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Recording Society?

Discussion in 'Studio Lounge' started by ImaginationBlue, Sep 4, 2007.

  1. Hi, I am new here, and grateful for any attention and help with my questions.

    I am attracting some work of late for the music I write, produce and record myself, and though I have experience doing this, I have little experience with the business/legal end of it.

    I have music I sell as a complete arrangement- a song- and also loops and beats.

    I am thinking of joining ASCAP.

    1 Does ASCAP help you get paid royalties if a piece gets used in Film or TV? Or is that something they don't deal with?

    2 If you were selling a beat, or a short loop/arrangement to an artist or producer (or buying one as an artist or producer), they are usually license free, right? So does that imply you do not register this with your recording society?

    3 When ASCAP collects royalty money on behalf of an artist, they keep a portion of this? If so, how much?

    And if so, could it be that this functions sort of like a record company, in that they charge more so they can get money for you and for them? Or is it, from the perspective of a venue or other entity that might use your music, pretty reasonable?

    4 Why even publish your music? Obviously you copyright it, and then you negotiate if someone wants to use it. What is the advantage to publishing?

    What if you were to get your music placed in a TV show, for example, and you did not belong to a PRO? Would the TV or film music supervisor be less likely to want to work with you if you didn't have a publishing company set up...? Or is it just that you go in at risk of losing money if they try not to pay you?

    I understand these are a lot of questions. If you only respond to one or two that's fine. Thanks so much!
     
  2. Thomas W. Bethel

    Thomas W. Bethel Well-Known Member

    Best to go to the ASCAP or BMI website and so some reading. If you are really concerned with your performance rights then you should seek out the advice of an entertainment lawyer who can give you good legal advice.
     
  3. If anyone else has advice on this, would be much appreciated. Thank you.
     
  4. sheet

    sheet Well-Known Member

    I would read the ASCAP and BMI literature, join up and get an entertainment lawyer to handle the business and legal paperwork. Some offer a package of generic contracts that are customizable.

    The current music business model is crap. Unless you have deep pockets, YOU will have to make sure that you get paid. ASCAP and BMI are only as effective as people's respect for them, for you as an artist, and for the law.
     

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