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Bear's Gone Fission
Recording Org Pro Audio Group

Joined: Jan 3, 2001
Posts: 899
Location: Houston, Texas
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Posted:
Sun Jul 22, 2001 11:21 am |
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Hiya. Deciding it's time to add a sampler/sequencer to my home studio rig (I'm in a race to catch up with the 80's ) which is based around an Otari MS-5050 8HSD, the reason being I don't think I'll ever have the propper space for a drum kit. So the problem is I have no idea what gear I need to do MIDI sync. I think I'd be striping time code and have the sequencer track it so I could save some tracks, so what'll generate time code, read time code, and let me trigger MIDI? Damned if I know and I think I must be in the realm of discontinued gear, since it's probably obsolete to the average home consumer these days. Little help?<P>Bear |
_________________ "You used to record for Epic. As a black man, were you frustrated with how the devils there treated you?"
-Magnet magazine interviewer's first question to Aimee Mann |
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Ang1970
Respected Past Moderator

Joined: Sep 4, 2000
Posts: 1230
Location: MA
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Posted:
Mon Jul 23, 2001 2:58 am |
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You mean that you want something old and used in order to keep the cost down, or you don't think they make these anymore?<P>If the latter, there are still a number of units being made to choose from. A little more info on how you want to use it will help narrow it down. Budget? |
_________________ ------------------------------
Angelo Quaglia
In-house Engineer & Producer
Northfire Recording Studio
15 Grove St.
Amherst, MA 01002
(413) 256-0404
http://www.northfirerecording.com |
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Bear's Gone Fission
Recording Org Pro Audio Group

Joined: Jan 3, 2001
Posts: 899
Location: Houston, Texas
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Posted:
Mon Jul 23, 2001 7:31 am |
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Uh, part of the problem is I don't know how I'd be using it. I haven't messed with syncing MIDI to tape so I have only the vaguest idea how it's done. I figure I would be using a sampler/sequencer unit and have it chase time code to play back rhythm samples. Cheap is wonderful, so used looks great, but if there's new stuff that'll do a better job, I'm interested to learn of it. I can't find anything new that is designed for analog tape sync, though.<P>Bear |
_________________ "You used to record for Epic. As a black man, were you frustrated with how the devils there treated you?"
-Magnet magazine interviewer's first question to Aimee Mann |
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jk
Recording Org Pro Audio Group

Joined: Feb 14, 2001
Posts: 5
Location: Tokyo
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Posted:
Mon Jul 23, 2001 7:31 pm |
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Bear,<BR>You might want to take a look at the Akai MPC boxes. They may be a bit more than you want to spend and I think you have to pay extra to add a SMPTE card but they do offer a pretty easy MIDI programming interface, the drum pads are kinda nice and there are filters for munging drum and other samples. Retail for the MPC2000XL is around $12~1300 new (and they do come up on e-bay), and you can use them to drive any other MIDI synth/sample modules you have or get your hands on.<BR>BTW, thanx for asking a question I could give an answer to--I've been lurking round here some time and it's sure nice to contribute.<BR>Hope this helps.<BR>Jeff |
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Ken Weeks
Recording Org Pro Audio Group

Joined: Apr 11, 2001
Posts: 20
Location: Rockville, MD USA
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Posted:
Wed Jul 25, 2001 3:02 am |
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Heya Bear, I don't know samplers but I use a JL Cooper PPS-2, a neat little black box I bought off a netter for $90. I have a TRS-8 1/2inch reel-to-reel and I use the PPS-2 to synch it to a Roland VS880. Works great.<P>The PPS-2 has just two 3-way switches,<BR>MTC/DTL/FSK and STRIPE/READ/OFF<BR>On the backside there are SMTPE phono plug input/outputs and a MIDI cable in/out. <P>The TRS-8 runs as the master and carries the STMPE stripe on track 8, recorded with the PPS-2 earlier. To record or playback, flip the PPS-2 to "READ", plug the midi out into the Roland (or maybe a sampler?), tell it to be a good MIDI slave to the TRS-8 and then I use the TRS-8's remote to run the whole mess. A green "synch" LED on the PPS-2 tells you it's reading time code and outputing MIDI MTC to the Roland. The VS880 is a GREAT little slave. No rewind, no waiting, BAM, he's right there in a second... maybe two.<P>Mine's a JLCooper PPS-2"plus" and I'm sure it does some other cool tricks - I know very little about this hocus-pocus, just a basement hacker, but I do know this works for this application and it's pretty cheap.  |
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realdynamix
Respected Past Moderator

Joined: Feb 23, 2001
Posts: 1513
Location: Where the Sun Rises
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Posted:
Wed Jul 25, 2001 5:44 am |
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Hey Bear; I second the JLCooper set-up.<BR> <A HREF="http://www.jlcooper.com" TARGET=_blank>http://www.jlcooper.com</A> <BR>--Rick |
_________________ Rick Hammang
RO Audio/Video/Film Forum Moderator |
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Jon Best
Recording Org Pro Audio Group

Joined: Feb 14, 2001
Posts: 564
Location: Virginia Beach, VA
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Posted:
Wed Jul 25, 2001 6:47 am |
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The JL Cooper box is a good bet, if you're syncing to hardware (Datasync 2 is the newest, current one- should be around $225 or so new). However, if you're syncing to a computer sequencer, you should look into a computer interface with SMPTE support. Personally, for cheap, I like the $130 Midiman Biport. I am not sure, but you may also be able to run this one standalone, as an alternative to the JL Cooper.<P>The bigger decision is what you're syncing with. The MPC2000 someone mentioned is pretty popular, just because you're going to need something that does three jobs- allows you to input on something like keys or pads, records that input as a midi sequence, and plays that midi sequence back through/using samples you've bought or generated. <P>If you don't want to be limited to samples, then add a fourth job- sound module. <P>All of these can be in one box, (MPC or others for the first three, Triton/ASR10/ASRX/others for all four) or you can go a la carte- depends on what you're comfortable with. <P>I would get a cheap MIDI controller (~$100), build a decent computer ($5-600 PIII500ish, or use what you've got), get the Midiman interface, and load up something like Gigasampler and a cheap sequencing program (Cakewalk Home Studio or Cubasis). Or, get the rackmount ~$700 Akai S2000 sampler and run a sequencer on a much lesser computer. |
_________________ Jon Best
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Bear's Gone Fission
Recording Org Pro Audio Group

Joined: Jan 3, 2001
Posts: 899
Location: Houston, Texas
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Posted:
Wed Jul 25, 2001 8:21 pm |
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Thanks for all the input, this is pretty helpful stuff. The computer is probably an inevitability, but I think I work a bit better with dedicated hardware. One box that caught my eye is the discontinued and very affordable Boss SP-202. (I know it isn't even 44.1 KHz sampling rate, but I dig the lo-fi aspect at least in concept.) Haven't read the specifics, does it have sequencing and with enough brains to chase time code of of one of the JL Cooper sync boxes?<P>Bear |
_________________ "You used to record for Epic. As a black man, were you frustrated with how the devils there treated you?"
-Magnet magazine interviewer's first question to Aimee Mann |
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