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Sytek Headroom

Discussion in 'Pro Audio Equipment' started by spratz, Mar 7, 2002.

  1. spratz

    spratz Guest

    I tracked a college rock band this past weekend and I grew a bit fustrated with the limited headroom on my Sytek mic pre's.

    I used them on a SRW bass cabinet/RE-20, a fender amp/M-88, snare/57, and kick/TLM-103. I had to move the kick to a different mic pre because it would overload with the gain all the way down. The mic was about 3-4 feet in front of the kick.

    On each channel I could not really get the gain I wanted going to tape without clipping the mic pre. I guess I could have put a compressor on the output as another gain stage. Any good solutions to this problem? I love the Sytek's but the lack of headroom has me thinking I might be better off selling and picking up a GR-NV.

    Thanks,
     
  2. ironsheik

    ironsheik Guest

    Well, I don't know about how loud the bass/guitar tracks were, but drums usually clip any pre I've used without at least a 15db pad. I just bought a couple adjustable pads which ought to come in really handy since my console only has a 30db pad which is a bit extreme for most cases. Maybe you should do the same?
     
  3. Bear's Gone Fission

    Bear's Gone Fission Active Member

    Shure variable pads. They are too cheap, too transparent, and too useful not to have at least a pair. I'd definitely pad down at least the TLM-103, an already hot mic, and in this case used on a really loud source. Once you are in the input headroom range of the Sytek, there out to be enough clean gain to put to use.

    Bear
     
  4. anonymous

    anonymous Guests

    Certain mics are all but unuseable without some kind of external pad. That's the one nice thing about the AKG 414 series - plenty of pad options. On the other hand, the TLM 103 and the Earthworks QTCs are so hot they barely need preamps at all! Whirlwind makes the "IMP PAD" - a clean inexpensive in-line device that works just fine.
     
  5. spratz

    spratz Guest

    Thanks.

    I will look into the Shure's. I built a couple in-line attenuators a few years back when I was doing live sound. It never crossed my mind as an option. Thanks again.
     
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