Been doing a bunch of Jazz recordings this year and can never decide whether it's better in the mix to filter the acoustic bass mics below, say, 60-100, because of proximity boom or to leave it, turn down the bass a little and go with that more traditional sound which is less articulate, but fuller. When you filter, you can turn it up and hear lots of the articulate mids that you don't really get otherwise. I keep going back and forth on this and am going mad. With no HPF, it just sounds warmer and nicer, but the bass becomes less defined. What do you do?