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Recall and automation in a hybrid system.

I use logic and in a perfect world I know exactly how I want to recall mixes. I would be able to freeze tracks with an I/o plug on it and I'd be done. However logic doesn't do this.

I can't record on aux tracks so that rules making stems when I route tracks to buses. Bottom line you can only bounce 2 mono or 1 stereo track at a time when bouncing in real time.

Calibrating Meters in a hybrid studio

Forgive some basic questions but I would like to hear this being explained like I was just starting out.

I assume the analog gear I bought is calibrated correctly but matching the levels between all my analog equipment (converters, summing amps and processors) needs to be matched so everything flows openly and sounds the best is can. Yes and why?

Summing Schmumming: this is what "hybrid" is all about!

I was mastering a song the other day, and (as happens quite often) I found that the Drawmer 1969 in my rack didn't sound quite as good as a certain plugin compressor I ABed it against. But rather than just go with the plugin and enjoy a faster-than-realtime render, I decided to experiment a little...

hybrid preamp around 600.. give or take 200

i was thinking the universal audio 710 twinfinity, that seems interesting
or maybe the summit audio
i wanted a hybrid but I'm not sure
i need a good vocal preamp
something with color
i was also looking at the universal audio 610 solo
or a modded golden age 73 with Neve parts and carnhill inputs
i use a hard disk recorder not a computer