Results 1 to 3 of 3

Thread: the most mics i've ever used on a drumkit

  1. #1
    Pro Audio Community rockstardave's Avatar
    Join Date
    Mar 2006
    Posts
    464
    Liked
    1 times

    Default the most mics i've ever used on a drumkit

    here's the file:
    www.rockstardave.com/per/drums.mp3

    here's the setup:
    Audix D6 - kick
    Shure 57 - sn top
    audix f90 - sn bottom
    senn e604 - tom1
    senn e604 - tom2
    senn e604 - tom3
    shure 57 - tom4
    cheapo's - OH/L and OH/R

    mics -> onyx 1640 -> g5 -> tracktion -> aiff -> 160kbps mp3

    i also mic'd the HH with an AKG c1000s, but it seemed unnecessary in this mix. also it picked up more snare than HH !!!

    ok so ... liberal EQ when requires (the kick sounds TERRIBLE raw). moderate compression where applicable (mostly kick).

    i could easily spend another 2 (or 50!) hours on this drum kit, but why waste my time if i dont want to commit to this sound?

    i know there's a bunch of things that i dont like about this, but i cant figure out what. THOUGHTS???

  2. #2
    Pro Audio Community Doomith's Avatar
    Join Date
    May 2007
    Posts
    86
    Liked
    0 times

    Default

    Imo the kick is abit boomy and middy.
    The toms sounds nice, but possibly also boomy as well.
    The hats and ride sound nice but the cymbals sound bad. What brand / model are the cymbals ?

    The snare sounds alittle choked, could be placement / eq.

    I reckon with some more EQ and better overheads you can make your kit sound alot better!

  3. #3
    Pro Audio Community tigert10's Avatar
    Join Date
    Jan 2008
    Posts
    30
    Liked
    0 times

    Default Good start....

    Hey...just a thought. When I record drums with multiple mics I find that my sound gets very weird...much like you are experiencing. A tip that I was given that works wonders is to: Rely on your overhead mics as your primary mix. If you spend the time to get the placement and eq of your overhead mics right you have a huge jump on getting a great drum sound. Then use the other close mics to compliment the overhead sound. Typically this means that the Kick mic and the Snare mic will boost that sound, but I find that toms usually sound better through overheads and need very little (if any boost from close mics).

    Try miking the kick drum with two mics. One near the sound hole in the from head, and one about 18" behind that at the same height as the first. I have found that this placement technique captures a more natural kick sound that is easier to eq for punch without being boomy. Hope this helps.
    I Enforce a RIGID Rule of Flexibility.

Similar Threads

  1. Sound absorbtion behind drumkit?
    By ThirdBird in forum Home Recording Forum
    Replies: 1
    Last Post: 06-11-2008, 07:05 PM
  2. Earthworks Drumkit System
    By backinthelab in forum Pro Audio Gear
    Replies: 2
    Last Post: 02-12-2005, 12:17 AM
  3. Drumkit from Hell
    By Mario-C. in forum Hybrid Recording Forums
    Replies: 3
    Last Post: 06-29-2003, 03:13 PM
  4. Assembling a drumkit
    By Dave Nyberg in forum Pro Audio Gear
    Replies: 2
    Last Post: 05-29-2003, 08:33 PM
  5. Time for a new drumkit
    By try2break in forum Hybrid Recording Forums
    Replies: 8
    Last Post: 12-19-2001, 03:15 AM

Bookmarks

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •