Hi, i have recorded a 24 tracks concert with an Alesis HD24 at 48 khz and 24 bit, i imported it in logic and mixed it, now, I am going to bounce on 2 tracks, to go to a mastering session.
so what is THE correct work flow, bouncing and sample rate conversion with logic and l3 at the end as last plug in?

I'm buying a new converter and interface for my MixDream hybrid DAW system and a modest attempt in mastering that I call polishing at this point.
I need 16 IO and an interface. The Prism ADA-8RX or less expensive RME are in the running for me.

Hello :smile:

I have a couple of conversion questions that I hope you can help with:

Downconversion side-effects
I may soon need to down-convert samples with a high sample frequency to a somewhat lower sample frequency, where the lower sample frequency is a direct division of the higher sample frequency (e.g. from 800 kHz to 100 kHz).

Hello,

Does anyone know why this happens: e.g. I record a note (D) on my flute at 24bit - 48KHz, it plays back as the same note in Cubase 4 LE then when I mix the track down to 16bit - 44KHz and play the new .wav file in windows media player or VLC the sound is much sharper in pitch nearly a F.

So I have a Pro Tools session of some drums on a CD, however I don't have Pro Tools, I have a Mac OSX 10.5.4 With Logic. I tried just opening the audio files from the session but I got a message in Logic saying it couldn't create an overview for the track. I figured it would have worked fine because they're only just the .WAV files. Any idea how to get them into Logic?

Thanks

Hi all,

I have a knowledge problem.

I have been recording in a Boss BR900CD and it records in 24 bit. I've done 2 tracks for a friend of mine and she is going to put them on her forthcoming debut album. Obviously I'm relatively new to recording.

Hi, i have just bought a PreSonus firepod from the states and will be using it in australia but i need to get the power conversions right in case i dont blow anything up :D. (the PreSonus adaptor has an input of 120VAC 60Hz 0.4A ans an output of 15VAC 2000mA).

Just wondering what has the best A/D conversion between the EMU 1616 or the Onyx Firewire card.

hi all :)

all stuff producers will tell you that recording at 4872394879bit sampling rate is what you truly need to sleep well and have great success with girls...but...who really need high bitrate sampling?
Which is the REAL difference between recording at 16 or 24?

it seems that a lot of people are confused on when exactly you use A/D conversion, myself partly included. my understanding was that it is really only necessary to use it during recording to analog reel to reel, then transferring it over to your digital recorder/interface.