RECORDINGhttp://realtraps.com  
Our Sponsors
Pro Audio Products

http://rainrecording.org/

Recording.org
PRO SHOP
Categories
· Accessories
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Members Support
RO CLUB
You are not subscriber of RECORDING. You can subscribe from here now!
User Info, Site Stats
We received
79175483
page views since March 15, 2004
Recording Org
Navigation Map
recording.jpg HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
forums1.jpg DiscussionsShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
pronews.gif Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
· AdvertisingShow/Hide content
Access restricted to our members Advertising Contact UsShow/Hide content
tree-T.gif keyword ads
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
Access restricted to our members The Pro Shop
Members Only
icon_poll.gif ContentShow/Hide content
tree-T.gif Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
icon_members.gif InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
Latest Survey
Buying gear direct, would you support this?

YES, save me 10/20/40% and buy gear direct
No, add extra shipping costs, add dealer profit



Results
Polls

Votes: 181
Comments: 8
Mix News
·London's Soundhouse Installs Audient ACS8024 Console
·Mexican Tycoon Grabbing Major Circuit City Stake
·School of Sound to Present Symposium in London, April 15-18, 2009
·Russias NTV Installs Euphonix System 5-B
·AudioScience Introduces ASI5402 CobraNet PCI Soundcard

read more...©
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in
  Your url ad could be here!

 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
barefoot1972
Recording Org
Pro Audio Group


Joined: Feb 10, 2003
Posts: 4
Location: Denver, CO


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu May 03, 2007 3:04 pm Reply with quoteBack to top

I assume there have been ample discussions of this in the past, but I cannot find any applicable threads to read using the search feature of this forum. Can anyone point me to these discussions?

If for whatever reason the discussion gets restarted here, these are my thoughts/assumptions:

I assume that higher resolution means better sound quality.

I disseminate my music on CD(16 bit/44.1k)/mp3(close to 16 bit/44.1k sound quality wise).

Much of my music uses samples of the Native Instrument VSTi which I assume are mostly at 16bit/44.1k.

If I record at 24/96, I assume there will be a loss in quality when I dither back down to 16/44.

I assume that recording at 24/96 is a greater cpu strain and I know it takes more disc space (which is not a problem) which means more throughput needed from the hard drive (which I assume could be a problem). Overall I assume more computing power is needed.

I don't know how A/D D/A operates under these circumstances i.e. will I have more/less latency/dropouts/etc with my VSTis using my Lynx L22 card.

All and all, like the post says, I was wondering about the Pros & Cons of Recording at 16 bit Verses 24 bit and 44.1k verses 96k

BTW, I run a PC P4 3ghz, 2 gigs ram, Cubase SX2, Lynx L22 card.

Cheers,
John
View user's profileSend private messageSend e-mail
Sidhu
Recording Org
Pro Audio Group



Joined: Mar 22, 2004
Posts: 286
Location: New Delhi, India


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu May 03, 2007 4:15 pm Reply with quoteBack to top

Hello!

Recording at 24bit will yield a wider dynamic range (more headroom). often helpful when recording sources which have a highly variable dynamic range (vocals, drums etc) Alwaz dither to 16bit, during mixdown.

Sample rates are/were highly debated. I stick to 44.1@24 and am quite happy. Higher sampling rates usually results to a lower operational latency but higher CPU strain. Dropouts are mostly to do with CPU overloads. The system is taxed at higher sampling frequencies. Some software software audio processors are also said to perform better at higher samplerates.

Cheers!


Last edited by Sidhu on Thu May 03, 2007 11:50 pm; edited 1 time in total
View user's profileSend private message
chrysanthemum
Recording Org
Pro Audio Group



Joined: Dec 11, 2006
Posts: 13


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu May 03, 2007 4:51 pm Reply with quoteBack to top

The number of stair steps in 24 bit recording is much greater than 16 bit

16 bit: 216 = 65,536 steps

24 bit: 224 = 16,777,216 steps
View user's profileSend private messageVisit poster's website
chrysanthemum
Recording Org
Pro Audio Group



Joined: Dec 11, 2006
Posts: 13


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu May 03, 2007 4:53 pm Reply with quoteBack to top

Correction: That is 2 raised to 16 and 24. For some reason the subscript didn’t transfer.
View user's profileSend private messageVisit poster's website
SoundWeavers
Recording Org
Pro Audio Group



Joined: May 03, 2007
Posts: 10
Location: Makati, Metro Manila, Philippines


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Thu May 03, 2007 7:36 pm Reply with quoteBack to top

I would recommend keeping sessions at 24/48 even if the final destination of your recordings is 16/44.1

SIDHU is correct about the extended dynamic range 24bit affords you.

It is much better to dither/downsample from higher bit rates and resolutions than to upsample.

24/48 is ok. I only use 24/96 on solo classical sessions when I can afford the 2x file size of 96k tracks.

_________________
Recording Studio in Makati, Manila, Philippines

Hot Music Gear
View user's profileSend private messageVisit poster's website
MrEase
Recording Org
Pro Audio Group



Joined: Jan 19, 2006
Posts: 48
Location: Surrey, UK


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Fri May 04, 2007 3:44 am Reply with quoteBack to top

Have a look at this thread (which was very recent) for a few opinions.

http://www.recording.org/ftopict-41737.html
View user's profileSend private message
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Sound Performance Lab
(Tube, Mastering, Analog Gear)

  
  
  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Business Section
(News, Articles
Classifieds etc.)
· Prime Loops Release Dirty Electro Synth Loops
· Free upgrade to Pro Tools 8 with any Digidesign LE product featuring 7.4.2
· Music Resources
· Eiosis releases AirEQ 5.1 Native and reduces the AirEQ's price
· Audio Impressions' announces Version 2.0 of DVZ Strings
· Are You a Pro Audio Manufacturer? You Need To Consider Drop Shipping.
· Start A Record Label - Lean How to Now
· RAUL MALO to be Guest Artist at Music Producers Institute

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

anyone here ever get any awards/plaques?
Last post by Thomas W. Bethel in Music Business Forum on Nov 22, 2008 at 06:35:18

Logic Studio, Pro Tools LE, or Pro Tools HD?
Last post by djg5000 in Digital Audio Forum on Nov 22, 2008 at 04:58:19

How much difference does a great preamp REALLY make?
Last post by fmw in Pro Audio Gear on Nov 22, 2008 at 04:30:18

DPA HMA5000 and apogee MiniMP and MiniME
Last post by ptr in Acoustic Music Forum on Nov 22, 2008 at 03:48:04

Near Field Monitors For Dance Music
Last post by djg5000 in Pro Audio Gear on Nov 22, 2008 at 03:35:21

Recording advice for upcoming live performance
Last post by ptr in Acoustic Music Forum on Nov 22, 2008 at 03:32:59

Best Vocal Mic for ~$1000
Last post by stickers in Pro Audio Gear on Nov 22, 2008 at 00:13:08

Sounded OK in the car
Last post by Space in Recording Forum on Nov 21, 2008 at 21:59:06

still working on live mixes
Last post by Greener in Recording Forum on Nov 21, 2008 at 21:06:55

drum mic desicion
Last post by MDCodeRed in Recording Forum on Nov 21, 2008 at 19:56:55


[ RECORDING ]
BookMark

 _MAKEBOOKMARK

New Topics!

Near Field Monitors For Dance Music
drum mic desicion
Sounded OK in the car
still working on live mixes
How much difference does a great preamp REALLY make?
Shure 16L for Brass (results)
Techno/Dance Effect- HOW? help!
Recording advice for upcoming live performance
Messed with latency through Firebox; now, no midi sound
Portable mp3 player microphone
anyone here ever get any awards/plaques?
Recommendations of USB/Firewire D-A Devices
iTunes Info Needed
Audio Interfaces
Room mode problem, please help!
American Dream (a trilogy)
L1/L2 vs compression plugs?
"Can't You See" - Francis John
recording.org Now Sells Sebatron
RemyRAD and the Transformer Experiment - Phase 1

RECORDING Forums

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online. Also, if you love Recording Org and would like to make any donation in support of this site, please contact the Feedback link on the side bar. RO admin would be more than happy to add any contribution gift to the RO kitty. Give by becoming an RO Club Member and get a little better RO options.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, Music Education, Arranging, Composing,collaboration des musiciens, professionelle Musiker und Ingenieure, colaboración de músicos profesionales y los ingenieros lo que pensamos acerca de una banda
PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 0.37 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.