Here's a recording I just made a few minutes ago of Ach Ich Fuhls from Magic Flute. I'm using a Blue Baby Bottle with a pop screen through a maudio FastTrack Pro (I normally use an Apogee Duet but I have no idea where it is right now). Using Garageband on a Mac Pro quadcore, and added a hint of reverb & echo. Please excuse my bad German and wonky voice, I didn't really warm up. :smile: Ach Ich Fuhl's - Baby Bottle & FastTrack Pro I *really* don't like the high notes, they sound really shrieky, and I know from other recordings that I'm not shrieky in real life. :biggrin: Also, the resonance is just not there in the lower register. The middle register sounds pretty decent IMHO. I've done a lot of reading on forums and such, and I see a lot of recommendations for dynamic and ribbon mics with opera singers. I've also seen a lot of posts on using stereo pairs, preferably matched pairs, and a lot of votes for M/S or similar arrangements in close quarters. So, I'm thinking of getting an additional mic to use with the Blue Baby Bottle, something that will capture a warmer sound, and then hopefully the final mix can be a nice blend of the two. Suggestions on mics? So far I've seen a lot of good things about the Cascade Fatheads, and also EV RE20s. My budget is around $300 max, so a matched pair is unfortunately not in my near future. (Also I'm thinking keeping the Baby Bottle in the mix is a good way to capture sibilance that may be lost with a warmer mic.) Also suggestions on mic arrangement and placement in my tiny room? For reference, here's a sketch of my "vocal booth" setup: the X is where I stand, back to the wall, and the big pole thing is my mic stand & boom hanging over the gobos. The mic itself is at the tip of the boom, which is about 3 ft away from where I stand. Mic head is pointing downward, tilted slightly away from me. I can probably move things back to make it 4 ft away, but that's the max distance I can arrange.