Page 2 of 2 FirstFirst 12
Results 11 to 20 of 20

Thread: My quest for lighter gear!

  1. #11
    Golden Member Cucco's Avatar
    Join Date
    Mar 2004
    Location
    Fredericksburg, VA
    Posts
    4,663
    Liked
    8 times

    Default

    I'm not offended at all Chris.
    Like I said, everyone has their thoughts.
    I just was wondering why the full-frontal attack on the RME. I didn't claim their converters were great or as smooth as the Lavrys. They're not. However, the AD in the Sound Devices is damn fine. I'd happily put it against much higher dollar converters. (It was the SD that I've been talking about, not the RME. In fact, the way I'd implement the SD with the RME is to bypass the RME's converters in the first place.

    To me, the AD converter is the single least important part of the signal chain. The difference between a great converter and a decent/good converter is marginal at best and is easily overcome by using a different mic in a different spot, etc.

    To me, my favorite converters in order are (bearing in mind, these are only ones that I've used or extensively played with. Just using it once, it doesn't make the list):

    Mytek 8x192
    Meitner
    Waves (believe it or not, the ADC in the MaxxBCL is killer!)
    Lynx Aurora
    Prism Orpheus (I'm considering trading up from the RME to this, but I'd lose total channel count. And I haven't found it to be as stable as the RME)
    Lavry Blue
    Ramsa/Panasonic
    Lucid

    Beyond that, either I didn't care for it or I haven't tried it.

    I didn't list the SD because I've only used the AD once. I liked it, but I need more experience with it before I claim my undying love for it. As for the pres and the analog portion - it's nice. VERY nice!

    Cheers-
    J.

  2. #12
    Administrator bigtree's Avatar
    Join Date
    Mar 2000
    Location
    Prince George, BC Canada
    Age
    55
    Posts
    8,652
    Liked
    142 times
    Blog Entries
    8

    Default

    I'm playing with you. We're talking about simple gear for a mobile rig and sound quality. Not just what you want or are buying. Please leave your personal take out of this.
    You are reading way to much into me.

    You mentioned both these converters in earlier posts and also asked for opinions so I gave mine too. I'm keeping it real for both the end user and manufacturer

    Cucco, I own all the gear I am giving opinions on. I say it the way it is and don't promote or compare something unless I've had hands on experience with it. I'm not interested in being all fuzzy or winning friends in a public forum. There is no frontal attack on RME either, I love RME, especially the ADI-8 QS for hybrid converters ( I own 2 of them). I really like the FF800 for mobile recording but in comparison, they do not sound as rich as the simple Lavry Blacks. FF800's however are excellent interfaces and choice. They are popular for a reason. Some people will find this post interesting and can count on my opinion being truthful or helpful too.

    To elaborate: The Blacks are designed for light weight mobile recording and mastering. They are exactly (fit) something you were asking about. You mentioned using the FF800 in an earlier post, and because I've owned those too, I gave you my opinion on the sound quality of all the above and some extra info relevant to this discussion to chew on I have done comparisons on all these products, you can disagree
    I don't care if you don't like my opinion, I just want to know if you've used them and WHY you think they are overpriced? I'm trying to understand where you are coming from here. Why are they overpriced and what did you compare them too and how were you using them? Nothing fuzzy here, just wanting to know how you get to that conclusion?

    Plain and simple: Your opinion on Lavry was a bit off because you are placing them into a lower bracket of gear and for that I ask you if you, have used them or done an actual comparison?


    regards,

  3. #13
    Administrator bigtree's Avatar
    Join Date
    Mar 2000
    Location
    Prince George, BC Canada
    Age
    55
    Posts
    8,652
    Liked
    142 times
    Blog Entries
    8

    Default

    Okay, Just read you last post, no worries.

    Quote Originally Posted by Cucco View Post

    To me, the AD converter is the single least important part of the signal chain. The difference between a great converter and a decent/good converter is marginal at best and is easily overcome by using a different mic in a different spot, etc.
    Kind of a contradiction in all this but its cool. I understand where you are coming from now. I agree and disagree. If I was on a budget, then of course. If you need 10 mics and you need to make a choice of one high end converter or ten mics, well... no brainer.

    There is a sweetness that comes from quality converters and rash , closed in sound that comes from less quality. Converters do influence everything that goes in and out of its path and for that reason alone, you got to wonder what its doing to the over all sound. When I am recording classical music, I want the best sound I can get. If I am using DPA and Royer, I want the best sound I can get. I want clean, full and transparent signal.

    Cheers!

  4. #14
    Golden Member Cucco's Avatar
    Join Date
    Mar 2004
    Location
    Fredericksburg, VA
    Posts
    4,663
    Liked
    8 times

    Default

    Chris -
    You're getting really defensive and really offensive. I'm not sure where the hostility and pissing contest is coming from.

    I never asked for anyone's opinions on the Lavry or the RME. Yes, I've owned (or do own) both. I owned a dBTech converter for quite a while. There are even some pictures floating around on this website where the converters were being used in my live setup.

    You're welcome to your opinions. I don't dispute them. You hear things differently than I do. I have a very classical approach to everything I do and hear. I don't suspect that you do. That's not to say that mine is inherently better than yours. Just different.

    I don't know how I could claim to make differences and comparisons between gear if I've never heard or used it before, so yeah, I've used this stuff. I played with the Lavry Black for about 2 seconds. I didn't get that much time in on it for two main reasons:

    Its form factor is such that it won't easily rack mount the way I need it to
    It requires external power (if I'm going with a little 1/2u device that is designed to be carried, I want a battery-powered option)

    I don't want a fight here. I'm just here telling you what I purchased and how I'm using it. I told you that I'm not interested in the Lavry's because they're too expensive and because they're not the right form factor for me. You don't have to spend the next several posts attacking me and my gear because it doesn't live up to your standards.

    Bottom line -
    I have a decent location-based setup. It's big. I wanted something smaller. I bought the USBPre2 and am happy. That's my story. If you're upset that I'm dissing the Lavry's, sorry buddy. To me, they're not worth the price.

  5. #15
    Golden Member Cucco's Avatar
    Join Date
    Mar 2004
    Location
    Fredericksburg, VA
    Posts
    4,663
    Liked
    8 times

    Default

    Quote Originally Posted by bigtree View Post
    Okay, Just read you last post, no worries.



    Kind of a contradiction in all this but its cool. I understand where you are coming from now. I agree and disagree. If I was on a budget, then of course. If you need 10 mics and you need to make a choice of one high end converter or ten mics, well... no brainer.

    There is a sweetness that comes from quality converters and rash , closed in sound that comes from less quality. Converters do influence everything that goes in and out of its path and for that reason alone, you got to wonder what its doing to the over all sound. When I am recording classical music, I want the best sound I can get. If I am using DPA and royer, I want the best sound I can get. I want clean, full and transparent signal.

    Cheers!
    This is coming off as rather holier-than-thou and insulting Chris.
    It's not a contradiction at all. Please tell me what part is a contradiction.

    Also, the last time I checked, I've been recording classical music for around 15 years now and have a few label credits to my name. I know how a good converter sounds and how a bad one sounds. I also know how to use a tool for its purpose. If the sound of your recording is being destroyed by a converter, then the bad news is, it's not your converter.

  6. #16
    Administrator bigtree's Avatar
    Join Date
    Mar 2000
    Location
    Prince George, BC Canada
    Age
    55
    Posts
    8,652
    Liked
    142 times
    Blog Entries
    8

    Default

    YIKES! Cucco, you are getting way too personal here. We're adults talking about gear for gawd sakes. Please chill.



  7. #17
    Golden Member Cucco's Avatar
    Join Date
    Mar 2004
    Location
    Fredericksburg, VA
    Posts
    4,663
    Liked
    8 times

    Default

    Chris -
    Please re-read this topic.
    You'll see that the moment it derailed was when you started bad-mouthing my gear and my opinion.
    If you don't see that, then we have an issue.
    If you do see that, then we don't.

    Your posts read like:
    "Look - I have no problems if you have opinions, as long as they agree with my own!"

    J.

  8. #18
    Administrator bigtree's Avatar
    Join Date
    Mar 2000
    Location
    Prince George, BC Canada
    Age
    55
    Posts
    8,652
    Liked
    142 times
    Blog Entries
    8

    Default

    Quote Originally Posted by Cucco View Post
    Chris -
    Please re-read this topic.
    You'll see that the moment it derailed was when you started bad-mouthing my gear and my opinion.
    If you don't see that, then we have an issue.
    If you do see that, then we don't.

    Your posts read like:
    "Look - I have no problems if you have opinions, as long as they agree with my own!"

    J.
    my apologies.

    Lavry AD11 Review

  9. #19
    Golden Member Cucco's Avatar
    Join Date
    Mar 2004
    Location
    Fredericksburg, VA
    Posts
    4,663
    Liked
    8 times

    Default

    Thanks Bro!
    We're on the same team here. I have absolute respect for all that you have done and currently do.
    I honestly felt like I was in the Twilight Zone here.
    Best wishes,
    J.

  10. #20
    Golden Member Cucco's Avatar
    Join Date
    Mar 2004
    Location
    Fredericksburg, VA
    Posts
    4,663
    Liked
    8 times

    Default

    Back to the originally scheduled program -

    One of the things I am happy about is the AD conversion in the USBPre2.

    I haven't had much chance to play with it yet, but it too is the same AD used in the 7xx series of SD products which are beyond reproach. They spec well, but I have't played with their actual sound quality yet. I often use my FF800 as a platform for inject 8 external channels in via ADAT. As you point out, the quality of the AD in the RME is good, but not great. I have several different ADs that I can and do use, but it all comes down to weight.

    If I'm going out with an assistant and have 2 hours to do setup, I'll drag out the big stuff.
    If I'm going out on my own with an hour to set up in a less-than-stellar location, the RME along with the True Systems work great.

    The advantage of this particular setup is that I can walk in with a camera bag where all the gear is already connected. I fish a lead for the mic, turn on the units, fly the pole and hit record. Literally, I can be set up and get a great recording in minutes! This isn't for my "high-end" clients. This is for the high school band that wants a quick recording for archival purposes. It's for a Junior high kid's audition tape to summer camp. I get tons of that kind of work and I really hate dragging out the kitchen sink for that.

    If (a big, but probable if) the SD unit has good pres (check) and good conversion (remains to be seen), then it might very well take a place in my regular rig too.

    Cheers-
    J.

Page 2 of 2 FirstFirst 12

Similar Threads

  1. A Rant, A Request & A Lighter Note
    By Codemonkey in forum Studio Lounge
    Replies: 3
    Last Post: 09-03-2008, 08:11 PM
  2. My quest for new monitors
    By Cucco in forum Mastering Engineers Forum
    Replies: 21
    Last Post: 10-06-2006, 12:24 PM
  3. Lighter version of CRane, Manley... When?
    By Alécio Costa - Brazil in forum Mastering Engineers Forum
    Replies: 9
    Last Post: 03-06-2003, 10:25 AM
  4. Headphone Quest 2002!
    By teddancin in forum Pro Audio Gear
    Replies: 7
    Last Post: 04-05-2002, 09:10 PM
  5. My quest for the silent PC
    By Johi in forum DAW Pro Audio
    Replies: 6
    Last Post: 03-06-2002, 06:54 AM

Bookmarks

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •