Quick question for anyone who has messed around extensively with fades - When fading in or out whether it be through applause or into the first note of a piece or even out of a reverb tail, do you often deal with complex fades? Now, having asked the question, let me define the term I use "Complex Fades." I see this as a fade made from multiple fades overlapping. For example - a fade out could be made using half of a crossfade or using a volume automation. However, a complex fade could be made using both creating a potentially smoother and more realistic fade. I find myself needing to do this "complex fade" often especially on fade outs as the crossfade editor on many popular packages (including samp/seq) get to around -64dBFS and simply drop off. True, that's darn quiet, but if you have noise that you're fading out of, you will notice the sudden cut-off. Thoughts???