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Originally posted by
Doc@BeefyTreats.com:
Anyone had experiences with these beasts? Anyone able to compare and contrast? I am sick of computer recording and want something else that is hard disk based (I like the copy/paste and undo functions, it's true). Any ideas? Doc
OK doc....... i've owned the alesis adat.... loved it - but it has it's limitations.. one of which is that it's linear (as has been noted by others) and also that the tape itself develops tensioning problems and degradation of the media with time.
The Mackie MDR 24/96 is what i am working with now. There are some problems with the time clock..... although the occurances are far and few in between.... and the few times that i have had problems (one was a time shift of a section of track that i had copied because the musician's playing volume wasn't consistent - which completly dissapeared from the time hack - only to reappear about 2/3 of the way through the recording) - BUT (the big but) i have always found success with the UNDO command. Thus i have never had a problem which was unrecoverable.
When i do have this occurance i simply close the song i am working on and reboot - not a killer - and then she works fine for months on end..... my problems have only been maybe 4 or 5 times since i purchased the gear - and i have had it for almost 2 years.
I suppose the big question is - would i purchase another mackie - and the answer is yes - although my next purchase will be a HDR 24/96 - which i will be able to slave the one i have now to - and which utilizes a computer key board, monitor and mouse to allow software editing without the need for a seperate computer system.
All of that having been said - i personally now would never return to tape for initial recording.
I might consider mixing down and going to analog if i wanted some of the warmth (personally i don't see this as an issue at this time) but i get everthing in the world i want with disk.
I love the ability to have a take absolutely perfect except for a single bass note - and slicing 5 or 10/1000 of a second out so i don't have to re-dub. Or pushing something forward the same for perfect sync.
I would not do this much work for a track that was botched - but damn it's nice for that occassional slip.
All of that having been said - i have never worked with the other digital recorders - and (as i have mentioned more than a few times on this site) i am not a professional sound engineer - but i would have to believe that any of those recorders would be in the same class or better. It just so happened that at the moment where my particular illness (the driving desire to buy more gear) struck me on that particular day - i was standing next to a mackie deck.
Happy hunting
Rod