David Gray's track "The One I Love" from the album "Life in Slow Motion" has all the low end in stereo, which is against everything I've ever heard recommended for mixing bass. The track was mixed by Andy Bradfield, mastered by Bob Ludwig, and to be honest, I really enjoy the fresh sound of this stereo bass when listening with headphones. I converted it to mono, and as expected from a pro track, I didn't hear any significant cancellation (although I have yet to listen with a sub-woofer). Is this a mixing decision by Bradfield or a mastering trick introduced by Ludwig? Does anyone have any recommendations for achieving this stereo bass sound in the mix? Thanks for your input!