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Your url ad could be here!
| Poll :: which preamp from the below |
| MPA Gold |
|
28% |
[ 2 ] |
| SPL Gold Mike |
|
14% |
[ 1 ] |
| Aphex 207 |
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0% |
[ 0 ] |
| TL Audio 5050 |
|
14% |
[ 1 ] |
| Presonus Eureka |
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0% |
[ 0 ] |
| Cubase System 4 (DL3 with bundled RME interface / preamps) |
|
0% |
[ 0 ] |
| Focusrite Trakmaster Pro |
|
42% |
[ 3 ] |
|
| Total Votes : 7 |
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| Author |
Message |
DeeBee
Recording Org Pro Audio Group

Joined: Apr 16, 2006
Posts: 4
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Posted:
Fri Apr 21, 2006 6:06 pm |
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Being in the UK I don't have access to the same range that are mentioned regularly and those that I do are at wildly differing prices. In my price range I have the following options to compliment my Rode K-2. Which of the above would you recommend?
Primarily it will be for vocals but the more versatile the better.
Many thanks,
Dave |
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Hawkeye
Recording Org Pro Audio Group

Joined: Sep 26, 2003
Posts: 80
Location: Aurora, ON, Canada
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Books To Read
Your Forum Posts
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Posted:
Sat Apr 22, 2006 9:19 am |
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I haven't worked with / used all of them, but I do own a Trak Master channel strip and an ART MPA (with JJ Tesla tubes).
I use the TrakMaster mainly for direct tracking bass guitar and it seems to have found a good niche there with its compressor, multi-band EQ (I have the older one, not the pro) and the A/D card (it's for sale in the classifieds).
The MPA is better for vocals and acoustic guitar IMO. It's airier and maybe more detailed, but also does a great job on bass.
I would think the Eureka is a step up from those two, and then the SPL a step up from that.
You've mentioned a combination of channel strips and pure preamps though. If you want an all-in-one solution, go channel strip, if you're looking for best possible sound at the $ point, then go preamp-only. I think you need to zero in on what you're looking for, then your choices might be a little easier. |
_________________ When tolerance becomes absolute, it becomes intolerant. |
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Cucco
Moderator

Joined: Mar 8, 2004
Posts: 4305
Location: Fredericksburg, VA
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Books To Read
Your Forum Posts
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Posted:
Sat Apr 22, 2006 7:46 pm |
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Seriously, this is a BIG HUGE No-Brainer!!
The SPL Gold Mike is a completely different (and FAR superiour) mic pre to ALL of the others listed.
The MPA is a good pre and the RME stuff is fine.
All of the other stuff....I just don't think so.
I like the Aphex 107, but I haven't been that impressed by the 207D as of yet. Though I've only used it once.
J |
_________________ www.myspace.com/sublymerecords
www.sublymerecords.com
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Markd102
Recording Org Pro Audio Group

Joined: Apr 24, 2001
Posts: 598
Location: Australia
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Your Forum Posts
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Posted:
Sat Apr 22, 2006 8:35 pm |
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| Cucco wrote: | | The SPL Gold Mike is a completely different (and FAR superiour) mic pre to ALL of the others listed. |
But aren't all mic pres the same?  |
_________________ Trackin Down Under |
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Groff
Recording Org Pro Audio Group

Joined: Jul 18, 2004
Posts: 528
Location: Cro
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Posted:
Sun Apr 23, 2006 3:22 pm |
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| Hawkeye wrote: | | if you're looking for best possible sound at the $ point, then go preamp-only. |
SPL Gain Station. Absolute amazing for $. |
_________________ we are still children, only the toys are more expensive |
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aphid
Recording Org Pro Audio Group

Joined: Jan 9, 2004
Posts: 89
Location: Dallas, Tx, USA
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Posted:
Sun Apr 23, 2006 9:07 pm |
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for use with vocals primarily, i like the groove tubes brick, and I can generally talk any sales guy down to $300 on them.
To my knowledge, its a class a true tube pre. this with an rnc compressor is one hell of a vocal chain. If you bought either, I don't think you'd regre it. |
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