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Message: [QUOTE="BobRogers, post: 259893, member: 28855"] Remy- More details on the over/under technique please! I assume this was on a five piece set. I'm imagining the mics one foot to the side and slightly in front of the mounted toms pointed in toward the toms - right? Bonus - no need for good boom stands. Back to the main question. [[URL][/URL]="http://danalexanderaudio.com/glynjohns.htm"]The Glyn Johns setup[/[URL][/URL]] would probably work well with two dissimilar mics as overheads. I think the basic idea here is not to think of them as a pair, but as two individual overheads that will complement each other when mixed. So something like one over the snare and one as a room mic in front of the set might work as well. [/QUOTE]