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Strategies obliques

Discussion in 'Pro Audio Equipment' started by volodia, Jul 22, 2002.

  1. volodia

    volodia Guest

    This is the name(in french) of a set of playing cards by Brian Eno who are supposed to help your creativity when you're stuck (for example assign the drum prog to another instrument..),but I was just thinking that many times great creativity comes from errors(Is it called serendipity?) do you have such experience and do you have strategies to let "errors" happen.
     
  2. droog

    droog Active Member

    Joined:
    Nov 3, 2001
    it's a common strategie, imo, eg, yesterday i flicked through the (other)oxford, to seek ideas for lyrics at random

    in recording, i leave myself purposedly open to 'mistakes', or 'freudian slip-ups'

    my understanding of it is that we get too stuck in a linear flow, and errors allow us to 'lateralise' the process (de bono style)
     
  3. RecorderMan

    RecorderMan Distinguished Member

    Joined:
    Mar 28, 2001
    I live for happy-accidents.
     
  4. BrockStapper

    BrockStapper Guest

    I am a happy accident...
     
  5. BarefootStudios

    BarefootStudios Active Member

    Joined:
    Feb 9, 2002
    I believe Eno actually called it Oblique Strategies. Very cool idea! He would write things on flash cards---moods,musical styles,etc,and put them in front of unsuspecting players in the studio! Yikes. My writing partner and I were in a lull the other night,and I tried another approach. I wrote down a buch of chords (mag,min,7,9,11.etc)on a big piece of paper.I tore it up,chord by chord (no pun intended,but the little chord papers squares into a lunch bag,shook it up,and we picked the chord sequence for our next hit! I'll keep you posted.
     
  6. BarefootStudios

    BarefootStudios Active Member

    Joined:
    Feb 9, 2002
    I believe Eno actually called it Oblique Strategies. Very cool idea! He would write things on flash cards---moods,musical styles,etc,and put them in front of unsuspecting players in the studio! Yikes. My writing partner and I were in a lull the other night,and I tried another approach. I wrote down a buch of chords (mag,min,7,9,11.etc)on a big piece of paper.I tore it up,chord by chord (no pun intended),put the little chord papers squares into a lunch bag,shook it up,and we picked the chord sequence for our next hit! I'll keep you posted.
     

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