hello
i won't go into my whole situation but i have around a $400 budget for buying mics for recording. I used to have an SM57 but i don't know where it went
now I have 0 mics.
The music is a duo consisting of me (acoustic guitar, vocals) and a girl (acoustic & electric piano, vocals). Also there will probably be some occasional electric guitar in there and probably some simple percussion in most songs like a cabasa, maracas, maybe a djembe or congas.
the girl has a SM58 which I think will go well with both our vocals, but im not sure. Her vocals will be more predominant, and they are typical female vocals.
Also, my friend can lend me some SM57s if I need them, but I would rather have my own. But i can always get my own later down the road.
I'm thinking a small-diaphragm condenser mic for the acoustic guitar and piano. I don't know too much about these mics. However, if the SM58 doesn't do her voice justice then I may look at a large-diapragm condenser. I can maybe go up to $450 but $400 is better.
anyway I know at the end of the day i just need to go to GC and listen to them, but I don't think the girl will be able to be there to sing when I do that (i will have my acoustic and the preamps I will use). I just want to have a list of a few mics to try instead of just going there with no clue.
The preamps are the ones built into my MOTU 8pre interface - they get the job done.
btw, i'm not necessarily only going to buy one mic, in fact id prefer to have more mics. maybe an SM57 + a small-diaphragm condenser (+ that SM58 she has)?
i've also seen some GC packages such as an Audio Technica one that was a small- and large- diapragm pair of condensers for like $150.
I'm totally open to spending that $400 in any way.
_________________ "Can you feel it?" - Iggy Pop
"Said can you feel it when you touch me?" - Iggy Pop
"Raw Power, i can feeeel it" - Iggy Pop
"I feel alright!" - Iggy Pop
Link555 Recording Org Pro Audio Group
Joined: Mar 31, 2007
Posts: 738
Location: Soon to be North Vancouver
I picked one up on a whim and couldn't believe how good it sounded on my acoustic. I even used it (paired with a 57) on distorted electric guitars and came away pretty impressed.
I'm sure other will chime in with some equally good recommendations.
help, anyone else? in a nutshell, if you had $400 to spend on mics and only had an SM58, what would you do for recording acoustic & electric guitars, piano, male and female vocals, and perc.
im more and more leaning towards getting an SM57 and a good (or a good pair of) SDC(s). I think I can use the SM58 for vox, the 57 for anything electric, and then the SDC can cover acoustic guitars and pianos and percussion. Later on down the road I can invest in a good LDC or a nice pre.
reccomendations...?
also i've noticed a lot of package deals that are one SDC and one LDC - such as the MXL 990/993 ($199 for both), MXL 992/993 ($299), AT2020/At2021 ($149 for both) etc...
Link555 Recording Org Pro Audio Group
Joined: Mar 31, 2007
Posts: 738
Location: Soon to be North Vancouver
I would buy apex 460 and make a few mods. Like adding a Peluso CEK-89 capsule, or a cinemag transfomer. $270 for the mic and $130 for the capsule = Nice mic for ACU GTR
if anybody cares, heres the list of what I'm going to listen to at GC before I buy anything:
-MXL 993 condensers stereo pair ($249)
-MXL 990/993 package ($199)
-MXL 992/993 package ($299)
-MXL 604 ($200 for 2)
-MXL 2003/603S package ($169)
-AKG Perception 150 pair ($179)
-AT2041 package (consists of a AT2020 and AT2021) ($149)
obviously there are about a million different options in my price range just from MXL and AT alone, especially if I start to get into LDCs, but I think i should find one option in that list that satisfies me for recording acoustic guitar, piano, etc.
especially since no matter what im also getting an SM57.
_________________ "Can you feel it?" - Iggy Pop
"Said can you feel it when you touch me?" - Iggy Pop
"Raw Power, i can feeeel it" - Iggy Pop
"I feel alright!" - Iggy Pop
The audio technica mics are very decent, and I like them more than the MXLs mostly because they have detail in the top end rather than a glassy sheen like the mxls do. The packages you're looking at are 2 small diaphragm condensers, one is just end address while the other is side address. They will still sound different, but not as different as you'd get with a large diaphragm mic like an at4040. Getting those 2 and the 57 will be a great way to start. Then again the Rode NT1a can work great with acoustic guitar and vocals... it will just depend on your vocalist and guitar you're recording.
JoeH Moderator
Joined: Jun 22, 2004
Posts: 1779
Location: Philadelphia, PA
You're on a budget, you're new at this, you don't have a lot of cash, you're just starting out......
Go with any of the MXL's that fit your needs and budget. You'll be fine for now. In a few years, assuming you stick with it, you can upgrade and get better stuff to match your abilities and your chops.
Most of all, get what you can afford for now, and make music.
_________________ Joe Hannigan, Producer
WestonSound.com - Philadelphia, PA
Acoustic Music Forum co-moderator.
droc8705 Recording Org Pro Audio Group
Joined: Jan 18, 2007
Posts: 53
Location: Orlando, FL
if i were you, i wouldn't get hung up on what GC would charge for a mic...the used market knocks down some serious cash on some serious mics. for example, i bought an at-4033a for $150 on ebay not too long ago in a package that came with a m-audio nova. granted, i have no intention of ever using the nova, but the 4033a is a steal for $150!!! there are great mics out there, you just have to be willing to look for them and not necessarily have them be brand spankin' new.
as far as mics i'd look for, i'd look around for a set of rode nt5s on ebay. i've seen these mics go for as low as $275 before and they're great for everything from drum overheads to acoustic guitars to...anything. i also have a set of rode nt2-a mics that are awesome as well if you want to get a LDC that are $400 new, but again, ebay has them much cheaper.
-dave
BobRogers Recording Org Pro Audio Group
Joined: Apr 04, 2006
Posts: 1073
Location: Blacksburg, VA
You're on a budget, you're new at this, you don't have a lot of cash, you're just starting out......
Go with any of the MXL's that fit your needs and budget. You'll be fine for now. In a few years, assuming you stick with it, you can upgrade and get better stuff to match your abilities and your chops.
Most of all, get what you can afford for now, and make music.
The last point is the most important. Whatever you get will be enough to get you going as long as you concentrate on music instead of gear. With that said, keep in mind that you will keep whatever SM57s you buy for as long as you record - even if, say, the MXLs or the Rodes will sound marginally better or things like acoustic guitar right now.
I just wanted to put in a plug for the Rode NT1-A. It's a fantastic mic for the price and well worth having. I like it for acoustic guitars or vocals - male or female - as well as guitar amps. It really does many things well and has a really low self noise.
NT1A ENDORSEMENT:
I'm sure there are other people on this board that are MUCH more capable of providing BETTER examples than this, but here's a 30 second clip of a little diddy I recorded for my bosses' friend with a NT1A.
This is one of the first recordings I did with this mic. This was a single take; recording both the vocals and the acoustic guitar with just the NT1A. Any noise you hear is almost guaranteed to be ambient or from the singer or the guitar (which you can hear some faint buzzing from). As the previous poster stated, this mic has very low self noise. I'm still pretty 'wet around the ears' when it comes to recording but at least you know that you can get this level of quality with that mic, with practice I'm sure you could do better.
Hope this helps.
EDIT: Forgot to mention the above sample is raw, no effects or anything. Just the mic, room, guitar, and singer.
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