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litenmupp
Recording Org Pro Audio Group

Joined: Apr 4, 2001
Posts: 24
Location: Sweden
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Posted:
Mon Jun 18, 2001 6:27 am |
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Fletcher said that you should check one speaker mono when tracking drums (to check for phase relations I guess). How do you do this? Is it different than just hitting the mono button on the mixer? <BR>Normally when you track drums you usually dont pan them around right? So wouldn't they be mono if you just let em be and listen? |
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MMazurek
Recording Org Pro Audio Group

Joined: Oct 14, 2000
Posts: 100
Location: Naperville, Illinois USA
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Posted:
Mon Jun 18, 2001 3:17 pm |
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Sum both outs to one speaker. Surprisingly different than listening to both speakers. (more focus) |
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e-cue
Recording Org Pro Audio Group

Joined: Sep 9, 2000
Posts: 513
Location: North Hollywood
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Posted:
Mon Jun 18, 2001 5:22 pm |
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I'd take this a step futher & do it with an Auratone, or your 2-track speaker. This will give you an idea what your stuff sounds like coming out of an alarm clock, t.v., etc. <BR>Sometimes you'll think everything sounds nice & wide- hit the mono button & 1/2 your track get phase cancelled out. (check the rhodes part on Good Lovin' on Blackstreet's Another Level record in Mono & then in stereo). |
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litenmupp
Recording Org Pro Audio Group

Joined: Apr 4, 2001
Posts: 24
Location: Sweden
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Posted:
Tue Jun 19, 2001 7:50 am |
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Thanks for your tips guys. This may sound a little stupid but how do I sum both outputs to one speaker in the best way?<P>e-cue: I'm not familual with the Auratone, not a 2-track speaker either... What do they do? <P>So when you are mixing and checking for phase problems do you always listen in one speaker instead of just using the mono button? Any advantages to using the mono button? <P>And how do you generally deal with mono compability when mixing , like do you mix it all to work good in mono first, then spread it out with panning or do you use panning from the beginning and check it in mono from time to time? Alot of questions at once  |
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Fletcher
Respected Past Moderator

Joined: Feb 10, 2001
Posts: 777
Location: Foxboro, MA
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Posted:
Tue Jun 19, 2001 8:57 am |
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I have no idea of how to sum both outputs to one speaker...but the way I do it with drums is to either: pan all the drums to the left, or hit the mono button and disconnect one of the two speakers [usually the right speaker as I have more confidence in my left ear].<P>Your mileage may vary. |
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Tymish
Recording Org Pro Audio Group

Joined: Feb 13, 2001
Posts: 88
Location: Washington DC
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Posted:
Tue Jun 19, 2001 9:46 am |
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Some power amps have level controls on the front. So I hit the mono botton on the board and turn one speaker down. |
_________________ Yuri Terleckyj<BR>Broadcast Technician<BR>Recording Engineer<P>POP...POP "Is this thing on?" |
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litenmupp
Recording Org Pro Audio Group

Joined: Apr 4, 2001
Posts: 24
Location: Sweden
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Posted:
Tue Jun 19, 2001 9:59 am |
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Thanks! That was easier to understand..<P>Fletcher, I also have more confidense in my left ear, but now my tinnitus is way louder on the left side... I'm fucked <P>a well..<BR>  |
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e-cue
Recording Org Pro Audio Group

Joined: Sep 9, 2000
Posts: 513
Location: North Hollywood
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Posted:
Thu Jun 21, 2001 1:43 am |
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e-cue: I'm not familual with the Auratone, not a 2-track speaker either... What do they do? <P>Auratones (aka Horrortones) are small speakers that are supposed to be used to check your mixes in 'real world' conditions. Not everyone can afford a $10,000+ sound system at their house. A lot of 1/2' 2-track machines have a cheap-ass mono speaker built in for monitoring purposes. If your mix, esspecially low-end, sounds good on these it will probably sound good on any source your mix is being played... |
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litenmupp
Recording Org Pro Audio Group

Joined: Apr 4, 2001
Posts: 24
Location: Sweden
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Posted:
Sat Jun 23, 2001 11:55 am |
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e-cue: Thanks for the explanation. Though I'm currently mixing on a pc and don't own any of the devices you mentioned, its always nice to learn new techniques.<P>Peter |
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