weekend - maybe 4-6 tracks tops.

In any case, it seems rock solid after making many necessary tweaks to the computer.

I hope your experiences thus far are similar.

J.

_________________
www.myspace.com/sublymerecords
www.sublymerecords.com
View user's profileSend private messageSend e-mailVisit poster's websiteMSN Messenger
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Sound Performance Lab
(Tube, Mastering, Analog Gear)

  
  
  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Business Section
(News, Articles
Classifieds etc.)
· Prime Loops Release Dirty Electro Synth Loops
· Free upgrade to Pro Tools 8 with any Digidesign LE product featuring 7.4.2
· Music Resources
· Eiosis releases AirEQ 5.1 Native and reduces the AirEQ's price
· Audio Impressions' announces Version 2.0 of DVZ Strings
· Are You a Pro Audio Manufacturer? You Need To Consider Drop Shipping.
· Start A Record Label - Lean How to Now
· RAUL MALO to be Guest Artist at Music Producers Institute

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

Recording trouble, need help.
Last post by shadow_boy in Home, Project Studio's, Newbies on Nov 22, 2008 at 15:35:53

Vocalbooth.com anyone?
Last post by Space in Studio Construction Forum on Nov 22, 2008 at 14:08:18

External Soundcard issues.
Last post by Space in Home, Project Studio's, Newbies on Nov 22, 2008 at 14:02:51

ustream.tv and audio issues
Last post by fishee in Home, Project Studio's, Newbies on Nov 22, 2008 at 13:37:35

Interface Compatibility and Hardware Recognition
Last post by hueseph in Digital Audio Forum on Nov 22, 2008 at 13:14:52

Near Field Monitors For Dance Music
Last post by antoniosolo in Pro Audio Gear on Nov 22, 2008 at 12:58:37

How much difference does a great preamp REALLY make?
Last post by fmw in Pro Audio Gear on Nov 22, 2008 at 11:48:00

drum mic desicion
Last post by Davedog in Recording Forum on Nov 22, 2008 at 11:10:05

Minimizing pick noise
Last post by Mckey in Acoustic Music Forum on Nov 22, 2008 at 10:55:18

Bit-Depth Issues
Last post by Greener in Mastering Sound Forum on Nov 22, 2008 at 09:57:45


[ RECORDING ]
BookMark

 _MAKEBOOKMARK

New Topics!

Recording trouble, need help.
ustream.tv and audio issues
Interface Compatibility and Hardware Recognition
External Soundcard issues.
Vocalbooth.com anyone?
Live recording
Near Field Monitors For Dance Music
drum mic desicion
Sounded OK in the car
still working on live mixes
How much difference does a great preamp REALLY make?
Shure 16L for Brass (results)
Techno/Dance Effect- HOW? help!
Recording advice for upcoming live performance
Messed with latency through Firebox; now, no midi sound
Portable mp3 player microphone
anyone here ever get any awards/plaques?
Recommendations of USB/Firewire D-A Devices
iTunes Info Needed
Audio Interfaces

RECORDING Forums

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online. Also, if you love Recording Org and would like to make any donation in support of this site, please contact the Feedback link on the side bar. RO admin would be more than happy to add any contribution gift to the RO kitty. Give by becoming an RO Club Member and get a little better RO options.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, Music Education, Arranging, Composing,collaboration des musiciens, professionelle Musiker und Ingenieure, colaboración de músicos profesionales y los ingenieros lo que pensamos acerca de una banda
PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 3.38 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.