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Description
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and in some instrument amplifiers.

Analog vs. plugin compression- fundamental differences?

I have to confess that I often have difficulty telling whether my compressor plugins are actually functioning. I do not hear them the same way as I hear an outboard compressor in a guitar rig. Is this typical? Are plugin compressors more subtle? Does anyone else have difficulty hearing their plugin compressors at times?

General principles of applying reverb and compression- Stereo bus, or tracks?

I am puzzled about where I should be applying my effects, and whether there is any detrimental effect to summing effects in serial. Let's say I have guitar, bass, and drum tracks, and that they benefit from some processing. Should I be treating them individually, say by soloing the track and adding effects there, or should I be adding reverb and compression to all of them in the stereo bus?

Gain automation before compression - how much is too much?

Ive been experimenting with gain automation for my mix, its sort of a necessity for the music Im mixing - not because of major recording problems, but simply to get as much dynamic range out of the music and have it as natural as possible. Ive read a couple times andy wallace does this, along with a few other engineers, but think he does it after compression..

the old simple days of recording compression the only "effect"

hey guys, I am not a recording engineer, am familiar with making demos at home, but have always flirted with home recording vs studios.

I was watching a special about Sun Studios and how they had no eq, and that everything had to sound good when tracking. If you wanted to a different eq, change your amp settings/move the mic.

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