I have an Audix D6 that I use on the kick. 75% of the time I place it about 2-3" outside the sound hole. Lately I have been recording a lot of metal bands that want a clicky bass drum. This leads to compression and frequency boosts between 6-7k.The problem is that there is a lot of cymbal bleed into the mic, which wouldn't normally be a problem except that those frequency boosts bring out a lot of that bleed in the mix. I see the solution being to isolate the mic. But the only way I can see to do that is by placing it inside the sound hole. I have seldom been happy with the raw, mixing sound acquired with this setup. Is there a better way to isolate it? How would you mic and mix the kick for a metal band? Thanks guys!