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Jaike
Recording Org Pro Audio Group

Joined: Sep 15, 2005
Posts: 29
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Posted:
Thu Nov 22, 2007 4:10 am |
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Hi everone,
any tips on making a recorded track less 'roomy':
I have a sound recorded in a small to medium size room, with a stereo mic set-up, about 6 feet away from the sound source.
Any tips for reducing the 'natural reverb of the room' aspect? I don't need anything drastic, but it got me wondering if any of you have a particular method you use in this kind of case...
Thanks! |
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chaeridley
Recording Org Pro Audio Group

Joined: Oct 20, 2007
Posts: 9
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Posted:
Thu Nov 22, 2007 4:12 am |
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Think being 6 feet away from your source is your problem... |
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Jaike
Recording Org Pro Audio Group

Joined: Sep 15, 2005
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Posted:
Thu Nov 22, 2007 4:27 am |
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Yeah, thanks, I realise that...
This is within the context of recording sound for a documentary film. You don't always get the chance/time/space to setup your mics as you would want them when your teammates are filming stuff on-the-fly... |
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TVPostSound
Recording Org Pro Audio Group

Joined: Feb 15, 2006
Posts: 628
Location: Burbank, CA
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Posted:
Thu Nov 22, 2007 11:27 pm |
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I still own a Dolby CAT43, does wonders taming a room!!!
I just used it for that very purpose last week!!! |
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TVPostSound
Recording Org Pro Audio Group

Joined: Feb 15, 2006
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Location: Burbank, CA
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Posted:
Thu Nov 22, 2007 11:30 pm |
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Also consider an omni lav, a Sony ECM77B can be had for around $200. It intercuts very well if you're using a Sennheiser MKH416 as the boom.
You do use 2 mics on a shoot right??? (backup)
Why are you recording dialog in stereo, that's also part of the problem. |
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bent
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Joined: Oct 26, 2007
Posts: 1742
Location: Cocoa Beach, Fl
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Posted:
Thu Nov 22, 2007 11:38 pm |
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Man, that statement brings back memories!
I remember trying my damndest to kill the feedback behind a certain ride where one of our actors (wearing an ECM77BC in his wig) used to do a show, directly in front of two Clair Brothers R2 cabinets.
The cabinets were hung about 8 feet above, 16 feet apart, and both pointed perfectly in towards center stage.
Good mic, bad setting!
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_________________ -BeN(t)
*Proper gain structure makes the world go 'round!
All your base drumsticks are belong to us! - BobRogers |
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UncleBob58
Recording Org Pro Audio Group

Joined: Apr 9, 2003
Posts: 650
Location: Fairfield County, CT
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Posted:
Fri Nov 23, 2007 1:03 pm |
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What type of mic? Shotguns are notoriously "roomy".
Also, you should be booming, just putting a mic in the room is not the best way to record dialog/interviews. A professional boom-op can keep the boom out of the shot and is able to adjust the aim of the mic towards each of the speakers as needed.
TVPost is right on with using lavs. For interviews they are the best option. It only takes about two minutes per person to put on. |
_________________ Peace to all,
Uncle Bob
alcoveaudio.com
A craftsman knows how to avoid mistakes,
An artist knows how to use them. - Randy Thom |
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lesspaul
Recording Org Pro Audio Group

Joined: Nov 22, 2007
Posts: 7
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Posted:
Fri Nov 23, 2007 8:27 pm |
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This is gonna sound crazy but is totally inespensive.
If you don't have money to buy fancy acoustic foam like auralex, you have to understand that your room's reverb can be reduced if you have some stuff in it.
Let me explain.
If you walk in an empty room an you talk or just clap your hands you will listen to the big reverd inmediatly, but after you put your tv, bed, desk or other things, it will change little by little.
What's in the room?
If it is barely full guess what. LOTS of reverb.
Bring some stuff in it. At leats for the recording session. A sofa, or maybe just hang some curtins.
Good luck
William Rivera |
Last edited by lesspaul on Sun Nov 25, 2007 1:06 pm; edited 1 time in total |
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Space
Recording Org Pro Audio Group

Joined: Jun 26, 2007
Posts: 1302
Location: Exit 4, Alabama
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Posted:
Fri Nov 23, 2007 9:37 pm |
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Yer right, that does sound crazy... |
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bent
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Posted:
Fri Nov 23, 2007 9:38 pm |
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+10 on the crazy!
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_________________ -BeN(t)
*Proper gain structure makes the world go 'round!
All your base drumsticks are belong to us! - BobRogers |
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THeBLueROom
Recording Org Pro Audio Group

Joined: Jan 15, 2005
Posts: 148
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Posted:
Sun Nov 25, 2007 11:41 pm |
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| lesspaul wrote: | This is gonna sound crazy but is totally inespensive.
If you don't have money to buy fancy acoustic foam like auralex, you have to understand that your room's reverb can be reduced if you have some stuff in it.
Let me explain.
If you walk in an empty room an you talk or just clap your hands you will listen to the big reverd inmediatly, but after you put your tv, bed, desk or other things, it will change little by little.
What's in the room?
If it is barely full guess what. LOTS of reverb.
Bring some stuff in it. At leats for the recording session. A sofa, or maybe just hang some curtins.
Good luck
William Rivera |
Yer not crazy. This is a valid technique, barring you have the extra space. A sofa can kill some bass, bookshelves and curtains can kill some high end.
For the original poster, SPL Transient Designer... or the Sonnox software version can do the trick ...mess with a compressor as well. |
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speeddrmmr1200
Recording Org Pro Audio Group

Joined: Nov 27, 2007
Posts: 7
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Posted:
Tue Nov 27, 2007 12:10 am |
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yeah bring the mics closer and use a cardiod condensors if you dont have them already. theyll pick up less room and more whats in front of it. |
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TVPostSound
Recording Org Pro Audio Group

Joined: Feb 15, 2006
Posts: 628
Location: Burbank, CA
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Posted:
Tue Nov 27, 2007 12:25 am |
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| Quote: | | Shotguns are notoriously "roomy". |
No as much as stereo micing, as he did!!! |
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