Hi!

Can I do this internally or I need to do it externally? what I mean is can I free up some tracks by mixing them, applying effects and recording them to a new and "free" track internally?

Cheers

Ok. here we go again..

I have heard that you can "customize" your mixer in R.ed.. How much can you customize it?

I suppose that you can have dynamic FX's on the mixer. can you have your plug's pre compressor? or pre compressor post EQ? how about: Plug>Comp>Plug>gate>Eq ?

In other words.. what can you do when talking signal flow?

From soundscape site:

Hi.

What is the latency of R.ED? From input to output and/or stereo bus. How does R.ED handles latencies produced by processing?
How about if you are using some I/Os as inserts, with different latencies?how do you compensate for this?

Thanks

Hi..

First of all, I'm new here, and let me tell ya. These forums are cool!

I have been interested in R.E.D for a wile now and I have a few questions, I'm going to keep them in different threads as it was suggested.

What does a producer look for in a demo?

"I want to know everything that we possibly can about what's going on. I want to see a photo. Also, I want to know how the demo was recorded and what it was recorded with."

Why is that?

Firstly, great list guys. I am a small studio using digi-001 and vs-880, and came across this list on the digi user conference.

I am needing advice on Micing and recording african percussion, namely Djembe & dun-duns.

One of my favorite classic compressors is the GATES Sta-Level, and the GATES Level-Devil. These compressors are sha-wheat on lead vocals. The Level-Devil does a Exp/Comp thing that's hard to imitate with any other gear.

I've been wondering about the sort of sound where you know you're listening to a drum machine and it's crappy in a cool, fuzzy, fizzy lo-fi way.

That Primitive Radio Gods hit, "standing outside yada yada", is the most comercial example I can think of, but refence points for me would be the first Satchell album and the Twilight Singers album.

Hi,
At work, we have two fully featured Pro-Tools systems. Synchronized together we can easily achieve a track count of 128, with lot of FX and EQ. But naturally that comes at a very high price tag.