I know there are lots of solutions for the Snare HH problem - but I want to ask if anyone has tried this: Stick an omni between them as the mic for both. The theory would be that you'd be getting most of it off the overheads anyway, and you are looking for shell sound from the snare in the close mic. At least this way, you would get control over the snare and HH levels as a group, and NOT have any bad off axis sounds from either a snare or HH mic. Its kinda risky depending on the player - but you could always move the omni around to accomodate the correct balance. thoughts?