As I'm new to this forum, I'd like to give a little background about me. I'm a hobbyist who doesn't record/mix/master for commercial use at all.
Just a hobby that went completely out of hand and used solely to track rehearsals and make a "decent" recording once a year.
- 2 electric guitars running signal through pedal boards
- Semi acoustic guitar, during rehearsals tracked via jack, during recording sessions tracked using mics
- bass running through pedal board: 1 active & 1 passive bass, depending on the sound I want
- Rehearsals: Yamaha DTXpress III ... which sounds awfull by the way! But it does the thing.
- Recording sessions: multi miced acoustic set (OH's mostly XY or spaced pairs and shells close miced)
- Oboe: miced
- Blues harp: miced and running through a pedal board with DI box at the end of the chain
- Vocals: miced
- to gain some space
- to use touchOSC and prevent me from running hence and forth like a horse on speed during rehearsals
- to make use of DSP
- Cubase 10 Pro
- 2 x MOTU 2408 mk3 & 2 x MOTU 2408 mk2 (mk2's used rarely)
- SPL Goldmike 9844 going to A&H
- Some outboard effects - cheap and old and used for monitoring only
- Allen & Heath GL2400
- direct outs going into motu's
- used for monitor mix, which is routed to PreSonus HP60
I would make use of cuemix and DSP hoping to achieve a decent monitor mix and reduce latency to a minimum. I use effects to make the oboe, harp and vocals sit in the mix nicely and to spice up the mix in general in case it's needed.
Meanwhile, I would record the sessions in Cubase.
- Would the above be a good decision?
- Will I be able to control Cubase and cuemix using TouchOSC at "the same" time? I was thinking that switching templates might do the thing, but I have no experience whatsoever.
- Do I have to take high/low impedance inputs into account?
- I read that the motu's have an onboard jumper to switch inputs between high and low impedance
- If so, which of the above instruments should be switched to high impedance? (I told you i'm a hobbyist :barefoot:)
- Are there other things I really have take into account?
Any advice is very welcome. It's not that I'm too lazy to do research, cause i did.
It's just my humble opinion that feedback based upon experience is of much more value than reading an article.
I also want to prevent the effort of changing the setup, leading me to switch back to the original setup a few days later.
Many many thanks in advance for your feedback. Even calling me a fool for asking or even thinking about the above will be perceived as valuable feedback.
Thanks for the feedback, bouldersound! The mk3 does NOT (editte
Thanks for the feedback, bouldersound!
The mk3 does NOT (editted) have DSP.
When we record with an acoustic drum set, I would still use the A&H anyway. I just can't and won't spend that much money on that many "decent" pre's.
We rehearse in the cellar, where space is really limitted. That's why i consider getting rid (not selling) of the outboard. For the once-a-year-recordings, we go to the Ardens (Belgium) and rent a house for a week of music, fun, beer tasting, .... the full package ;)
I fully agree with you on the A&H, allowing monitor mixes and effects. Above that, I just love working with hardware. The feel of faders, buttons, potentiometers cannot be replaced by touchscreens and certainly not by mouse clicks. I just need the extra space, so I need to compromise/sacrifice.
I planned on using the 2 channels of the SPL for the vocals and the oboe.
I was hoping it would be possible to connect the other instruments directly to the mk3's, but that's what I'm unsure about. I don't know if it will decrease the "quality" of the recordings and I struggle with high/low impedance of the instruments.
Does the 2408 Mk3 host onboard eq, compression and reverb? I tho
Start to get your point, bouldersound! I presumed DSP came with
Start to get your point, bouldersound!
I presumed DSP came with onboard effects anyhow, but that's not the case if I understand you correctly.
Upgraded my mk2's to mk3's very recently. I'll check it out this evening, but assume I know the result by now.
Another amateur caught by his own lack of expertise, I'm afraid
Did the test and indeed no onboard effects. Even more: cuemix sh
Did the test and indeed no onboard effects. Even more: cuemix shows up in "basic" layout. So no Input/Mixes/Output tabs, which I did not expect at all.
Bummer, but I'll have to do it with what I have.
I'll quickly post this reply, so I can start punching myself in the face
I think for the most part you're going to need preamps to drive
I think for the most part you're going to need preamps to drive the 2408s. The GL2400 provides those, and it gives you a way to generate monitor mixes and add effects. I can see how it's a pain to run over to the mixer to make changes, but I don't know how you're going to replace that function without getting a bank of preamps and relying on CueMix for input monitoring. Also, I don't know how you would add series effects (like compression) unless the Mk3 2408s have DSP in them. I use a 2408 Mk2 and a 24i, neither of which have that kind of processing in them.