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Percussion

Discussion in 'Percussion' started by Greg Malcangi, Oct 12, 2000.

  1. Greg Malcangi

    Greg Malcangi Member

    Percussion is an area of special interest for me. Anyone have any questions or topics to discuss?

    Greg
     
  2. audiokid

    audiokid Staff

    Greg, glad to have you on board!!!

    Drums are my passion, Santana is a love as well. beat beat and beat.

    I play guitar but I look forward to seeing some stuff in this forum.



    ------------------
    audiokid
     
  3. Ang1970

    Ang1970 Well-Known Member

    I have a question that burns my stomach lining whenever I think about it.

    Why is it that many drummers find the term "drum tuning" completely foriegn? Is there some conspiracy that actively prevents these guys from learning this? Or do they all miss the first day of drum school, thereby omitting the first lesson from their education?

    And how do you deal with it when it walks into your studio?



    ------------------
    --------------
    Angelo Quaglia
    AQ Productions
     
  4. SonOfSmawg

    SonOfSmawg Well-Known Member

    Ang,
    I think the key words in your reply were
    "drum school" and "lessons"...
    I know we've all worked with at least 100
    different drummers in our lives and careers,
    and think back... How many could you really
    call 'educated'? I've only worked with a handful that I could truly call 'musicians'.
    In my experience, drummers in general are usually treated as 'whores'. If you lose a drummer, you can have a new one ready to play by next weekend's gig...no?
    With the kind of lower-level experience that I have in recording, I've had to deal
    with mostly mediochre drummers, with poor
    skills and over-inflated egos, but I use it to my advantage! If you feed their ego, let them know how important their role is in the recording process, and get them to trust you
    in 'helping them' adjust their tuning and sound to best suit the song, they become more than cooperative. But, in my humble experience, expecting them to have any real knowledge of sound, recording, or electronics
    is just going to be an un-ending frustration.
    So, I've basically surrendered to the fact that, in 90% of the cases, I'm going to have to deal with it. It's just a 'given'.
    This whole thing, again, goes back to the
    'humanity' discussion that we had before,
    doesn't it?
    I think if you read my post here in 'percussion', and relate it to this topic,
    you'll see why I'm headed in the direction that I am when it comes to 'drums'...
    suit the song, they a
     
  5. SonOfSmawg

    SonOfSmawg Well-Known Member

    please ignore the last line of my previous
    message...typo...
     
  6. Ang1970

    Ang1970 Well-Known Member

    Just click the second icon from the right ( ) to edit a post...

    ------------------
    --------------
    Angelo Quaglia
    AQ Productions

    [This message has been edited by Ang1970 (edited October 14, 2000).]
     
  7. Greg Malcangi

    Greg Malcangi Member

    There are some very good, highly musical drummers out there. Unfortunately, they are really in the minority. IMHO, most drummers are not taught to play drums as a musical art form. They are taught, and/or learn, that drumming is instead a sport. Again unfortunately, the drummers themselves don't realize this.

    For most high quality musicians it is about personal expression through interpretation of the score. But for many drummers, even the majority of the famous ones it is first and formost about technique and in particular speed and power.

    There are some who are trying to change this trend but it's going to take a long time to filter through to the average session player.

    My 2 cents worth,

    Greg
     
  8. Greg Malcangi

    Greg Malcangi Member

    Re drum tuning:

    In the percussion world the drum kit is categorized under the "untuned percussion" category. This leads many of the average drummers to infer that they therefore don't need to tune thier drums. However, this isn't true of the top class drummers, many of whom are almost fanatical about the tuning. The extreme is Terry Bozzio. Terry tunes his enormous setup to a standard muscial scale and even has a couple of octaves of cymbals specially made. The end effect is that Terry can virtually play melodies and harmony on his kit.

    Greg
     
  9. SonOfSmawg

    SonOfSmawg Well-Known Member

    I never knew that about Terry Bozzio, very
    interesting. For those who wish to go to that extreme, electronic drums could make that type of precision a breeze, if a drummer with that sort of knowledge and
    expertise were willing to give up the acoustic feel for the technical aspect.
    With the type of 'small time' recording that
    I do, I find that dealing with acoustic drum
    kit recording, and 'small time' drummers is
    a major problem. I feel that a good electronic kit would solve a lot of issues
    for my clients and myself, and in most cases would yield a better overall sound and tremendously decrease studio time, therefore
    saving my clients money, and saving me headaches. Not to say that I still wouldn't
    use acoustic drums if the client wants that,
    but I believe that having a great electronic kit available will be a great selling point for my type of very small studio.
    I don't have any drum kit at this point, and
    require drummers to bring in their own kit.
    Each kit is way different, and requires a lot of micing and tweaking. It's quite time-
    consuming. Since I also use my system for my own personal recording, I definately feel
    that with my limited budget, an electronic kit will best suit my needs, and give me the
    most 'bang' for the buck (pun intended).

    [This message has been edited by SonOfSmawg (edited October 17, 2000).]
     
  10. Greg Malcangi

    Greg Malcangi Member

    Hi SonOfSmawg,

    Having spent many hours in conversation with Terry I seriously doubt that he could be persuaded to use an electronic kit. I think in your situation though an electronic kit is almost certainly the way to go.

    FYI: Even with a single drum in a real kit there is a substantial range of tone colours that can be acheived by using different strokes, different sticks, striking the head in different places and any combination of the above. Electronic kits can't give you this range of tone colours. These variations in tone colours are a large part of the armoury of musical tools used by a musical drummer like Terry to create the illusion of musical expression.

    Greg
     
  11. SonOfSmawg

    SonOfSmawg Well-Known Member

    Greg,
    Yeah, I realize the whole 'tonal expression' thing you're talking about. But,
    with my lackluster drumming, and the size of my studio, indeed electronic drums will best
    suit my needs. When I play an electronic kit, it actually sounds better, because it sort-of evens out the sound. My control and skills are not within a mile of Terry
    Bozzio's, to say the least! The same applies to most of my small-time clients. If a client really wants to use acoustic drums, they will still be able to bring their own kit, which I believe most drummers would prefer to do anyway.


    [This message has been edited by SonOfSmawg (edited October 17, 2000).]
     
  12. Greg Malcangi

    Greg Malcangi Member

    << When I play an electronic kit, it actually sounds better, because it sort-of evens out the sound. >>

    This is the great advantage of electronic kits. The mic'ing, EQ'ing, compression and other processing of the sound has already been done for you. The disadvantage is that they sound sterile. In some forms of music (eg. techno & dance) this is what's required but if you want a "real kit" type of sound you will have to do a great deal of work to reach even a barely acceptable sound.

    Greg
     
  13. SonOfSmawg

    SonOfSmawg Well-Known Member

    Greg,
    Yeah, I am well aware of the drawbacks of
    electronic drums. By the way, I am very grateful for all of your help, thank you.
    I, personally, am not a big fan of traditional timekeeping and 'fill'. I'm sure
    that the first instrument was some sort of a
    drum, so being the nonconformist that I am,
    I am interested in exploring other possibilities in my own compositions. Are
    you familiar with Bela Fleck and the Flecktones? I love what Futureman does. He
    keeps the time, and fills things out in such a unique way. Did you ever hear of a song called 'Jane's getting serious' by John Astley? Again, very unique. So, electronic
    drums are going to help me pursue my ideas.
    There are many reasons for my choice to go
    with electronic drums, but it's very important to me that I find the right components to fulfill my needs. So, anyway,
    I'm going to go 'surf' for that 'drumkat',
    so until next time...happy trails...
     
  14. Greg Malcangi

    Greg Malcangi Member

    << Are you familiar with Bela Fleck and the Flecktones? >>

    No, Sorry.

    << Did you ever hear of a song called 'Jane's getting serious' by John Astley? >>

    It rings a bell but I can't specifically remember it.

    BTW: The TrapKAT with a KickKAT is the business but if you are on more of a budget the DrumKAT is still a good piece of kit. The KAT range is distributed by Alternate Mode: http://www.alternatemode.com

    Greg
     
  15. SonOfSmawg

    SonOfSmawg Well-Known Member

    Greg,
    Went into the Kat site, but definately not what I'm looking for. I've been cruising a lot of different sites, giving things a lot of thought, and now have a pretty good idea of the direction I want to go. There's
    a lot more out there in this area than I realized! Some pretty kewl stuff!
    And now, I hope I won't open up another
    can of worms with you, but I'll make a
    suggestion ...
    I'd like you to check out those songs/artists that I was telling you about.
    Napster has both artists. 'Jane's getting serious' is by Jon Astley, and a cool Bela
    Fleck song is 'The Sinister Minister'.
    If you're not 'anti-Napster', I hope you will
    consider listening to these songs, they may
    be very enlightening to you...
     
  16. Ang1970

    Ang1970 Well-Known Member

    LOL

    Ang runs into the room, douses the topic with petrol, flicks a match, and....
     
  17. SonOfSmawg

    SonOfSmawg Well-Known Member

    AAAAAAAHHHH...I'M MELTING, I'M MELTING...
     
  18. SonOfSmawg

    SonOfSmawg Well-Known Member

    Well, thanks guys !!! You come in the room,
    douse it with petrol, then hit it with a flamethrower! I WAS actually having a good conversation up until then...
    That's OK, I'm doing my own research, and having fun. There's a lot of electronic percussion products out there. I'm getting a good education, and learning that you definately don't have to spend a fortune to
    have an awesome system. I'll keep you all
    posted on some of my findings.
    By the way, audiokid and Ang...
    Was it my reference to Napster that made you
    want to set me aflame?
     
  19. audiokid

    audiokid Staff

    Maybe....

    You know I am always looking at things in the way of learning. I would like to discuss more on napster. lets go........

    Can we use napter to our advantage or is it killing us. Never been there.

    Lets start up a cooker.
     
  20. Ang1970

    Ang1970 Well-Known Member

    I just wanted to see the burning folder

    All Napstered out right now.. take a raincheck?
     

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