I have been on the boards about 5 months, and I didn't realize you were Cleveland until today. I am Akron until I finish grad school, then elsewhere.
I am starting to get this mic game! While I don't know the character of these particular mics, after reading this post I totally get what's going on with the placement. I have performed jazz and blues, and have heard solo piano, so I can relate to why you would position your microphones in those various manners.
Oh yeah?
Why don't you give me a call some time and we can maybe shoot the breeze. If you want to come up the Cleveland and check out my studio, I would be glad to make the time.
btw, I've been working with quite a few Akron bands lately
(Six Parts Seven, Houseguest and Good Morning Valentine)
I like the sound of Sennheiser MKH 20s on a piano. If I had money I'd like to use an AKG C426 as well. Over on the acoustic music forum there's a few threads that might interest you.
AKG C426B in M/S is unreal in a good room. I also like 414's in either blumlein, m/s, or x/y...especially the older ones with the ck12 capsules.
I love my Schoeps cmc6/mk4's - usually in a spaced pair. I also have like the km184's at times, but they're kind of hit and miss depending on the piano and the room.
My all-time best sound was definitely with the akg c426b...through a mackie pre at that! I was in an amazing room though.
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