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Message: [QUOTE="RecorderMan, post: 261331, member: 49055"] I don't know about anyone else... but any of those will work for you... all microphones are like lenses and filters to me. If the room and cymbals are really bright and I need to compensates I'll use some ribbons on the OH... out in front of the kit. If it's metal and i want bright and tight then the 451's... if i had nothing but one sm57, then it could work... i would just palce it uniquely... there are few "bests" as opposed to many options. Maybe... get the most inexpensive pair and see how they work for you... if they do you have money for something else... i [/QUOTE]

Verification: If I broke one acoustic guitar string, how many would I have left?