I have a theory. No gear to test it out yet though. As we all know when we eq the left and right channels differently of a stereo recording the image "feels" wider. Correct? Now. How about if we were to record drums with a different mic and pre for the left and right overheads? Surely that would sound huge compared to the old "acoustically matched pair on both sides" deal? One could use a mic and pre that is flattering for the crash on the one side and one for the ride on the other, for instance. Anyone tried this before? Wilding.